Mawei shipyard : sustainable conservation of the intangible cultural heritage of an industrial cultural landscape in Fuzhou, China

2018 ◽  
Author(s):  
Yangting Li
Keyword(s):  
Cultural Heritage ◽  
Cultural Landscape ◽  
Intangible Cultural Heritage ◽  
Sustainable Conservation

scholarly journals The Intangible Cultural Landscape of the Banda Primitiva de Llíria

2021 ◽  
pp. 69-99
Author(s):  
Virginia Santamarina-Campos ◽  
José Luis Gasent-Blesa ◽  
Pau Alcocer-Torres ◽  
Mª Ángeles Carabal-Montagud
Keyword(s):  
Collective Action ◽  
Cultural Heritage ◽  
Social Cohesion ◽  
Cultural Landscape ◽  
Local Development ◽  
Fundamental Importance ◽  
Intangible Cultural Heritage ◽  
Cultural Industries ◽  
Shared Culture ◽  
Valencian Region

AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater visibility and creating positive recognition of the fundamental importance of this form of intangible cultural heritage for social cohesion and development, in an environment that is transformed into one of collective action, shared culture and creativity.

The Living Protection of Original Ecological Environment ― Display of Intangible Cultural Landscape Based on the Concept of Eco-Museum

2014 ◽  
Vol 1030-1032 ◽  
pp. 2420-2425
Author(s):  
Jia Yi Liu
Keyword(s):  
Cultural Heritage ◽  
Cultural Landscape ◽  
Landscape Heterogeneity ◽  
Rapid Development ◽  
Historical Memory ◽  
Theory And Practice ◽  
Intangible Cultural Heritage ◽  
Human Environment ◽  
Landscape Degradation ◽  
Man And Nature

Abstract. The rapid development of industrialization and urbanization brought about changes in the economic structure, forms of production and lifestyle, resulting in deterioration of the natural and human environment, as well as many intangible cultural landscape degradation. To display intangible cultural heritage landscape in the form of eco-museum aims to achieve harmony between man and nature and human environment. Eco-museum with community residents’ participation in live state display is the way to retain the cultural heritage, is a means of protecting intangible cultural heritage and tradition. In this paper, based on the concept of ecological museum theory and practice, the author makes an overview of the history of establishment of eco-museums in accordance with our national conditions, to avoid the homogenization of intangible cultural heritage display modes,and to improve the cultural landscape heterogeneity and retain historical memory of diverse cultures, to protect natural and cultural environment of the country.

scholarly journals Study on 24 Jieling Drums as Urban Cultural Landscape in Malaysia

2021 ◽  
Vol 8 ◽  
pp. 47-64
Author(s):  
Yang Yunxi ◽  
Chow Ow Wei
Keyword(s):  
Cultural Heritage ◽  
Cultural Landscape ◽  
Urban Landscape ◽  
Intangible Cultural Heritage ◽  
Ancient China ◽  
Chinese Tradition ◽  
Cultural Elements ◽  
The World ◽  
Cultural Sphere ◽  
Solar Terms

The 24 solar terms, a knowledge system incorporated in the East Asian lunisolar calendar, reflect a typical agricultural life shaped by the astronomical and phenological nature in ancient China. The UNESCO’s Intangible Cultural Heritage embodies this Chinese tradition and culture. It is also commonly observed among Chinese diasporas in other parts of the world. Since 1988 when Tan Chai Puan and Tan Hooi Song established 24 Jieling Drums (二十四节令鼓) in Johor Bahru, Malaysia by exploring this Chinese traditional heritage, artistic performances of this vibrant music genre have effectively transmitted drumming aesthetics in Malaysian urban landscape into the Chinese cultural sphere for over three decades. This study explores a characterised link between this millennia-old Chinese cultural heritage and 24 Jieling Drums as an urban cultural landscape in Malaysia, and discusses several issues on the cultural elements applied in a diversified land through the narrative.

THE DISCIPLINE "ETHNO-CULTURAL LANDSCAPE STUDIES" IN THE MASTER-DEGREE CURRICULUM OF THE SPECIALTY "INTERNATIONAL TOURIST BUSINESS" IN UNIVERSITY OF ECONOMICS - VARNA

2020 ◽  
Author(s):  
Zhivko Paroushev ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Landscape ◽  
Traditional Culture ◽  
Intangible Cultural Heritage ◽  
Master Degree ◽  
Landscape Studies ◽  
International Tourist ◽  
Cultural Landscape Studies

There are presented the essence, basic terminology, methodology and scientific perimeter of the discipline "Ethno-cultural landscape studies". By use of a brief historic overview, there is traced the development of the cultural landscape as a scientific notion from its onset to present times. Regulatory postulates of UNESCO are taken into consideration, which explain the meaning of the terms "tradition", "intangible cultural heritage" and "cultural landscape". There are also summed up the practical and applied benefits from studying the discipline: a model for making an ethno-cultural landscape profile of the tourist site as a ground for creating unique tourist products based on traditional culture and turning folklore rituality into a generator of touristic plots.

scholarly journals UNESCO’s tangible and intangible cultural heritage: Sustainable development perspectives

