scholarly journals IMAGES OF A BULL IN ROCK ART OF THE ANGARA

2022 ◽  
pp. 26-36
Author(s):  
А. Л. Заика ◽  
А. М. Клементьев
Keyword(s):  
Bronze Age ◽  
Rock Art ◽  
Interdisciplinary Approach ◽  
River Valley ◽  
Early Bronze Age ◽  
Taiga Zone ◽  
The Holocene ◽  
The Subject ◽  
Ancient Rock ◽  
Artistic Tradition

Изучение древнего наскального искусства требует междисциплинарного подхода. Cотрудничество исследователей петроглифов и палеозоологов позволяет провести реконструкцию состава палеофауны региона, помогает в интерпретации териоморфных образов. Предметом изучения данной статьи являются похожие на быков изображения в наскальном искусстве р. Ангара. Многие изображения датируются эпохой неолита - ранней бронзы. Причины их появления в таежном наскальном искусстве могли быть различными: влияние художественной традиции окуневской культуры с юга; стилизация образа лося или оленя; мифологизация образов таежных животных; наличие для древнего художника реальной натуры - дикого быка. Согласно данным палеозоологии в эпоху голоцена на Ангаре обитали реликтовые животные - бизоны, туры. Возможно, они обитали и на Среднем Енисее. Это позволило высказать предположение, что в наскальном искусстве изображен дикий бык, на которого охотился древний человек. The study of ancient rock art requires an interdisciplinary approach. Active cooperation of rock art researchers and paleozoologists makes it possible to reconstruct the composition of the paleofauna, to interpret theriomorphic images. The subject of the article is images similar to bulls in rock art on the Angara River. Many of the images date back to the Neolithic - early Bronze Age. The reasons for their appearance in taiga zone rock art could be diff erent: the infl uence of artistic tradition of the Okunev culture from the South; stylization of the image of an elk or a deer; mythologization of the images of taiga zone animals; the presence of a real animal in the nature - a wild bull. According to paleozoological data of the Holocene Epoch the Angara River valley was inhabited by relict animals - bisons, tours. Perhaps, they also lived in the Middle Yenisei. Therefore, we suggest that some petroglyphs depict a wild bull, which was hunted by an ancient man.

scholarly journals Rock art and the prehistoric landscape of Galicia: the results of field survey 1992–1994

1995 ◽  
Vol 61 ◽  
pp. 347-370 ◽  
Author(s):  
Richard Bradley ◽  
Felipe Criado Boado ◽  
Ramón Fábregas Valcarce
Keyword(s):  
Bronze Age ◽  
Field Survey ◽  
Rock Art ◽  
Outer Edge ◽  
Early Bronze Age ◽  
Copper Age ◽  
North West ◽  
Abrupt Changes ◽  
Ground Conditions ◽  
The Relationship

This paper discusses the relationship between the earlier prehistoric pattern of settlement in Atlantic Europe and the creation of rock art. It investigates the organisation of the Copper Age and Early Bronze Age landscape of north-west Spain using the evidence provided by the distribution, siting, and composition of rock carvings. It presents the results of field survey in three sample areas extending from the centre to the outer edge of their distribution. Although these drawings cannot be interpreted as illustrations of daily life, they may have helped to define rights to particular resources in an area which experienced abrupt changes of ground conditions over the course of the year.

scholarly journals In the Sorraia River Valley (Coruche, Portugal): Settlement Dynamics of Ancient Peasant Societies on the Left Bank of the Lower Tagus River (5500 to 1800 B.C.E.)

2021 ◽  
Vol 31 ◽  
pp. 95-158
Author(s):  
Ana Catarina Sousa ◽  
Victor S. Gonçalves ◽  
André Texugo ◽  
Ana Ramos-Pereira
Keyword(s):  
Bronze Age ◽  
River Valley ◽  
Early Bronze Age ◽  
Left Bank ◽  
Late Neolithic ◽  
Economic Changes ◽  
Tagus River ◽  
Settlement Dynamics

