Conclusion

Author(s):  
Christopher A. Cooper ◽  
H. Gibbs Knotts

The concluding chapter ties together key findings from previous chapters, highlights the book’s theoretical contributions, building on the social identity literature reviewed in chapter 1. The concluding chapter reinforces the idea that southern identity remains, but that the shape of twenty-first century southern identity is different from twentieth-century identity. The concluding chapter closes with a discussion of the future of southern identity and a prediction that regionalism and regional distinctiveness will only become more pronounced in an increasingly interconnected world.

2010 ◽  
Vol 40 (4) ◽  
pp. 551-578 ◽  
Author(s):  
Andreas Hess

Although by the twentieth century, industrial-capitalist fishing methods were already disrupting the Basque fishing brotherhoods (cofradías), the collective voice of the fishermen and their communities, artisanal fishing, and the traditional customs surrounding it managed to survive for a few more decades. At the beginning of the twenty-first century, however, the future for local Basque fishermen looks bleak. Due to factors beyond their control, the brotherhoods, which for a long time guaranteed both an ecological balance in the sea and common wealth among the fishermen, have become totally defunct.


Author(s):  
Brian R. Cheffins

The seventh and concluding chapter of The Public Company Transformed extrapolates from trends the previous chapters have identified to speculate on the future trajectory of the public company. Salient developments from the 2010s are taken into account, with particular emphasis being placed on those implying a path different from what would be anticipated given events occurring from the mid-twentieth century through to the opening decade of the twenty-first century. This chapter argues radical departures from present day arrangements are unlikely any time soon. For instance, recent predictions of the imminent demise of the public company appear to be wide of the mark. That means the transformation of the public company the book has described should end up being part of a larger story yet to be written rather than being a public company epitaph.


Author(s):  
Deborah Avant

Abstract What has made the United States a global leader? Though analysts often attribute American success to a combination of resources and ideas, a subtle undercurrent in these arguments points to pragmatism and the creativity it often generates as an important part of the story. First theorized by American philosophers in the nineteenth and early twentieth centuries, pragmatism emphasizes that creativity can reshape how we see norms and interests to make cooperation more likely. After discussing the basic elements of pragmatism and its intersection with prominent international relations arguments, I show how the creativity that pragmatism envisions appears in each of these books. Though the collected authors do not label themselves as pragmatists, piecing these pragmatic elements together demonstrates the importance of creativity for key global leadership moments in the twentieth century, as well as important, if under-appreciated, governance innovations in the twenty-first century. It also offers insights into how the United States might move into the future.


2012 ◽  
Vol 5 (1) ◽  
pp. 25-56
Author(s):  
Jimmy Beaulieu

A brief historical overview considers a number of factors that were not propitious for the development of a home-grown comics culture in Quebec (notwithstanding the popularity of a few noteworthy artists) including the impossibility of competing with cheaper American production, and the ambient conservatism that dominated much of the twentieth century. Beaulieu goes on to describe the shock and excitement of his discovery in the mid-1990s of an alternative comics scene (more active in Montreal than in Quebec City), and his own involvement in it from the beginning of the twenty-first century as an artist, publisher and teacher. He offers a firsthand account of the realities of negotiating the pressures of alternative comics publishing within the two structures that he set up: Mécanique Générale and the smaller and (still) more radical Colosse. There are pleasures: the ethos of collective work, the opportunity to support up-and-coming young authors and to ensure the survival of work by an illustrious predecessor, invitations to take part in productive exchanges on a local, national and international level, and the sheer obsessive pursuit of perfectionism. But there are also frustrations: the never-ending grind of getting manuscripts ready for the printer, wearying battles with publishers' reps, the constant need to manage the expectations of authors and the skewing of the market by competitors prepared to outsource printing to Asia. The author explains his decision finally to withdraw from his publishing commitments and to focus on his own work. His conclusion, about the future of comic production in Quebec, is, however, optimistic and devoid of cynicism.


On Trend ◽  
2019 ◽  
pp. 25-41
Author(s):  
Devon Powers

Chapter 1 begins in early twentieth-century America and offers a prehistory of trend forecasting. The era saw society swiftly modernizing; in turn, the social sciences were producing a surfeit of data about life and culture. Observers, social critics, and government technocrats began to think of these data as predictive and explored how they could be used to make decisions and dampen uncertainty about the future. In light of these developments, “trends” emerged as a tool, allowing data to be used to anticipate change. The chapter highlights the 1933 study Recent Social Trends as a primary example of how trends could be used to manage uncertainty. The chapter also documents how trends served these ends in the burgeoning forecasting professions, including weather, economics, and fashion.


Author(s):  
Dan Zahavi

How should one assess Husserl’s legacy? One possibility is to study the influence he has exerted on the development of twentieth-century philosophy. That the influence has been immense can hardly be disputed. This is not to say, of course, that everybody agreed with him; but the fact that subsequent phenomenologists, including Heidegger, Ingarden, Schutz, Fink, Sartre, Merleau-Ponty, Levinas, Gadamer, Ricœur, Derrida, Henry, and Marion, as well as leading theorists from a whole range of other traditions, including hermeneutics, critical theory, deconstruction, and post-structuralism, felt a need to react and respond to Husserl’s project and program testifies to his importance. We can, however, contrast this more backward-looking approach with a more forward-looking appraisal of Husserl’s legacy, one that basically asks the following question: ‘What are the future prospects of Husserlian phenomenology?’ Or to put it differently, ‘Does Husserlian phenomenology remain relevant for philosophy in the twenty-first century?’ These are, of course, huge questions, and there are again different ways one might go about trying to answer them....


Author(s):  
Carol Vincent

Chapter 1 considers the social and political contexts to the FBV requirement, as it argues that the enactment of particular policies cannot be understood without reference to the broader political and social climate. It discusses belonging in twenty-first century Britain, tracing policy approaches to diversity from multiculturalism through cohesion, back to an emphasis on integration, although emphasising that this is by no means a linear progression. It highlights the positioning of Muslim populations in particular, as suspect, as lacking in the desire to integrate. The chapter traces the development of the FBV requirement and immediate reactions to it. It discusses the requirements of both counter-extremist policy and the Equality Act 2010 as they apply to schools.


2020 ◽  
Vol 6 ◽  
pp. 58-66
Author(s):  
Jed Hilton

In this article I seek to utilise Bourdieu’s field theory to examine the relation between the artistic and culinary fields. I examine how the field has changed since the mid-twentieth century and how, since the 1960s, the autonomy of the chef drastically changed the culinary field. Focusing upon elite chefs of the twenty-first century, such as Ferran Adrià and Massimo Bottura, I analyse how European haute cuisine has developed and how dialogues between the chef and diner have become a defining feature of contemporary haute cuisine. Overall I examine how this autonomy occurred and what it potentially means for haute cuisine in the future. Throughout, I reference the concepts of Bourdieu’s field theory, legitimation, and heteronomy/autonomy to explain how these changes within the culinary field occurred and what it means for the field.


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