Facing national historical guilt in teaching history: a comparison between Australia and Germany

Author(s):  
Hanna Rosalie Wortmann
Keyword(s):  

Both Australia and Germany look back on a poignant past full of unprecedented cruelty. However, the way of dealing with this past and with the national historical guilt associated with it seemingly differs. This difference becomes particularly apparent in the way their own history is taught in these two countries.

Tempo ◽  
1944 ◽  
pp. 104-107
Author(s):  
W. H. Mellers

We are often told that there is to-day a promising efflorescence of musical culture in this country; that the public for ‘good’ music is growing rapidly; and that more adequate provision must be made for music in the post-war reconstructed world. Substantially I believe all this is true; but it does also seem to me that much potential cultural vitality may be wasted if these conclusions are accepted too easily, without enquiry into the premisses on which they are based. What do we mean by musical culture? What do we expect music to give us? The mere quantity of music played tells us nothing; we want to know what kind of relation the noise has to the society that produces it, we want to know what bearing it has on the way people live. If we look back a moment to consider some of the things that music has meant to people living before us, we shall soon see that our problems are peculiarly difficult, and that we may well need a virtually new technique to deal with them. A refusal to see our educational problems against the background of history will lead to confusion and incompetence in musical culture as in everything else.


2012 ◽  
Vol 9 (4) ◽  
pp. 548-568 ◽  
Author(s):  
Michael Stewart

This article examines Red Road as a melodrama and woman's film. It argues that the film is traductively real and melodramatic, and that conceiving the film in melodramatic terms is contrary to the way in which it has been defined in public discourses and academic analysis. Red Road is film melodrama in a number of related ways, via: tropes of narrative and character; a tendency to look back, work through and act out in a melancholy and melodramatic fashion; an emphasis on familialism and redemption; and the nomination of its central character as a woman and mother. Red Road is a maternal text in familiar and complex ways – for example, in the way in which CCTV is inscribed with guardianship and care, and also via Jackie's presentation as a sexual and narrative riddle and other-worldly figure. Jackie's sphinx-like status, the paper argues, connects with Red Road's multiple and twilight qualities, and this is supported by the film's affective elements, including its treatment of the Red Road flats. This treatment helps to engender Red Road's qualities not only of redemption and rebirth, but also of memory and revision.


2019 ◽  
Vol 15 (3-2019) ◽  
pp. 180-197
Author(s):  
Marianne Kristiansen ◽  
Jørgen Bloch-Poulsen

This is not an ordinary article. It was written in response to some questions that the current and the former IJAR editors-in-chief asked us to reflect on. We did so gratefully, because this was a good opportunity to look back on 25 years of doing AR in organisations. The article describes four challenges of future organisational action research. Firstly, in the future an increasing number of skilled employees will make it necessary to move from co-influence of how to implement goals, to a greater degree of co-determination. Secondly, the article argues there is a need for an increased focus on documenting AR processes. Thirdly, the article calls for more selfcritical reflections on the concrete ways action researchers exercise power. Fourthly, questioning the possibilities of doing AR in organisations will become important in the future, due to socio-economic conditions such as lack of time. The article is based on a four-year research project that we carried out on various American and European approaches to action research in organisations in the 20th century. It includes, too, a description of our different personal ways into AR and some of the AR concepts we developed along the way.


Author(s):  
Kirsten E. Shepherd-Barr

From 1940 to 1960 some of modern drama’s most famous plays were staged: Tennessee Williams’ A Streetcar Named Desire (1947) and Arthur Miller’s Death of a Salesman (1949), attaining a new kind of tragedy and a particularly American brand of realism; and, in London, Beckett’s Waiting for Godot (1955) and John Osborne’s Look Back in Anger (1956), introducing, respectively, the ‘theatre of the absurd’ and a new linguistic and emotional brutality, inaugurating an era of ‘kitchen sink’ realism. ‘Salesmen, southerners, anger, and ennui’ shows how these radically different dramas expanded plays’ subject matter as well as their formal and linguistic properties; in particular, they changed forever the way language (and silence) worked on stage.


IIUC Studies ◽  
1970 ◽  
Vol 4 ◽  
pp. 41-48
Author(s):  
Salma Haque
Keyword(s):  
Post War ◽  
The One ◽  

John Osborne's play Look Back in Anger created history in England when it was first staged on 8 May 1956. It depicts the disillusionment and rebelliousness of post-war youth in Britain. The suffering hero Jimmy Porter is the representative of this generation with nowhere to go. Having lost the war against society he fights for a place of his own in domestic relationships and dominates the action of the play. Though "Look Back in Anger is the one- man play per excellence." 1 Helena Charles, the friend of Jimmy's wife Alison, makes her presence felt in spite of his dominance in the play by her guts who stands up to Alison's defense. Later she falls to Jimmy's bait easily, becomes something like his mistress and then leaves him and thus paves the way for a reconciliation between the husband and the wife. This paper aims at studying Helena's arrival and departure and how do they contribute to the reunion of the estranged couple   doi: 10.3329/iiucs.v4i0.2690      IIUC STUDIES Vol. - 4, December 2007 (p 41-48)


2012 ◽  
Vol 10 (1) ◽  
pp. 65-78 ◽  
Author(s):  
Eileen V. Pitpitan ◽  
Seth C. Kalichman ◽  
Lisa A. Eaton ◽  
Steffanie A. Strathdee ◽  
Thomas L. Patterson

2018 ◽  
Vol 4 (1) ◽  
pp. 206 ◽  
Author(s):  
Barbaro Gallo

There is an increasingly expanding movement happening in classrooms across New Jersey towards teaching history through an inquiry designed program. For educators, participation in New Jersey History Day (NJHD) is a vehicle to teach history for all the reasons that make it such a critically important subject in a student’s education and provides an opportunity for students to engage in historical research. Working on an NJHD project teaches critical thinking, writing, and research skills and boosts performance across all subjects. Along the way, sometimes by design and sometimes by chance, students are enriched by learning about the history all around them in their home state of New Jersey.


2019 ◽  
Vol 41 (1) ◽  
pp. 16-20 ◽  
Author(s):  
Eric Scerri

Abstract Since the periodic table has reached the ripe old age of 150 years it may be an appropriate time to look back at the development of this unique scientific icon. It is also an opportunity to look forwards to any changes that the periodic table may undergo in view of the ever-growing list of new elements that continue to be synthesized. The way that the past and future will be examined in this article will be to follow a main thread that focuses on the number of columns in the periodic table at various stages in its development.


2010 ◽  
Vol 22 (1) ◽  
pp. 95-120 ◽  
Author(s):  
Jai B. P. Sinha

As I look back at about 45 years of my research journey, I see three somewhat overlapping phases showing that my research has co-evolved with the way I have related to my milieu. The first 15 years witnessed my struggle to outgrow the alien framework by conducting research that, I thought, addressed the most salient socio-cultural issues in the Indian context with the methods that seemed to be the most appropriate. For the next 15 years, I tried to claim a legitimate space for my research on the international landscape. My encounters there—enriching and yet frustrating—led me to realise that I can at best be an Indian cultural psychologist. In the third phase, therefore, I returned to focus on my ongoing interest in organisational behaviour that I believe is deeply embedded in the Indian societal culture inheriting psycho-philosophical thoughts from the ancient time. Hence, I have been exploring, through multi-authored, multi-centred and multi-methods research, how the ancient Indian wisdom has filtered through contemporary experiences to create an inclusive Indian mindset that manifests in social and organisational behaviour.


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