scholarly journals I stadens utkant. Svensk-romska livsberättelser och lägerplatser från 1900-talet

1970 ◽  
pp. 123
Author(s):  
Lotta Fernstål ◽  
Charlotte Hyltén-Cavallius
Keyword(s):  
Cultural Heritage ◽  
Life Stories ◽  
History Museum ◽  
Roma People ◽  
Swedish History ◽  
Archaeological Excavations

Roma people have been present in Sweden for at least 500 years. The first members of the group today known as Swedish Roma arrived in the late 1800s, and during a large part of the 1900s they were forced to a nomadic lifestyle. The purpose of this project is to highlight this part of history, in collaboration with Roma associations, focusing on camp sites and life stories during the 1900s and to incorporate this cultural heritage into Swedish public collections at the Swedish History Museum and the Institute for Language and Folklore. The project will combine ethnological interviews with archaeological excavations, and will involve questions about multiculturalism and interaction between Roma and the majority Swedes. 

scholarly journals Comparative chemical investigations of alum treated archaeological wood from various museum collections

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Jeannette Jacqueline Łucejko ◽  
Caitlin M. A. McQueen ◽  
Malin Sahlstedt ◽  
Francesca Modugno ◽  
Maria Perla Colombini ◽  
...  
Keyword(s):  
Cultural History ◽  
Inorganic Compounds ◽  
Treated Wood ◽  
Chemical Degradation ◽  
General Level ◽  
History Museum ◽  
X Ray ◽  
Archaeological Wood ◽  
Alum Treatment ◽  
Swedish History

AbstractFrom the mid-1800s to the late 1960s, conservation by alum salts (KAl(SO4)2·12H2O—potassium aluminium sulphate), using various recipes, was a common method to prevent shrinkage and to strengthen waterlogged archaeological wooden objects. This method was mainly used in Scandinavia. The alum method appears to have also been applied to highly degraded archaeological waterlogged wood in other countries, for example in the U.S and Germany. Today, many of the archaeological wooden objects treated with alum show extreme deterioration and very low pH, which are attributed to the effects of the alum-treatment. This study investigated the extent of the current levels of chemical degradation in wooden objects conserved with alum salts at different points in time (1880s, 1930s and 1905–13) in order to understand their current condition and whether extent of degradation was in any way related to time of treatment, in an attempt to understand the rate of degradation. It was also an opportunity to compare the chemical state of preservation of alum-treated wood from different collections, as only the Oseberg collection has been intensively studied in this way up until now. Samples from historical wooden objects from the following collections were investigated and compared: the Dejbjerg collection (National Museum of Denmark in Copenhagen); the Oseberg collection (Museum of Cultural History, Oslo, Norway); the Glimmingehus collection (Swedish History Museum, Sweden). Analyses of lignocellulosic polymers and of inorganic compounds were undertaken to evaluate the chemical preservation of the wooden objects. The investigations were performed using a multi-analytical approach which consisted of: pH measurements, analytical pyrolysis (Py-GC/MS), X-ray diffraction (XRD) and scanning electron microscopy with energy-dispersive X-ray spectroscopy (SEM–EDS). It was possible to link the extent of degradation with time, on a general level but we found a great variability in the state of preservation of the wood also within the same collection. It is clear, however that alum-treated wood is more degraded than archaeological wood not treated with alum.

scholarly journals Fredrik Svanberg. Människosamlarna. Anatomiska museer och rasvetenskap i Sverige ca 1850–1950

1970 ◽  
pp. 159
Author(s):  
Eva Åhrén
Keyword(s):  
Welfare State ◽  
Medical History ◽  
Human Remains ◽  
Museum Collections ◽  
Human Beings ◽  
History Museum ◽  
Media Attention ◽  
History Of ◽  
The Media ◽  
Swedish History

The publication of Fredrik Svanberg’s Människosamlarna. Anatomiska museer och rasvetenskap i Sverige ca 1850–1950 [The Collectors of Human Beings. Anatomical Museums and Racial Science in Sweden c. 1850–1950] is very timely. The topic of human remains in museum collections has recently been under debate in Swedish media Early in 2015, the debate was triggered by the efforts of Karolinska Institutet’s Unit for Medical History and Heritage to research its neglected historic collections of human remains, and start repatriating racialized skulls to indigenous source communities. (Disclosure: I am the director of that unit, and my own research on the history of medical museums is referenced in this book.) Svanberg, who is head of research at the Swedish History Museum in Stockholm, wrote an important contribution to the media debate. The old skull collections that still exist in Lund, Uppsala and Stockholm, he pointed out, have been “rediscovered” by the media at intervals of 5–7 years since the 1980s (cf. pp. 20–26). Media attention tends to cause a brief uproar, until the crania are quickly forgotten again – until the next time. Swedes don’t seem to retain past understandings and constructions of race, or how these conceptions contributed to the creation of our modern, neutral and ostensibly non-racist welfare state.