Pravovedenie ◽  
2020 ◽  
Vol 64 (1) ◽  
pp. 47-56
Author(s):  
Elena Sinibaldi ◽  
◽  
Antonio Parente ◽  
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Cultural Landscape ◽  
Intangible Cultural Heritage ◽  
Collective Identities ◽  
Cultural Management ◽  
Intangible Heritage ◽  
Development Policies ◽  
Unesco Convention ◽  
Definition Of

The United Nations Educational, Scientific and Cultural Organization (UNESCO) 2003 Convention for the Safeguarding of the Intangible Cultural Heritage has not only introduced a conceptual and applicative expansion of the interdisciplinary subjects applied to cultural heritage, but it has also increasingly encouraged an integrated planning of sustainable development policies for territories and communities that convey and shape their relative cultural and anthropomorphic identity, along with the re-thinking of the collective dimension of heritage in terms of rights to creation and fruition as well as the related cultural management. This article presents a reflection on the opportunity to identify and develop the relationship between tangible and intangible heritage as resources that are essential to one another. To this purpose, two illustrative UNESCO application paths are examined. The first relates to the recognition of The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato as a Cultural Landscape of World Heritage, pursuant to the 1972 UNESCO Convention Concerning the Protection of the World Cultural and Natural Heritage, while the second concerns the inscription of the intangible element The Celebration of Celestinian Forgiveness in the Representative List of the Intangible Cultural Heritage of Humanity of the UNESCO 2003 Convention. Due to differences in paradigms and application criteria under the two UNESCO Conventions, which are also detectable in the Italian regulatory context, these case studies offer the opportunity to advance an interdisciplinary reflection aimed at rethinking safeguarding contexts, as well as enhancement and increasing accessibility of cultural heritage. As a result of the reflection, an analysis of the concept of living in relation to the anthropological definition of organic landscape, representation of collective identities (community-based heritage), inclusive places and sociability (public policy), communicative restitution (universal ethical values), participatory management (participative brand making), and integrated sustainability is derived.

DEVELOPING SUSTAINABLE TOURISM MODEL ASSOCIATED WITH CONSERVED EDUCATION, UNDERSTANDING THE IDENTITY OF PHYSICAL CULTURE HERITAGE AND NON-PHYSICAL CULTURE HERITAGE, DEVELOPING LIVELIHOOD AND SUSTAINABLE MULTIDIMENSION POVERTY REDUCTION FOR ETHNIC MINORITIES OF QUANG NINH PROVINCE IN THE CONTEXT OF INDUSTRIAL REVOLUTION 4.0

2019 ◽  
Vol 8 (3) ◽  
Author(s):  
Bui Thuy Phuong
Keyword(s):  
Cultural Heritage ◽  
Ethnic Minorities ◽  
Poverty Reduction ◽  
Close Association ◽  
Sustainable Tourism ◽  
Physical Culture ◽  
Intangible Cultural Heritage ◽  
Economic Sectors ◽  
Culture Heritage ◽  
Quang Ninh

In the trend of Industry Revolution 4.0, tourism has been considered as one of the key and key economic sectors of the country and smokeless industry requires sustainable tourism development associated with the conservation and promotion of tangible and intangible cultural heritage values are becoming more and more important and urgent than ever. Author through deeply analysing the context and situation of developing a model linking sustainable tourism with preserving and promoting the specific tangible and intangible cultural heritage values of Quang Ninh province in the previous period thereby proposing a system of appropriate solutions to develop models of cultural tourism, heritage tourism, rural tourism, community tourism...in close association with specific values conservation and promotion of tangible and intangible cultural heritage, livelihood development and sustainable multidimensional poverty reduction for ethnic minorities groups in the current Industry Revolution 4.0 trend.

TELLING THE TALE, TELLING THE NATION: TIV TALES, MODERNITY AND THE (RE)CONSTRUCTION OF NIGERIAN NATIONHOOD

2016 ◽  
Vol 25 (2) ◽  
Author(s):  
James Tsaaior
Keyword(s):  
Cultural Heritage ◽  
Methodological Approach ◽  
Intangible Cultural Heritage ◽  
Cultural Process ◽  
The Social ◽  
Oral Cultures ◽  
High Literature

Scholarship negotiating African folktales and the entire folkloric tradition in Africa has always been constituted as harbouring fundamental lacks. One of these lacks is the supposed incapacity of oral cultures to produce high literature. However, it is true that folktales and other oral forms in Africa can participate actively in the social, political and cultural process. In this paper, we engage folktales told by the Tiv of central Nigeria and situate them within the dynamic of history, culture, modernity and national construction in Nigeria. The paper adopts a historicist and culturalist perspective in its interpretation of the folktales which were collected in particular Tiv communities. This methodological approach helps to crystallize the historical and cultural lineaments embedded in the people’s experiences, values and worldviews. It also constitutes a contextual background for the understanding of the folktales as they offer informed commentaries on social currents and political contingencies in Nigeria. It argues that though folktales belong to a pre-scientific and pre-industrial dispensation, they are part of the people’s intangible cultural heritage and are capable of distilling powerful statements which negotiate Nigerian modernity and postcolonial condition. The paper underscores the dynamism and functionality of folktales even in an increasingly globalised ethos.

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