This article is the result of archaeological and paleoenvironmental investigations carried out within the scope of the ANSOR project in the Sorraia valley (Coruche), on the left bank of the Lower Tagus. In the analysis of settlement dynamics between 5500 and 1800 a.n.e. we considered four moments: 1) The first peasant societies of the ancient Neolithic; 2) The Middle and Late Neolithic; 3) Chalcolithic; 4) The Early Bronze Age. The Sorraia valley was also framed in the framework of the Center and South of Portugal during the period under analysis. Interpretative models are presented for changes in the implantation patterns in the four stages under study, oscillating between paleoenvironmental factors and the socio-economic changes registered in the old peasant societies. 

scholarly journals Alalakh: an account of the excavations at Tell Atchana in the Hatay, 1937–1949

2004 ◽  
Author(s):  
Leonard Woolley
Keyword(s):  
Bronze Age ◽  
Large Scale ◽  
River Valley ◽  
Early Bronze Age ◽  
Late Bronze Age ◽  
13Th Century ◽  
Gold Silver

This monograph describes large-scale excavations undertaken by Sir Leonard Woolley from 1937 to 1939, and again from 1946 to 1949, at the site of Alalakh (modern Tell Atchana) – a late Bronze Age city in the Amuq River valley of Turkey's Hatay Province. Described is the evidence of a series of superimposed palaces and temples, town defences, private houses and graves, in 17 archaeological levels reaching from late Early Bronze Age (Level XVII, c. 2200–2000 BC to Late Bronze Age (Level 0, 13th century BC). Supplementary reports describe the architecture and frescoes, sculptures, and portable objects in fired clay, gold, silver, ivory, stone, and glass.

Research on the Hungarian Bronze Age since 1936 and the Bronze-Age Settlement at Békés-Várdomb

1956 ◽  
Vol 21 ◽  
pp. 123-143 ◽  
Author(s):  
J. Banner
Keyword(s):  
Bronze Age ◽  
Current Knowledge ◽  
The State ◽  
Detailed Account ◽  
Early Bronze Age ◽  
Modern Approach ◽  
History Of ◽  
The Subject ◽  
The Bronze Age ◽  
At Home

The state of current knowledge on the Bronze Age in Hungary, was summed up twenty years ago by Dr Francis Tompa, who had by then written several shorter studies on the subject, and had excavated a number of cemeteries and settlements. His summary defined the modern approach to the Bronze Age in Hungary though his conclusions have since been modified in detail by later explorers. How fruitful his work proved to be was shown by the interest of critics abroad and by the fact that research at home took a sudden upward swing.A few years later Dr Paul Patay published a study in which he came to somewhat different conclusions on the chronology of the Early Bronze Age; he also gave a detailed account of the various cultures that must have shaped the course of the Bronze Age in Hungary and in this he was substantially in agreement with Dr Francis Tompa.Dr Amelia Mozsolics dealt with chronological problems of the Bronze Age in Hungary, but had not yet reached satisfactory newer conclusions. Her paper was published only in Hungarian. She presented a useful summary of the history of her subject, and at the same time sharply criticized the views held by foreign and Hungarian experts on the Bronze Age.

Double Edged Blades: Re-visiting the British (and Irish) Flint Daggers

2014 ◽  
Vol 80 ◽  
pp. 33-65 ◽  
Author(s):  
Catherine J. Frieman
Keyword(s):  
Bronze Age ◽  
20Th Century ◽  
Western Europe ◽  
Early Bronze Age ◽  
Early 20Th Century ◽  
No Production ◽  
New Classification ◽  
Dry Land ◽  
The Subject ◽  
Made In

Flint daggers are a well-known and closely studied category of artefact found throughout western Europe during the final centuries of the Neolithic and the earliest phases of metal use. They are widely linked to the adoption of metal objects and metallurgy – in many cases being described as copies of metal daggers. In Britain, several hundred flint daggers have been recovered from a variety of contexts, among the best known of which are a handful of rich Beaker single inhumation burials. The British flint daggers were of great interest to early archaeologists, and were the subject of several publications in the early 20th century, most notably the seminal 1931 typochronology and catalogue by W.F. Grimes. However, despite 80 years of evolution in our understanding of the British Early Bronze Age, Beaker burials, European flint daggers, and lithic technology in general, little further attention has been accorded to the British flint daggers. This paper returns to the flint daggers deposited in British contexts. It proposes a new classification for British daggers, distinguishing between those probably produced in Britain and those brought in from elsewhere on the continent. It further examines thechaîne opératoirefor these daggers based on their final form as no production locales are yet known and examines in detail the choices made in their deposition, not just in funerary contexts but on dry land and, most importantly, in wet contexts. Finally, it proposes a sequence of development for British flint daggers which links them technologically and morphologically to lanceolate Scandinavian daggers in circulation in the Netherlands. It is suggested that people in south-east Britain knowingly played up this Dutch connection in order to highlight a specific ancestral identity linking them directly to communities across the Channel.

