scholarly journals Writing the Self: A Study on Buchi Emecheta’s Autobiographical Novel Second Class Citizen

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Arunima Borah
Keyword(s):  
Black Women ◽  
Female Gender ◽  
General Term ◽  
Black Female ◽  
Theory And Practice ◽  
The Self ◽  
Buchi Emecheta ◽  
Female Self ◽  
Individualistic Concept ◽  
Postcolonial Literatures

Life-writing, according to Sidonie Smith and Julia Watson, is a general term for the writing of diverse kinds that takes life as its subject. Such writing can be biographical, novelistic, historical, or an explicit self-reference to the writer. As autobiographies, as well as autobiographical novels, can be considered as self-referential modes of writing, a notion of the terms in which the subject preconceives himself/herself becomes pervasive for understanding autobiographies as well as autobiographical novels. Susan Stanford Friedman, in her essay “Women’s Autobiographical Selves: Theory and Practice” (1988) opens a critique of a seminal essay by Georges Gusdorf where he states that the cultural precondition for autobiography is a pervasive concept of individualism, a “conscious awareness of the singularity of each individual life” (Qtd in Friedman 72). Friedman argues that the individualistic concept of the autobiographical self that pervades Gusdorf’s work raises serious problems for critics who recognise that the “self, self-creation, and self-consciousness are profoundly different for women, minorities, and many non-western peoples” (Friedman 73). While taking into account the differences in socialization in the construction of male and female gender identity, Friedman refers to Regina Blackburn in her “In Search of the Black Female Self” and says that the “black women autobiographers use the genre to redefine ‘the black female self in black terms from a black perspective’” (Qtd in Freidman 78). Moreover, in the postcolonial context, C.L. Innes in The Cambridge Introduction to Postcolonial Literatures in English (2007) considers the use of the self-referential mode as a tool by postcolonial writers to represent his/her culture and also to capture and address contemporary concerns. Against this backdrop, this paper seeks to explore the use of the self-referential mode by the Nigerian writer Buchi Emecheta in her autobiographical novel Second-Class Citizen (1974)

Vérités et Mensonges

2020 ◽  
Vol 39 (2) ◽  
pp. 188-224
Author(s):  
Erik Gunderson
Keyword(s):  
Theory And Practice ◽  
The Self ◽  
Faithful Representation ◽  
Political Subject ◽  
Concrete Reality ◽  
Hermeneutic Process ◽  
The Way

This is a survey of some of the problems surrounding imperial panegyric. It includes discussions of both the theory and practice of imperial praise. The evidence is derived from readings of Cicero, Quintilian, Pliny, the Panegyrici Latini, Menander Rhetor, and Julian the Apostate. Of particular interest is insincere speech that would be appreciated as insincere. What sort of hermeneutic process is best suited to texts that are politically consequential and yet relatively disconnected from any obligation to offer a faithful representation of concrete reality? We first look at epideictic as a genre. The next topic is imperial praise and its situation “beyond belief” as well as the self-positioning of a political subject who delivers such praise. This leads to a meditation on the exculpatory fictions that these speakers might tell themselves about their act. A cynical philosophy of Caesarism, its arbitrariness, and its constructedness abets these fictions. Julian the Apostate receives the most attention: he wrote about Caesars, he delivered extant panegyrics, and he is also the man addressed by still another panegyric. And in the end we find ourselves to be in a position to appreciate the way that power feeds off of insincerity and grows stronger in its presence.

scholarly journals POS0173 METABOLOMIC PROFILING AND SYMPTOM BURDEN IN BLACK WOMEN WITH SYSTEMIC LUPUS ERYTHEMATOSUS

2021 ◽  
Vol 80 (Suppl 1) ◽  
pp. 299-300
Author(s):  
L. P. Kimble ◽  
A. Khosroshahi ◽  
R. C. Eldridge ◽  
G. S. Brewster ◽  
N. S. Carlson ◽  
...  
Keyword(s):  
Systemic Lupus Erythematosus ◽  
Black Women ◽  
Lupus Erythematosus ◽  
Energy Production ◽  
Symptom Burden ◽  
Black Female ◽  
Multiple Chronic Conditions ◽  
Systemic Lupus ◽  
Metabolomics Data ◽  
Metabolomics Analysis

