Vorkuta Development of demonstration stands based on structural and logical schemes of content for using in the art education system

Author(s):  
Lyudmila Klimentevna Patrusheva ◽  
Dmitriy Viktorovich Patrushev ◽  
Marina Vladimirovna Solomina
2021 ◽  
Vol 58 (2) ◽  
pp. 1216-1220
Author(s):  
Saidakhbor Bulatov Et al.

This article describes the technology to improve the quality and effectiveness of art lessons through a psychological analysis of the work of the artist Pablo Picasso "The Girl on the Ball".


2021 ◽  
Vol 9 (01) ◽  
pp. 493-497
Author(s):  
Baowei Liu ◽  

The changing paradigmatic of the education sector and learning environment recognizes the need to integrate the art education to boost students learning capacities and creative thinking. Similarly, China, the emergent world economy also emphasizes the need for the creative education sector and opts to fill the gap in the Chinese education system. The article will provide the literature review in a wide range to see the scope and remits of art education around the globe and how it integrates intelligent and critical thinking of students and how effective it is and China current policies to fill this gap. Hence, the finding depicts that art education nurtures students analytical and creative thinking in the changing paradigm of the education sector.


2020 ◽  
Vol 4 (1) ◽  
pp. 171-180
Author(s):  
K. A. Beketov ◽  
◽  
N. K. Beketova ◽  
Sergej Vladimirovich Belyaev ◽  
◽  
...  

2021 ◽  
Vol 58 (2) ◽  
pp. 1221-1225
Author(s):  
Saidakhbor Bulatov Et al.

This article describes the technology to improve the quality and effectiveness of art lessons through a psychological analysis of the work of the artist Pablo Picasso "The Girl on the Ball".


Author(s):  
Ahmad Sahlan Abdul Hatim ◽  
Mohd Nizam Sahad ◽  
Rosmawati Mohamad Rasit

The education system of the country places great emphasis on morals to create balanced people who master the knowledge and appreciate the values. However, the involvement of students in the symptoms of moral collapse caused by a lack of knowledge and appreciation of religion is a serious issue. As such, the medium of art is seen as being able to attract students to engage in preaching activities in strengthening religious appreciation. In addition to identifying the level of implementation of the art propaganda activities, this study also identified the values applied in the implementation of art propaganda activities in schools as well as the students' appreciation of those values. The results of the survey by distributing the questionnaire to 300 students from the National Religious Secondary School (SMKA) throughout the state of Kedah showed that the level of implementation of the preaching activity through the arts in the schools was high (mean = 3.30). The results of the study also found that the majority of respondents agreed that all 11 values listed were applied in the art education activities at the school. Overall, students' appreciation of values was high (mean = 3.24). The findings show that 10 dimension values are high level (min = 3.00) and one dimension values are moderate level (min = 2.95). Therefore, the application of values should be emphasized towards producing excellent and balanced students in academic and personal aspects.


Author(s):  
Thanavi Chotpradit

Silpa Bhirasri (born Corrado Feroci) was an Italian sculptor and the first principal of Silpakorn University (formerly the School of Fine Arts, known as Rongrian Praneetsilpakam and Rongrian Silpakorn). He was a pivotal figure in the institutional development of modern art in Thailand in the 1930s and 1940s. As a state-hired sculptor who had resided in Siam (now Thailand) since the time of absolute monarchy, he sculpted the figure of King Vajiravudh (reigned 1910–1926) in 1925 in a classical style. After the 1932 Revolution, classical art, which had been the royal taste, was replaced with a stark classicism that emphasized the strong body and exaggerated muscles that one may also find in Fascist art. Bhirasri’s interests in classicism shifted in direction from naturalism to stark-realism after 1932 when art patronage changed hands from the court to the commoners’ government. His design for the bases of Democracy Monument depicting the scenes from the 1932 Revolution and Thais’ working lives showed this style of muscular bodies and was likely inspired by M. Piacentini’s The Arch of Victory in Italy. He was later honored by the state as the "Father of Thai modern art" and as the founder of the art education system.


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