The Early Bronze Age Flint Dagger in England and Wales

1932 ◽  
Vol 6 (4) ◽  
pp. 340-355 ◽  
Author(s):  
W. F. Grimes
Keyword(s):  
Bronze Age ◽  
Early Bronze Age ◽  
England And Wales ◽  
Simple Leaf ◽  
The Subject ◽  
The Bronze Age ◽  
Very High

The chronology of the flint dagger which is the subject of the present paper has been discussed by R. A. Smith, who established the date of the type in the first phase of the Bronze Age, the period to which it had already been assigned by Montelius. A summary ot the list made by Mr. Smith is given in Appendix II below (p. 354-5); the few examples recorded with datable associations since 1919 bring the total up to 26.Sir John Evans's description, adopted by Mr. Smith, gives the length and breadth of the type as varying generally between 5 and 7 ins. and 1½ to 2½ ins. respectively, although both larger and smaller examples occur. The blades are thin in proportion to their length, and lanceolate in outline, although in this respect there is a certain amount of variation. Both faces are flaked, and the working is generally of a very high character. In some cases major excrescences have been reduced by grinding.Some typological development may be observed in the forms, although this cannot be compared with the elaborate evolution of the well-known Scandinavian series (below, p. 350). The changes take place in the butt. The earliest form typoiogically speaking, would seem to be a simple leaf-shaped blade, the widest part of which is approximately at the middle. There is no distinction between blade and tang or handle, and the latter is generally rounded off. Such daggers as the Green Low, Alsop Moor (Appendix I, no. 27, and fig. 1), and Acklam Wold (126) examples represent this form. It is not always easy to decide, however, whether other blades approximating to this shape represent a so-called prototype, and care has also to be taken to differentiate surface-found laurel-leaf blades of Solutrean age, although these are more usually pointed at both ends.

New Perspectives on the Chronology and Meaning of Mont Bégo Rock Art (Alpes-Maritimes, France)

2016 ◽  
Vol 27 (2) ◽  
pp. 199-221 ◽  
Author(s):  
Thomas Huet
Keyword(s):  
Bronze Age ◽  
Background Noise ◽  
Rock Art ◽  
Early Bronze Age ◽  
Comprehensive Database ◽  
Spatial Configurations ◽  
Bell Beaker ◽  
Sacred Mountain

In 1994, H. de Lumley's teams of researchers finished the colossal task—initiated more than 20 years earlier—of recording every pecked rock engraving of Mont Bégo's rock art. The following year, in the book Le grandiose et le sacré, Lumley defined the site as a sacred mountain and attributed rock engravings, considered as ex-votos, to the Early Bronze Age and the Bell Beaker period. However, it is hard to recognize what interpretations can be directly drawn from the data: some exceptional rock engravings are considered as representative of the whole corpus of rock engravings and the most numerous ones are considered as a ‘bruit de fond’ [background noise]. Furthermore, recognition of associations—where rock engravings are contemporaneous and significantly grouped—had been criticised, and the hypothesis that all the rock engravings can be considered as a single archaeological event seems also to be contradicted by studies of superimpositions. We developed a GIS and a comprehensive database, with statistics, to identify specific spatial configurations, seriation effects and, finally, the evolution of the rock art. By going further in the periodization, our aim is to propose some provisional hypotheses about the meaning of Mont Bégo's rock engravings.