scholarly journals Het historia, svala museer

1970 ◽  
pp. 147
Author(s):  
Kathrine Hauptman ◽  
Fredrik Svanberg
Keyword(s):  
Research And Development ◽  
Gender Diversity ◽  
Public Culture ◽  
Public Archaeology ◽  
Development Projects ◽  
Cultural Issues ◽  
History Museum ◽  
Swedish History

There is an ongoing tension between the modern museum concept, rooted in deep traditions within modernity, and the developments within the humanities over the last 30 years. The later movement, and not the least within museology, normally strives towards a more socially engaging museum, working with contemporary social and cultural issues. The article describes and discusses a number of research and development projects dealing with involvement, public archaeology, gender, diversity and the uses of history that have been undertaken by the authors at the Swedish History Museum in Stockholm during the last six years. Some points covered in the article are that dividing lines, or opposing positions, are often not between institutions but between different kinds of activities within institutions, and that institutions eager to work with a broader scope and to engage socially will also have to deal with more debates and criticism as well as the potential for threats against staff. Museums have the power to re-imagine and to have an effect on public culture, but that is a process not without complexity.

scholarly journals FOR A CONSCIUOS FRUITION OF THE CULTURAL HERITAGE OF ANCIENT NOTO (SICILY). EFIAN PROJECT AS OPPORTUNITY FOR VALORISATION

2017 ◽  
Vol XLII-5/W1 ◽  
pp. 89-97 ◽  
Author(s):  
Z. Barone ◽  
G. Nuccio
Keyword(s):  
Cultural Heritage ◽  
Strong Relationship ◽  
Archaeological Site ◽  
Political Life ◽  
Project Development ◽  
Digital Reconstruction ◽  
New Generation ◽  
Working Method ◽  
Archaeological Excavations ◽  
Point Of Reference

The archaeological site of Ancient Noto is all that remains of one of the most interesting and important cities in the Est part of Sicily. Architecture and political life made Noto a point of reference for the island, expecially in XVI and XVII century, before it was destroyed by a devastating earthquake in 1963. A general project of safeguard, together with archaeological excavations, could hand a great amount of information, archaeological finds, pieces of architecture, that are useful to understand the site, known as a "Sicilian Pompei". Our intervention has the aim to describe the importance of EFIAN (Experimental Fruition Ingenious Ancient Noto). The project is carried out as a collaboration between Palermo University, Catania University, SIQUILLIYA s.r.l. and Service & Advice s.r.l.. The project answers to the need of improving the valorisation of the site, according to the principles of Italian Code for Cultural Heritage and Landscape. EFIAN's purpose is that of improving public's sensibilisation, to open lines of research and restauration of monuments. The working method is based on the strong relationship established between History, Architectonic Relief, Restauration, and Study of ancient technics of construction linked to the territory. The research is supported by new generation technologies. Datas are used to build digital reconstructions of ruins in the shape of virtual anastylosis and digital reconstruction of whole buildings. Four different sites have been studied during the project development.

scholarly journals An Electronic Сatalogue of Slobozhanshchina Icons of the Late 18th – Early 20th Centuries: Prerequisites for Creation, Purposes, Functions

2021 ◽  
pp. 109-117
Author(s):  
И.В. Краснова
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Significant Part ◽  
History Museum ◽  
Documentary Sources ◽  
Great Patriotic War ◽  
History Of ◽  
The Creation ◽  
Private Collections ◽  
The Way

В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между многочисленными музейными и частными коллекциями. Данный фактор, а также несомненная уникальность региональной иконописной традиции стали предпосылками к разработке концепции электронного каталога, который призван объединить все сохранившиеся на сегодняшний день произведения слобожанской иконописи. The article substantiates the need to create a virtual catalogue of Slobozhanshchina (Sloboda Ukraine) icons and sets the aim of developing the main characteristics of the projected electronic collection. Based on the use of systemic-historical and historical-genetic methods, documentary sources were analysed, the results of research of Russian and Ukrainian historians and culture scientists were studied. The history of museums in Sloboda Ukraine, which collected works of icon painting, is considered; special attention is paid to the Historical and Church Museum. Until the revolutionary events of 1917, this museum’s collections were constantly replenished with new exhibits. The history of the creation of the Museum of Ukrainian Art and the Central Art and History Museum named after Gregory Skovoroda (Museum of Sloboda Ukraine) is analysed. The influence of the events of the twentieth century on the icon-painting heritage of Sloboda Ukraine is considered. This heritage, as a result of the atheistic campaign of the 1930s and the actions of the occupiers during the Great Patriotic War, lost unity and was fragmented between numerous museum and private collections. The consequences of the German fascist invaders’ plunder of the museums of Sloboda Ukraine were especially grave: hundreds of thousands of exhibits were destroyed or taken out of the country. The fact of huge and often irreparable losses in the cultural heritage of Sloboda Ukraine by the middle of the twentieth century is stated. At present, the museums of Sloboda Ukraine have already collected a significant part of icon-painting works (about 500), but this number is not comparable with the richest heritage of Sloboda Ukraine of the beginning of the twentieth century. The author emphasises that a certain number of Slobozhanshchina icons continue to remain in churches and private collections in both Ukraine and Russia. Information about icons received from individuals is insufficient for attribution and museum documentation compilation, so many of the icons have not yet been fully introduced into museum circulation. The way out of this situation, according to the author, is to create an electronic catalogue of Slobozhanshchina icons, which will be a database of icon-painting works from museum and private collections with texts and images. The concept of the electronic catalogue has been developed. The catalogue is designed to unite all the works of Slobozhanshchina icon painting that have survived to date.

