The Living Protection of Original Ecological Environment ― Display of Intangible Cultural Landscape Based on the Concept of Eco-Museum

2014 ◽  
Vol 1030-1032 ◽  
pp. 2420-2425
Author(s):  
Jia Yi Liu

Abstract. The rapid development of industrialization and urbanization brought about changes in the economic structure, forms of production and lifestyle, resulting in deterioration of the natural and human environment, as well as many intangible cultural landscape degradation. To display intangible cultural heritage landscape in the form of eco-museum aims to achieve harmony between man and nature and human environment. Eco-museum with community residents’ participation in live state display is the way to retain the cultural heritage, is a means of protecting intangible cultural heritage and tradition. In this paper, based on the concept of ecological museum theory and practice, the author makes an overview of the history of establishment of eco-museums in accordance with our national conditions, to avoid the homogenization of intangible cultural heritage display modes,and to improve the cultural landscape heterogeneity and retain historical memory of diverse cultures, to protect natural and cultural environment of the country.

2021 ◽  
Vol 879 (1) ◽  
pp. 012012
Author(s):  
D H Rahmi ◽  
B Setiawan

Abstract Selokan Mataram, a 31.2 km irrigation canal linking Opak and Progo Rivers in the Province of Yogyakarta, initiated and built by Sultan HB IX during the Japanese Occupation, has essential historical values and cultural heritage. It was built to provide water for agricultural activities in the area. At the moment, however, the Selokan Mataram is under the pressure of urbanization and rapid development. Such pressures are threatening its heritage values. This paper aims to examine Selokan Mataram from a cultural landscape perspective, examine the values of its cultural heritage, and document the pressures, threats, and efforts that the government has undertaken to preserve it. This research uses a case study approach, where data and information are obtained through secondary data, field observation, and interviews with multiple sources. The research argues that Selokan Mataram is a ‘cultural landscape’ that is important to Yogyakarta. It has and fulfills important values to be registered as a cultural heritage. At the same time, as one crucial cultural landscape, Selokan Mataram and the surrounding area is threatened by the rapid development of the city where the local government is not fully able to manage and control it. This research recommends that Selokan Mataram should be declared as a cultural heritage area, so that efforts can be further supported and strengthened to preserve it.


2021 ◽  
pp. 69-99
Author(s):  
Virginia Santamarina-Campos ◽  
José Luis Gasent-Blesa ◽  
Pau Alcocer-Torres ◽  
Mª Ángeles Carabal-Montagud

AbstractThe Banda Primitiva de Llíria is presented as an open heritage resource, which has been built on the uses, values and symbols assigned to it by the local town of Llíria and its inhabitants over the musical society’s two centuries of history. This work focuses on analysing how this musical phenomenon contributes to positioning creativity and cultural industries at the centre of local development, reinforcing the identity elements of Llíria and the Valencian Region. It intends to support the safeguarding, respect and awareness of one of the oldest civic bands in Spain, providing greater visibility and creating positive recognition of the fundamental importance of this form of intangible cultural heritage for social cohesion and development, in an environment that is transformed into one of collective action, shared culture and creativity.


2020 ◽  
Vol 16 (1) ◽  
Author(s):  
Binsheng Luo ◽  
Selena Ahmed ◽  
Chunlin Long

Abstract Background Traditional bamboo weaving has been practiced for centuries in Sansui, a county dominated by the Miao people, in Guizhou province of Southwest China. Sansui bamboo weaving represents an intangible cultural heritage as defined by UNESCO, but, like many other traditional handicrafts in China, it has suffered a downfall in this period of rapid development. Sansui bamboo weaving is now experiencing a renaissance due to the joint efforts of the local government, bamboo weaving companies, and individual bamboo weavers. However, what bamboo species have supported the traditional bamboo weaving in Sansui keeps unknown up to now. The traditional knowledge and technology associated with bamboo weaving have not been reported. In addition, the resumption of the local bamboo industry may provide some valuable experiences for other downfallen traditional handicrafts or local communities. Thus, an ethnobotanical study on Sansui bamboo weaving has been carried out. Methods This study mainly used ethnobotanical methods, including key informant interviews and participatory observations. Different stakeholders were selected by applying the snowball method as our key informants including 6 officials, 37 bamboo weavers, and 17 bamboo and bamboo weaving product merchants. We also went into the local weavers’ houses to visit the whole weaving process. The bamboo and dye plant species for bamboo weaving were identified by taxonomists and referring to online databases available. Results Based on field investigations, 17 bamboo species used for weaving were recorded. Different bamboo species were woven for different purposes based on their own characters. Phyllostachys heteroclada is the most popular species locally. Bamboo strips are usually dyed by using Platycarya strobilacea and Rubia cordifolia to be made for different images. In recent years, the size, functions, and materials of local bamboo weaving crafts as well as their market mode have been changed to adapt to new development trends and to cater to the market. In addition, the cooperation among bamboo weavers, bamboo companies, and household workshops has provided great support to the local bamboo industry and to reboot the economy of the local community. Some suggestions for the sustainable economic development of Sansui bamboo weaving and other Chinese traditional handicrafts are proposed. Conclusion In the present study, the bamboo weaving-associated traditional knowledge was collected by means of ethnobotanical methods. The recent renaissance of the bamboo weaving business in Sansui can be attributed both to government support and the innovations of the bamboo weaving industry itself. The developing mode (“Internet + intangible cultural heritage + poverty alleviation”), which combined the internet, poverty alleviation, and intangible cultural heritage, is valid and worth being promoted.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
David Ocón