Background:Black individuals with systemic lupus erythematosus (SLE), who are predominantly women, have disproportionately poorer health outcomes across the trajectory of their disease including increased mortality, higher symptom burden, and poor quality of life than non-Hispanic Whites. The heterogeneity of immunopathology and biochemical complexity of SLE create major knowledge gaps around the mechanisms of disease and differences in SLE symptom expression. Metabolomics may reveal biochemical dysregulation that underlies SLE symptoms and provide novel metabolic targets for precision symptom interventions.Objectives:We conducted untargeted metabolomic plasma profiling of Black females with SLE and Black female non-SLE controls to gain insight into metabolic disturbances associated with SLE.Methods:We analyzed blood specimens collected from 23 Black female patients with diagnosis of SLE during a routine outpatient rheumatology visit and from 21 Black female non-SLE controls whose data were collected as part of another study of obese caregivers. Data collection for both cases and controls was completed with harmonized protocols. Clinical data for cases were obtained via chart review and both cases and controls completed identical, reliable and valid measures of fatigue, depression, anxiety, and sleep disturbance. A commercial metabolomics analysis company within the US conducted untargeted metabolomics on the 44 plasma samples using ultrahigh performance liquid chromatography/tandem mass spectrometry along with metabolite identification and quantification to examine differences between SLE/non-SLE groups.Results:All SLE subjects met 2019 EULAR/ACR criteria (Aringer et al., 2019). SLE subjects were significantly (p < .05) younger (42.5 ± 12.2 vs. 63.2 ± 6.4), had a lower BMI (30.3 ± 9.4 vs. 34.9 ± 4.1), and greater co-morbidities (2.3 ± 1.3 vs. 1.1 ± 1.3) than non-SLE controls. SLE subjects reported higher symptoms than controls across all measures, but differences were not statistically significant. Metabolomics analysis revealed 290 biochemicals that were statistically significant (p ≤ .05) between SLE and non-SLE groups. Random Forest analysis had a predictive accuracy of 91% in differing between the two groups using out-of-bag sampling. Significant metabolic differences between groups were noted in biochemicals associated with glycolysis, the TCA cycle (see Table 1), fatty acid metabolism, branched chain amino acids, sterol levels, heme catabolism, and potential markers of renal impairment. Overall, the differences would suggest reduced energy production among SLE patients compared to controls.Conclusion:Black women with SLE had biochemical profiles consistent with reduced energy production which has implications for the high burden of fatigue and other symptoms in this population. Future work with larger sample sizes should involve integrating symptom and metabolomics data to identify potential biomarkers of symptom burden.References:Aringer, M., Costenbader, K., Daikh, D. et al. (2019). 2019 European League Against Rheumatism/American College of Rheumatology classification criteria for systemic lupus erythematosus. Ann Rheum Dis, 78,1151-1159.Acknowledgements:This work was supported by a research re-entry supplement to L. Kimble under the parent award 1P30NR018090-02S1 Center for the Study of Symptom Science, Metabolomics, and Multiple Chronic Conditions (Song, PI) funded by the National Institute of Nursing Research, National Institutes of Health, USA.Disclosure of Interests:Laura P. Kimble: None declared, Arezou Khosroshahi Consultant of: Have received honorarium for advisory board but has no relationship with this work., Grant/research support from: Have received a research grant from Pfizer; but has no relationship with this work., Ronald C. Eldridge: None declared, Glenna S. Brewster: None declared, Nicole S. Carlson: None declared, Elizabeth J. Corwin: None declared

scholarly journals Black Women's Groups, Life Narratives, and the Construction of the Self in Late Twentieth-Century Britain