Defining, Constructing, and Communicating Heritage at a "Living History" Museum: The Case of the Ukrainian Cultural Heritage Village

2017 ◽  
Author(s):  
Thomas Beck
Keyword(s):  
Cultural Heritage ◽  
First Nations ◽  
Historical Narrative ◽  
Living History ◽  
First Person ◽  
Cultural Meanings ◽  
History Museum ◽  
The Village ◽  
Living History Museum

The Ukrainian Cultural Heritage Village, an open‐air, living history museum, provides a case study of how heritage is defined and presented. Drawing on David Lowenthal’s conception as heritage as a social construction and Diane Barthel’s idea of “symbolic bankers”, this paper explores how the Village has defined heritage and who has been involved in its definition. This paper will argue that the Village uses heritage to promote the cultural identity of the Ukrainian community while simultaneously strengthening Albertan pride and ‘nationalism’ through recognizing diversity and multiculturalism, but excludes the heritages of First Nations peoples and the other settler nations. The paper then evaluates the effectiveness of the Village’s attempts to portray history and communicate heritage considering the first‐person method of interpretation used and the involvement of the Alberta Government. The paper finds that the limitations of first‐person interpretation and the economic goals of the Alberta Government have led the Village to a position where it risks the trivialization of Ukrainian cultural meanings and the simplification and sanitization of Alberta’s historical narrative.

Interim report on the Polish–Georgian excavation of a Roman fort in Gonio (Apsaros) in 2014

2017 ◽  
Vol 25 ◽  
pp. 533-552
Author(s):  
Shota Mamuladze Mamuladze ◽  
Radosław Karasiewicz-Szczypiorski ◽  
Tamar Shalikadze ◽  
Nagriz Surmanidze ◽  
Emzar Kakhidze
Keyword(s):  
Cultural Heritage ◽  
Interim Report ◽  
Heritage Preservation ◽  
Archaeological Excavations ◽  
Cultural Heritage Preservation

Archaeological excavations of three sections of the inner areas of the fort of Apsaros were conducted by the Gonio-Apsaros archaeological expedition of the Cultural Heritage Preservation Agency of Adjara in 2014. Remains of several buildings were unearthed in the Roman cultural levels. Artifacts from these layers reflect a Roman presence in the area from the second half of the 1st to the end of the 3rd century AD.

scholarly journals Expert Role of Regional Museum for the Projects of Public Spaces Improvement

2020 ◽  
Author(s):  
Tatyana Ladygina ◽  
Maria Belyaeva
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
Modern Society ◽  
Public Spaces ◽  
Small Towns ◽  
History Museum ◽  
Cultural Workers ◽  
Public Areas ◽  
Reconstruction Project ◽  
The City

This article considers the experience of improving public spaces of one of the small towns in Sverdlovsk region – the city of Krasnoufimsk. The topic of urban improvement is a serious challenge for our country. When designing public areas, it is important to consider the features of the city, its history, uniqueness, opinion of the population. Several tasks can be solved through the improvement of the city: the development of a comfortable urban environment, attracting tourists and preserving the cultural heritage. The choice of certain landscaping projects in most cases requires historical and cultural examination. Cultural workers should also act as experts in the public space reconstruction project. This article reflects on a similar experience during the reconstruction project of the Ufa river embankment in the central district of Krasnoufimsk, when employees of the regional museum were invited to participate. The text presents examples of filling the space of the embankment with hidden meanings from the regional history. The authors are of the opinion that representatives of museum community in modern society are not only keepers of the past, but also creators of the future image of the city. Keywords: public spaces, urban landscaping, small town, cultural heritage, historical and cultural expertise, local history museum

scholarly journals Landscape visualisation of the Roman site Margum

2012 ◽  
pp. 7-16
Author(s):  
Ivana Blagojevic
Keyword(s):  
Roman Empire ◽  
Cultural Heritage ◽  
Current Situation ◽  
Natural Vegetation ◽  
Check List ◽  
The World ◽  
Archaeological Excavations

There are numerous traces around the world that testify on the duration and significance of the Roman Empire. There are many more Roman traces in Serbia, than it could be seen in the field. Many traces have been lost or forgotten forever. Roman Margum is one of them. On the base of outline maps and historical facts, this work aims to revive the Roman era on the site Margum, in an innovative way, by using natural vegetation and installation. The approach to work has a multidisciplinary character. By analyzing the current situation and by using a check list, it was found that partly carried out archaeological excavations were not visible, and that their invisibility was more enhanced with invasive vegetation that occupied the space. The revitalization of the site Margum will not only contribute to the cultural heritage of Serbia, but also to a tourist activation of the space and its surroundings and to raising the attractiveness of the site as well.

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