PurposeThe paper aims to provide up-to-date analysis on how a country like Singapore, with a rich tangible and intangible cultural heritage associated with burial customs, approaches heritage preservation while ensuring modernisation and sustainable growth.Design/methodology/approachThe paper is an exploratory analysis of the association between cultural heritage preservation, particularly the one associated with elaborate burials, and the need for modernisation in Singapore. It mainly uses desk research tools, fieldwork and interviews with death services providers to build a set of conclusions. It employs a historical review approach and uses comparative analyses with other countries in the Asian region to substantiate the arguments.FindingsThe paper provides insights about how, since its independence, Singapore has switched to pragmatic models of growth and development which imply maximising the limited space available, often at the cost of precious cultural heritage. The rapid development has had a significant impact on the country's burial customs and legacies, particularly on elaborate graves and tombs, which traditionally use a considerable amount of space. The analysis concludes that Singapore is in the constant challenge of exploring alternative ways of handling death and its ramifications.Originality/valueThis paper presents a new outlook on the relationship between the preservation of the tangible and intangible cultural heritage associated with death practices and a sustainable approach to modernisation in the context of Singapore.


2022 ◽  
Vol 10 (1) ◽  
Author(s):  
Maria Skublewska-Paszkowska ◽  
Marek Milosz ◽  
Pawel Powroznik ◽  
Edyta Lukasik

AbstractConservation of cultural heritage is nowadays a very important aspect of our lives. Thanks to such legacy we gain knowledge about our ancestors, methods of production and ways of their life. The rapid development of 3D technology allows for more and more faithful reflection of this area of life. The rich cultural heritage, both tangible and intangible, can be preserved for future generations due to the use of advanced 3d technologies. They provide the means of documenting, recovering and presenting items of cultural heritage. Not only buildings or monuments are taken into account. An important aspect of our culture is intangible cultural heritage (ICH), including acting, crafting or storytelling, passed down from generation to generation. Due to the rapid development of civilisation and the migration of people, this type of culture is often forgotten. That is why the preservation of ICH is an important element of today world. The main aim of this study, on the basis of the gathered papers, is to identify: (1) the general state of use of 3D digital technologies in ICH; (2) the topics and themes discussed; (3) the technologies used in the study; (4) locations of research centres conducting such studies; and (5) the types of research carried out. The methodology consists of the following main steps: defining study questions, searching query development, selection of publications in Scopus, Web of Knowledge and IEEE Xplore, finally the study execution and the analysis of the obtained results. The results show that for ICH the most often used technologies are: 3D visualisation, 3D modelling, Augmented Reality, Virtual Reality and motion capture systems.


2021 ◽  
Vol 7 (6) ◽  
pp. 5514-5522
Author(s):  
Wan Huizhen

China has a large number of sports intangible cultural heritage tourism resources. Especially in the Yellow River Basin, as the accumulation of history and the crystallization of human civilization, sports intangible cultural heritage is of great significance for maintaining cultural diversity. This paper studies the integration development and protection of sports intangible cultural heritage and cultural tourism in the Yellow River Basin Based on GIS. In order to enrich the protection and inheritance path of sports intangible cultural heritage, and reveal its spatial distribution and causes, this paper uses GIS spatial analysis method to analyze "points" (excellent tourist cities, 5A scenic spots), "lines" (national trunk lines, railways), "points" and "lines". The results show that: the Yellow River Basin is a natural and cultural tourism destination, ethnic cultural experience and religious and historical holy land, which has strong attraction for tourists. Therefore, making full use of the rapid development of tourism in these areas, scientific protection and utilization of high-level sports intangible cultural heritage resources can promote the sustainable development of sports heritage and sports tourism in the Yellow River Basin.