2021 ◽  
pp. 1-21
Author(s):  
Jessica White
Keyword(s):  
Twentieth Century ◽  
Sense Of Self ◽  
Black Female ◽  
Black Liberation ◽  
Female Self ◽  
Black British ◽  
Late Twentieth ◽  
Self Discovery ◽  
White Gaze ◽  
Late Twentieth Century

Abstract Black British women's centres and groups evolved out of black women's combined exclusion from male-dominated anti-racist activism and the resurgent feminist movement of the late 1960s. And yet, despite their stable presence in many of Britain's inner cities, black women's centres and groups, and the lives of the women who forged them, have evaded historical interrogation. This article explores how black women's centres provided women with the space and time to nurture their personal experiences of sexism and racism, achieve a sense of self-sufficiency, and celebrate their heritage, which placed every member on a path towards self-discovery. This centring of the black female self was not, as black male activists believed, set on undermining the Black liberation movement, but was considered as a vital tool in the overarching mission to defeat white global supremacy. Drawing on a collection of oral history interviews, this article explores how black female activists constructed a sense of self that turned away from the homogenizing white gaze of post-war Britain. Teasing out the complexities around black female activism, selfhood, and memory, this article contributes substantially to the growing body of literature on late twentieth-century black British history.

Nina Simone as Poet and Orchestrator

2021 ◽  
Vol 33 (2) ◽  
pp. 130-147
Author(s):  
Marcus R. Pyle
Keyword(s):  
Semantic Content ◽  
Black Body ◽  
Black Female ◽  
The Self ◽  
The Other ◽  
Female Subjectivity ◽  
The Gaze ◽  
Nina Simone

How do you fashion an identity in a society that, at every turn, tries to snuff you out? In this article, I address Nina Simone's praxis of renaming and reinvention to demonstrate strategies of resistance. To this point, I analyze the musico-poetic setting of Nina Simone’s songs “Images” (1964) and “Four Women” (1965) to argue that her artistic musical choices sonically orchestrate varying issues of Black female subjectivity, identity, and self-making. In Simone’s songs, she refuses to discount the materiality of the Black body; instead, she envelops the Black body with signifiance and significance. The sonic bearers of semantic content become extensions of the Self—transmutable and heterodox. The compositional and poetic subtleties in these songs claim that the gaze of the Other can potentiate exteriority and freedom—what I term the “exo(p)tic.”

A Theory of Unmitigated Communion

1998 ◽  
Vol 2 (3) ◽  
pp. 173-183 ◽  
Author(s):  
Vicki S. Helgeson ◽  
Heidi L. Fritz
Keyword(s):  
Sex Differences ◽  
Depressive Symptoms ◽  
Sex Role ◽  
Female Gender ◽  
Well Being ◽  
The Self ◽  
Unmitigated Communion ◽  
Role Socialization ◽  
Behavioral Features ◽  
Sex Role Socialization

Research has established that women suffer more often than men from depression. Sex role socialization has been offered as one explanation for this sex difference, but traditional measures of female gender-related traits are not related to depressive symptoms. We argue that thus far research has failed to distinguish the traditional measure of female gender-related traits, communion, from another set of gender-related traits, unmitigated communion. Unmitigated communion is a focus on and involvement with others to the exclusion of the self. Unmitigated communion, but not communion, is related to psychological distress, including depressive symptoms, and accounts for sex differences in distress. We examine the relation of unmitigated communion to communion as well as other personality constructs and then describe the cognitive and behavioral features of unmitigated communion. We note the implications of unmitigated communion for physical and psychological well-being and speculate on possible origins.

scholarly journals OJEBETA “THE SELF AWAKENED” IN BUCHI EMECHETA’S THE SLAVE GIRL