Excavations at Hacılar, First Preliminary Report

1958 ◽  
Vol 8 ◽  
pp. 127-156 ◽  
Author(s):  
James Mellaart
Keyword(s):  
Bronze Age ◽  
Preliminary Report ◽  
River Valley ◽  
Early Bronze Age ◽  
The South ◽  
Entire Surface ◽  
Main Road ◽  
South West ◽  
Antique Dealer ◽  
The Village

The village of Hacilar is situated in the Vilayet of Burdur in South-west Anatolia, about 25 km. west of Burdur itself on the main road to Yeşilova and Denizli. The chalcolithic site lies about 1·5 km. west of the village and just beyond the orchards, which are irrigated by a plentiful spring at the foot of a great limestone crag which overlooks the village. It is this spring which since neolithic times has been the main reason for more or less continuous occupation in this region. Apart from the neolithic and early chalcolithic site at Hacılar there is a large Early Bronze Age mound on the northern outskirts and a classical site to the south-west of the village.The prehistoric site is an inconspicuous mound, about 150 metres in diameter, rising to a height of not more than 1·50 m. above the level of the surrounding fields (Fig. 1 and Pl. XXIXa). The entire surface of the mound is under cultivation and a series of depressions show the holes made by a local antique-dealer in search of painted pots and small objects. About 1 km. west of the site runs the Koca Çay, the ancient Lysis, and on the eastern scarp of this river valley lies the cemetery of the Early Bronze Age settlement. Not a single burial has yet been found in the chalcolithic or neolithic levels of our site and it is therefore not unreasonable to suggest that its cemetery also may eventually be located there.

scholarly journals SIMILARITY OF THE EARLIEST ROCK ART IN SOUTH SIBERIA AND CENTRAL ASIA AND THE ISSUE OF THEIR ATTRIBUTION

2020 ◽  
pp. 82-98
Author(s):  
Е. А. Миклашевич
Keyword(s):  
Central Asia ◽  
Bronze Age ◽  
Rock Art ◽  
Interdisciplinary Studies ◽  
Upper Paleolithic ◽  
Early Bronze Age ◽  
Time Interval ◽  
South Siberia ◽  
Dating Methods ◽  
Western Sayan

Статья посвящена проблеме хронологической атрибуции самых ранних наскальных изображений нескольких сопредельных регионов Южной Сибири и Центральной Азии: Минусинской котловины, Горного Алтая, Северо-Западной Монголии, Западного Саяна и Южной Тувы (рис. 1-4). Рассматривается общность стиля, иконографии и репертуара основных анималистических образов; обсуждаются характер и причины этого сходства. Составлена карта распространения наскальных изображений древнейшего пласта (рис. 5). Актуальность проблемы их датирования заключается в том, что они не имеют археологических «привязок», поскольку до сих пор не обнаружено изобразительных материалов подобного стиля в закрытых комплексах. Можно лишь утверждать, что они древнее изображений окуневско-каракольской традиции. Исследователями предлагались разные датировки - от верхнего палеолита до эпохи ранней бронзы; предлагалась атрибуция афанасьевской культуре, но пока ни одна из версий не выглядит достаточно обоснованной. По мнению автора, вероятность принадлежности этого изобразительного пласта к эпохе камня довольно высока, однако для более узкого определения еще недостаточно данных. Пути решения проблемы требуют пополнения корпуса источников, более точного документирования памятников, применения междисциплинарных исследований, в том числе методов прямого датирования (например, уран-ториевое датирование перекрывающего наскальные рисунки кальцита и др.). The paper deals with the issue of chronological attribution of the earliest rock art in several adjacent regions of South Siberia and Central Asia such as the Minusinsk Depression, the Altai Republic, northwestern Mongolia, Western Sayan Mountains and southern Tuva (Fig. 1-4). It reviews shared stylistical traits, iconography and repertoire of main animalistic images discussing the nature and causes of this similarity. It also provides a map showing distribution of the rock images from the earliest layer (Fig. 5). Relevance of the issue of their dating is explained by the fact that they do not have any archaeological «links» as no figurative materials of this style have been discovered in closed assemblages. We can only argue that they are older than the images attributed to the Okunevo-Karakol traditions. Scholars have proposed various dates ranging from the Upper Paleolithic to the Early Bronze Age; the attribution to the Afanasyevo culture has been proposed; however, so far, none of the versions seems well justified. In the author’s opinion, probability of this figurative layer dating to the Stone Age is quite high, though there are no sufficient data to narrow down the time interval. To address this issue, it is necessary to expand the corps of sources, make more accurate records of the sites and conduct interdisciplinary studies including use of direct dating methods (such as uranium-thorium dating of the calcite over the rock images, etc.).

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