Chinese in the Woods

Author(s):  
Sue Fawn Chung

Though recognized for their work in the mining and railroad industries, the Chinese also played a critical role in the nineteenth-century lumber trade. This book continues an examination of the impact of Chinese immigrants on the American West by bringing to life the tensions, towns, and lumber camps of the Sierra Nevada during a boom period of economic expansion. Chinese workers, like whites, labored as wood cutters and flume-herders, lumber jacks and loggers. Exploding the myth of the Chinese as a docile and cheap labor army, the book shows Chinese laborers earned wages similar to those of non-Asians. Men working as camp cooks, among other jobs, could even make more. At the same time, the book draws on archives and archaeology to reconstruct everyday existence, offering evocative portraits of camp living, small town life, personal and work relationships, and the production and technical aspects of a dangerous trade. The book examines the role of the Chinese in the lumber trade in the American West during the late nineteenth century, with a focus on the Sierra Nevada in the 1870s to 1890s. It looks at Chinese laborers' contribution to the building of the American West by analyzing their migration, their communities and lifestyles, lived experiences, transnationalism, and their work in relationship to mining and railroad construction.

Author(s):  
Sue Fawn Chung

This book examines the role of the Chinese in the lumber trade in the American West during the late nineteenth century, with a focus on the Sierra Nevada in the 1870s to 1890s. It looks at Chinese laborers' contribution to the building of the American West by analyzing their migration, their communities and lifestyles, lived experiences, transnationalism, and their work in relationship to mining and railroad construction. It also considers the timber barons and companies that employed Chinese workers, their departure from the Sierra Nevada forests, and the anti-Chinese sentiment that they endured. It shows that Chinese immigrants new to North America were first attracted to mining, but they turned to other work, such as logging, when they met with resistance and opposition from miners. The book also challenges some of the popular stereotypes that developed during this period of emerging unionism, along with the assumption of “cheap Chinese labor” that has been used to interpret the Chinese experience in late-nineteenth-century America.


2019 ◽  
Vol 13 (1) ◽  
pp. 51-75
Author(s):  
Ximo Guillem-Llobat

Abstract Pests had represented a major problem in agriculture for centuries, but the huge changes in the food chain around the late nineteenth century intensified their effects in a totally unprecedented way and many new chemical substances were introduced in the attempt to control them. In this paper I will focus on the implementation of hydrogen cyanide, a highly toxic pesticide which has not received particular consideration from researchers to date. I shall analyse the introduction of this pesticide in the Valencian Country and focus on the attention given to the safety of workers and consumers. I aim to examine the role of the poison in its different uses and analyse the impact of each of them on safety regulations. Risks, accidents, and standards will be the main analytical categories I will use in my exploration of hydrogen cyanide and the safety regulations implemented in each context.


Author(s):  
Eve E. Buckley

This chapter emphasizes the intersection of natural (environmental) and social factors that made droughts calamitous for the poorest sertanejos. It traces the construction of the northeast (nordeste) as an identifiable region within modern Brazil, perceived as a challenge to modernization efforts due to its environment and its citizens’ mixed racial heritage. The chapter introduces central aspects of the sertão’s geography and economy, briefly outlining changes from the colonial period to the twentieth century. The role of the Great Drought (1877-1879) in shaping landholding patterns is emphasized, along with the impact that the Canudos rebellion had on other Brazilians’ views of sertanejos. Brazilian racial ideologies of the late nineteenth century are analysed in relation to the marginalization of sertanejos. The dynamics of political patronage by Brazil’s rural coronéis are introduced to explain how drought aid was often funnelled to wealthy landowners rather than to the poor. Finally, popular views of twentieth century drought works are accessed through reference to folk poems known as cordéis.


2009 ◽  
pp. 61-76
Author(s):  
John Armstrong

This essay examines the way British coastal shipping companies handled competition from the rail industry. It explores the role of coastal shipping before the advent of rail; the impact of steam on short-sea shipping; the perceived minor threat of short-distance early railways; the direct threat of long-distance rail lines that began to appear in the 1840s; and the effectiveness of the attempts to address railway competition - the search for technological improvement, market segmentation, and re-pricing structures in particular. It concludes that the coaster and railway industries co-existed peacefully during the late nineteenth century as it served both of their interests, and assures that any serious threat to rail that the coastal industry could instigate would be met with swift and crippling retaliation, so they opted not to risk upsetting the balance.


2017 ◽  
Vol 86 (2) ◽  
pp. 398-426
Author(s):  
Jesse Spohnholz ◽  
Mirjam G. K. van Veen

According to historiographical convention, the experience of exile by Protestants from the Habsburg Netherlands between the 1550s and the early 1570s played a critical role in promoting confessional Calvinism in the early Dutch Republic. But there are too many problems in the evidentiary basis to sustain this conclusion. This essay traces the historiography on the Dutch Reformation in order to isolate where and why this idea emerged. It demonstrates that no specific role for religious refugees in the development of Dutch Calvinism can be found in historical writing from the late sixteenth to the mid-nineteenth century. Only in the late nineteenth century, during a debate about the role of the Dutch Reformed Church in the Netherlands, did the experiences of religious refugees come to take on a specific role in explaining the development of Dutch Calvinism. The idea first emerged among Neo-Calvinists who critiqued state supervision of their church. By the twentieth century, it came to be used by orthodox and moderate Reformed Protestants, as well as liberal and secular academic historians. This paper thus demonstrates that this key interpretive framework for understanding the Dutch Reformation was the product not of developments in the sixteenth-century Habsburg Netherlands, but of religious politics in the Kingdom of the Netherlands in the late nineteenth century.


2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Author(s):  
Lena Wånggren

This book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. This book explores the interlinking of gender and technology in writings by overlooked authors such as Grant Allen, Tom Gallon, H. G. Wells, Margaret Todd and Mathias McDonnell Bodkin. As the book demonstrates, literature of the time is inevitably caught up in a technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.


Author(s):  
Marilyn Booth

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.


2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.


Sign in / Sign up

Export Citation Format

Share Document