The Times Ahead Are Fearful

Author(s):  
John M. Coggeshall

This chapter documents the founding of Liberia and its flourishing during the late 19th century. Discussion includes the names of the founders, the methods of acquiring land, and the reasons for the location and name. Soapstone Baptist Church and Soapstone School are established. African American population expands into the hundreds, but then begins a slow decline under the more restrictive Jim Crow segregation laws in the late nineteenth century. Family stories and local historical sources provide personalized information.

Author(s):  
Richard Archer

Except in parts of Rhode Island and Connecticut, slavery was a peripheral institution, and throughout New England during and after the Revolution there was widespread support to emancipate slaves. Some of the states enacted emancipation laws that theoretically allowed slavery to continue almost indefinitely, and slavery remained on the books as late as 1857 in New Hampshire. Although the laws gradually abolished slavery and although the pace was painfully slow for those still enslaved, the predominant dynamic for New England society was the sudden emergence of a substantial, free African American population. What developed was an even more virulent racism and a Jim Crow environment. The last part of the chapter is an analysis of where African Americans lived as of 1830 and the connection between racism and concentrations of people of African descent.


Author(s):  
John M. Coggeshall

This chapter presents the story of Liberia during the early twentieth century, through the Depression and the world wars. As the nation’s economy changes, African Americans continue to abandon the region for better economic opportunities as they are also forced out by restrictive Jim Crow segregation and racialized attacks. Both Soapstone Baptist Church and Soapstone School continue, critical anchors for community identity. Some residents return to care for aging relatives. The story of Liberia is presented through the memories of elderly residents and some local historical sources, including obituaries.


1977 ◽  
Vol 27 ◽  
pp. 23-39 ◽  
Author(s):  
Lucy Brown

This paper is concerned with the way in which news was handled by the four main London dailies, The Times, the Daily News, the Daily Telegraph and the Standard which, by the late 1870s, enjoyed the largest circulations. They differed from each other considerably in character and history, and in the kind of historical record which they have left behind. Much more is known about The Times than about any of the others. In the 1860s it was a 16-page paper, costing 3d, with a circulation declining slowly from 65,000 to 60,000. The fact that it could maintain this circulation, when it was three times as expensive as its main rivals, is by itself evidence of the value that contemporaries placed upon it. It had far greater assets than any of its rivals, and the Walter family were willing to invest heavily in the paper as and when funds were needed. Its greater resources were shown, partly in its technical equipment, and partly in the range and quality of writing in the paper itself. The Times had more correspondents reporting more frequently and fully from more European capitals than its rivals, and much of its prestige had been derived from that fact. It also employed in London a staff of educated writers such as George Brodrick and Robert Lowe. Unlike its rivals it could afford to pay salaries which enabled it to impose on its writers the condition that they wrote for it exclusively. (The lives of a number of notable late nineteenth-century journalists show that they tried to make up income by writing too much simultaneously, for too many different publications.)


2004 ◽  
Vol 31 ◽  
pp. 407-423 ◽  
Author(s):  
John Collins

In this paper I look at the relationship between Christianity and popular entertainment in Ghana over the last 100 years or so. Imported Christianity was one of the seminal influences on the emergence of local popular music, dance, and drama. But Christianity in turn later became influenced by popular entertainment, especially in the case of the local African separatist churches that began to incorporate popular dance music, and in some cases popular theatre. At the same time unemployed Ghanaian commercial performing artists have, since the 1980s, found a home in the churches. To begin this examination of this circular relationship between popular entertainment and Christianity in Ghana we first turn to the late nineteenth century.The appearance of transcultural popular performance genres in southern and coastal Ghana in the late nineteenth century resulted from a fusion of local music and dance elements with imported ones introduced by Europeans. Very important was the role of the Protestant missionaries who settled in southern. Ghana during the century, establishing churches, schools, trading posts, and artisan training centers. Through protestant hymns and school songs local Africans were taught to play the harmonium, piano, and brass band instruments and were introduced to part harmony, the diatonic scale, western I- IV- V harmonic progressions, the sol-fa notation and four-bar phrasing.There were two consequences of these new musical ideas. Firstly a tradition of vernacular hymns was established from the 1880s and 1890s, when separatist African churches (such as the native Baptist Church) were formed in the period of institutional racism that followed the Berlin Conference of 1884/85. Secondly, and of more importance to this paper, these new missionary ideas helped to establish early local popular Highlife dance music idioms such as asiko (or ashiko), osibisaaba, local brass band “adaha” music and “palmwine” guitar music. Robert Sprigge (1967:89) refers to the use of church harmonies and suspended fourths in the early guitar band Highlife composition Yaa Amponsah, while David Coplan (1978:98-99) talks of the “hybridisation” of church influences with Akan vocal phrasing and the preference of singing in parallel thirds and sixths in the creation of Highlife.