2018 ◽  
Vol 6 (10) ◽  
pp. 95-99
Author(s):  
Mary Stella Ran B. ◽  
Poli Reddy R.
Keyword(s):  
Christian Education ◽  
Small Degree ◽  
The Self ◽  
African Women ◽  
Self Awareness ◽  
The Novel ◽  
Buchi Emecheta ◽  
The People ◽  
In The Beginning

The novel “The Slave Girl” by Buchi Emecheta exposes the plights of African women and portrayal of their struggle as slaves and ultimately how they come up the problem and becomes a self-awakened.  In this paper, one can see Ojebeta starting her life as a slave and finally becomes an owner of a house by passing so many phases of life as a slave. In the beginning, she is sold into domestic slavery by her own brother.  She has become the victim to her brother’s traits.  She has become a scapegoat to the plans of African patriarchy.  The intention of Buchi Emecheta is to recreate the image of women through feminism.   Emecheta’s fiction is blended with reality representing socio historical elements of the prevailing society and its environment besides questioning the pathetic conditions of the people in general and women in particular. One can observe the narration of innocence of childhood grown into adulthood by attaining certain amount of freedom with the Christian education which she has received with which she has attained a small degree of self-awareness.

Counting Frequency

Social Text ◽  
2021 ◽  
Vol 39 (2) ◽  
pp. 25-49
Author(s):  
Christen A. Smith
Keyword(s):  
Black Women ◽  
Police Officers ◽  
Physical Violence ◽  
The United States ◽  
Black Female ◽  
Time And Space ◽  
Women’S Experiences ◽  
Women's Experiences ◽  
Time Space ◽  
Body Counting

Abstract Examining Black women's experiences with policing, this article argues that police terror is not predicated upon gender; rather, it enacts gender by undoing gender. Thus, it requires a new arithmetic of time and space in order to read beyond normative, hypermasculine narratives of police violence. While the dominant discourse of race and policing asserts that police terror disproportionately affects Black men, the frequency of Black women's experiences with police terror attunes to a lingering yet deadly impact beyond the linear, Cartesian dimensions of body counting, a frequency the article terms sequelae. Policing stretches and bends time and space as part of its (un)gendering practice. Through a brief survey of cases in Brazil and the United States, this article considers sequelae as a new arithmetic for calculating the multiple frequencies of police terror against Black women. Specifically, the article examines the case of Luana Barbosa dos Reis, a Black lesbian mother who was beaten to death by police officers in São Paulo in 2016. The article argues that her beating was an act of (un)gendering—a desire to both discipline her as a Black female/mother and erase her potential humanity by denying her desired gender identification (female). In this sense, her death was an act of anti-Black terror “in the wake.” Through a close reading of the police ledger, the police report, and the physical violence she endured, the article argues that her story teaches us the need for a new way of counting the frequency of police terror in relationship to time, space, and the Black female/mother body.

“I Just Wanted a World That Looked Like the One I Know”

2018 ◽  
pp. 83-107
Author(s):  
Ralina L. Joseph
Keyword(s):  
Black Women ◽  
Black Woman ◽  
Black Female ◽  
First Century ◽  
Strategic Ambiguity ◽  
The Press ◽  
Twenty First Century ◽  
The One

Chapter 3 examines showrunner Shonda Rhimes’ twenty-first century Black respectability politics through the form of strategic ambiguity. Joseph traces Rhimes’ performance of strategic ambiguity first in the pre-Obama era when she stuck to a script of colorblindness, and a second in the #BlackLivesMatter moment when she called out racialized sexism and redefined Black female respectability. In the shift from the pre-Obama era to the #BlackLivesMatter era, this chapter asks: how did Rhimes’ careful negotiation of the press demonstrate that, in the former moment, to be a respectable Black woman was to perform strategic ambiguity, or not speak frankly about race, while in the latter, respectable Black women could and must engage in racialized self-expression, and redefine the bounds of respectability?

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