Author(s):  
Dmitrii A. GOGOLEV ◽  
Elena O. MAKAROVA

The historic monuments of Tyumen are an integral part of the historical and cultural landscape of the city, especially those of them that have the status of the objects of the cultural heritage of the federal significance. The relevance of this topic lies in commemorative marks being one of the sources of the formation of historical memory. For the first time, there is an attempt to study the commemorative potential using the example of a limited number of cultural heritage sites in Tyumen and compare with its current state. A comprehensive study of the history of these objects allows identifying their commemorative potential, while the comprehension of the current state of their memorialization aids in developing specific proposals for perpetuating significant events for them. Using the principles of objectivity and historicism, the authors have studied memorial plaques. Today, they are the only type of commemorative signs located on the cult cultural heritage sites of federal significance in Tyumen. Their texts contain information exclusively about the events of religious life. The reason for this may be the fact that the initiative to install all the memorial signs came from the representatives of the church. The events related to the history of the iconic monuments of Tyumen were grouped into thematic blocks. They reflect the connection of these objects with facts from the life of indivi¬duals or with the history of the most memorial place. This allows formulating more clearly their proposals for the memorialization of historic objects of cultural heritage of federal significance in Tyumen. It should be noted that the issue of the current state and prospects of memorialization of the historic objects of cultural heritage of regional significance in Tyumen requires a special study.


2021 ◽  
pp. 21-30
Author(s):  
Ali Saadon Al Al-Ogaili ◽  
◽  
◽  
Ali Saadon Al Al-Ogaili

Intangible cultural heritage is the continuous progress of human society. Intangible cultural heritage refers to various traditional cultural expressions that exist in intangible form and are closely related to the lives of the people and inherited from generation to generation. Intangible cultural heritage is a human-oriented living cultural heritage. It emphasizes human-centric skills, experience, and spirit, and is characterized by living changes. What stands out is the intangible attribute, and more emphasis on the quality that does not depend on the material form. The biggest feature of intangible cultural heritage is that it is not divorced from the special life and production methods of the nation, and it is the living of the nation's personality and national aesthetic habits. Appears. It exists on the basis of human beings, using voice, image and skills as means of expression, and passing from word to mouth as a cultural chain to continue. It is the most vulnerable part of living culture and its traditions. Therefore, for the process of inheriting intangible cultural heritage, the inheritance of people is particularly important. The traditional handicraft intangible cultural heritage is one of the best. However, with the rapid development of society, the living environment of intangible cultural heritage has changed, and the intangible cultural heritage of traditional handicraft industry is rapidly declining or even disappearing. In order to protect traditional handicraft intangible cultural heritage, this article studies the influence of the integration of traditional handcrafted intangible cultural heritage with the form of material carrier, reading and analyzing a large number of related documents using the literature survey method, and according to research needs, through the study of the content of the literature In summary, a questionnaire survey method was adopted to investigate traditional handicraft intangible cultural heritage visitors and inheritors. The results of the survey found that visitors’ satisfaction with the integration of digital forms and physical carrier forms of intangible cultural heritage projects was nearly 30% higher than that of unintegrated forms. Inheritors generally believe that integrated research has better publicity and education for traditional handicraft intangible heritage. The merged handmade intangible cultural heritage items are easy to store, retrieve and query, and at the same time help to preserve the related traditional handmade intangible cultural heritage items safely and for a long time, making the traditional handmade intangible cultural heritage items widely spread and shared around the world.


Author(s):  
Vladimir Zolotovskiy ◽  

Introduction. During the 20th century the functions and essence of museums have undergone changes. One of the most relevant functions of modern museums is museumification. The purpose of the paper is to reveal the features of digital museumification as a promising direction and an actual form of museumification of material and non-material objects included in the socio-cultural environment. Discussion. The undertaken historiographical review allowed us to conclude that there is a sufficient methodological and factual basis for a comprehensive study of the essence of museumification. At the same time, many problems of the theory and practice of museumification have not even received a problematic definition. Analysis. Museumification is of particular importance in the activities of saving, preserving, and introducing cultural heritage objects into the modern socio-cultural environment. In modern domestic and foreign practice museumification develops in two main directions: removal from the natural area and museumification of cultural heritage monuments through actualization or introduction into the socio-cultural environment. The monument, which is a harmonious part of the socio-cultural environment, does not require artificial conservation of the habitat or the area of the monument. It is determined that for such objects of museumification it is reasonable to use the concept of “dynamic museumification”. The most adequate form of “dynamic museumification” should be considered digital museumification. Results. Digital museumification should be understood as an activity for the transformation of cultural heritage objects into living objects that develop together with their cultural space and socio-cultural environment. Digital museumification is presented as a combination of actions and means pointed at ensuring the implementation of preservation and popularizations tasks within the framework of the “smart city” system being formed. Digital museumification objectively makes it necessary to create open information bases for all interested persons. The detected connection between the space of a monument and the channels of forming the historical memory determines the need for organizing digital museumification in a digital creative urban space.


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