Author(s):  
Pippa Holloway

highlights the tensions between the demands of modern law and white supremacy by studying the rights of convicted criminals in court. Many southern states, for racial and partisan ends, used criminal convictions to strip convicts of their right to testify on their own behalf in court. While states in the rest of the country had revoked such limitations on courtroom testimony by the late nineteenth century, southern states maintained them. They served as an extension of Jim Crow laws, used to deny African Americans full citizenship, much as felon disenfranchisement laws did.


Black Market ◽  
2020 ◽  
pp. 51-104
Author(s):  
Aaron Carico

This chapter examines the aesthetics and politics that inform modes of realism increasingly used to represent Black Americans in the late nineteenth century. Beginning with a trompe l’oeil painting that depicts a Black boy playing soldier (Attention, Company! by artist William Harnett), read alongside sections of Frederick Douglass’ narratives and the mass-reproduced image of Gordon the slave, this chapter also surveys a Brooklyn park that was remade into a cotton plantation as part of the immersive performance called Black America. Each of these texts conjures the “free” Black body as a sensuous object for white consumption. This racialized dynamic is linked to segregation through an analysis of the eponymous protagonist of Mark Twain’s novel Pudd’nhead Wilson and a history of the anonymous subject of Harnett’s painting. Focusing on the logic of realism as it intersects with the ideologies of liberalism and of Jim Crow segregation, this chapter exposes how free black personhood was turned into a form of commodity spectacle.


1999 ◽  
Vol 68 (3) ◽  
pp. 627-647 ◽  
Author(s):  
Margaret Bendroth

On the morning of Wednesday, May 20,1885, Boston police arrested three Protestant clergymen for preaching on the Common. News of the outrage traveled quickly, and within hours the city's evangelical Protestants were in an uproar. When the preachers—A. J. Gordon, pastor of the Clarendon Street Baptist church; H. L. Hastings, editor of a locally popular evangelical periodical, the Christian; and W. H. Davis, superintendent of a mission in the North End—appeared at the Municipal Criminal Courthouse on Thursday morning, a crowd reported to be between four thousand and five thousand, “principally of the middle-class, well-dressed and well behaved,” thronged the steps of the building. “[I]t was clearly evident,” Hastings later wrote, “that something unusual was going on in the police court of the city of Boston.”


2014 ◽  
Vol 48 (1) ◽  
pp. 251-273
Author(s):  
HENRY KNIGHT

In the late nineteenth century, white land and tourism promoters invested in the selling of Florida to American migrants and winter visitors began to recast the Seminoles. From being feared and denigrated as mixed-race killers, associated with runaway slaves, who had defied earlier US attempts to remove them to the West, the Seminoles were “realigned” by boosters into praiseworthy specimens of moral and racial purity. According to promoters, the Seminoles were now human emblems of the Florida wilderness, but also pure-blood primitives. As such, they fitted much better with the Jim Crow ideals of benign racial separation. Although neither smooth nor complete, this process of racial realignment transformed the Seminoles from terrifying threat to marketable curiosity, easing the incorporation of the Seminoles into the selling of south Florida.


2015 ◽  
Vol 2 (2) ◽  
pp. 46
Author(s):  
Lukman Nadjamuddin

This research tries to express that a problem of competition over Dampelas land must be seen in the context, namely the land is a combination of social, `~ cultural and economic aspects. Historical sources for this research are consisted in some archives, contemporary newspapers, journals and research rapports. The aim of it is to explain that Dampelas as a part of <em>Afdeling van Midden Celebes </em>in the past was under control of two powers, namely Banawa in Donggala and the Dutch colonial power, based in Makassar, then Manado. In the late nineteenth century and the early twentieth century, Dampelas was a strategic punt for the Dutch position in Banawa. Dutch tried to take over a control of all forest products in Dampelas, without any concession for local natives. Under King Lamarauna, the Dutch annexed Dampelas without any cost and ruled it as autonomy of Banawa. Lord of Dampelas got a freedom for ruling his land.


Sign in / Sign up

Export Citation Format

Share Document