From Abyssinia to Cairo: The Zar Ritual Complex

Zar ◽  
2016 ◽  
Author(s):  
Hager El Hadidi
Keyword(s):  
Nineteenth Century ◽  
Red Sea ◽  
Spirit Possession ◽  
Short Overview ◽  
Eighteenth And Nineteenth Centuries ◽  
The Relationship

This chapter traces the history and origins of zar in order to elucidate how it migrated with Abyssinian slavery in the eighteenth and nineteenth centuries to Egypt. It lays the basis for understanding zar spirit possession as practiced in Cairo from the nineteenth century until today. Following a short overview of the history and origin of zar in the Red Sea region and the reasoning behind thinking about zar in Egypt as a transnational phenomenon, the chapter discusses zar practices in Cairo based on the author's fieldwork. It also considers the relationship between zar and Islam, the zar ritual placation process, spirit afflictions and their symptoms, and the role of gender and class in zar participation. Finally, it looks at zar professionals (leaders and musicians), zar music and dance, and zar paraphernalia.

THE CONSTANT DEMAND OF THE FRENCH: THE MASCARENE SLAVE TRADE AND THE WORLDS OF THE INDIAN OCEAN AND ATLANTIC DURING THE EIGHTEENTH AND NINETEENTH CENTURIES

2008 ◽  
Vol 49 (1) ◽  
pp. 43-72 ◽  
Author(s):  
RICHARD B. ALLEN
Keyword(s):  
Nineteenth Century ◽  
Indian Ocean ◽  
Free Labor ◽  
Merchant Capital ◽  
Mascarene Islands ◽  
The Indian Ocean ◽  
Eighteenth And Nineteenth Centuries ◽  
Trading Network ◽  
The Relationship

ABSTRACTAnalysis of an inventory of 641 slaving voyages involving Mauritius and Réunion between 1768 and 1809 reveals that the Mascarene Islands were at the center of a substantial and dynamic regional slave trading network that also reached into the Americas in ways that raise questions about the relationship between the ‘worlds’ of the Indian Ocean and the Atlantic. The fact that colonial, as well as metropolitan, merchant capital underwrote Mascarene-based slave trading ventures raises additional questions about the role of locally generated and/or non-Western capital in financing the movement of slave, and ultimately ‘free’, labor throughout the eighteenth- and nineteenth-century colonial world.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

‘This Romish business’ - Ritual Innovation and Parish Life in Later Nineteenth-Century Lincolnshire

1999 ◽  
Vol 35 ◽  
pp. 384-395
Author(s):  
R. W. Ambler
Keyword(s):  
Nineteenth Century ◽  
Church Of England ◽  
The State ◽  
Local Context ◽  
Holy Communion ◽  
Parish Church ◽  
The Relationship ◽  
The Church ◽  
Mixing Water

In February 1889 Edward King, Bishop of Lincoln, appeared before the court of the Archbishop of Canterbury charged with illegal practices in worship. The immediate occasion for these proceedings was the manner in which he celebrated Holy Communion at the Lincoln parish church of St Peter at Gowts on Sunday 4 December 1887. He was cited on six specific charges: the use of lighted candles on the altar; mixing water with the communion wine; adopting an eastward-facing position with his back to the congregation during the consecration; permitting the Agnus Dei to be sung after the consecration; making the sign of the cross at the absolution and benediction, and taking part in ablution by pouring water and wine into the chalice and paten after communion. Two Sundays later King had repeated some of these acts during a service at Lincoln Cathedral. As well as its intrinsic importance in defining the legality of the acts with which he was charged, the Bishop’s trial raised issues of considerable importance relating to the nature and exercise of authority within the Church of England and its relationship with the state. The acts for which King was tried had a further significance since the ways in which these and other innovations in worship were perceived, as well as the spirit in which they were ventured, also reflected the fundamental shifts which were taking place in the role of the Church of England at parish level in the second half of the nineteenth century. Their study in a local context such as Lincolnshire, part of King’s diocese, provides the opportunity to examine the relationship between changes in worship and developments in parish life in the period.

Revisiting the relationship between art and industry in nineteenth-century Britain from the manufacturer’s perspective

2021 ◽  
Vol 30 (1) ◽  
pp. 31-52
Author(s):  
Ann Compton
Keyword(s):  
Nineteenth Century ◽  
Industrial Sector ◽  
Critical Discourse ◽  
Drawing Board ◽  
Public Exposure ◽  
Production Practices ◽  
The Aesthetic ◽  
The Relationship ◽  
Two Sectors

The mid-nineteenth century critical discourse compartmentalized art and industry by crediting each with specific powers. Manufacturing was identified with the development of technologically advanced processes, materials and products, while fine artists were given authority over the aesthetic aspects of industrial design. The idea that the two sectors had separate areas of responsibility has proved extremely enduring, and continues to influence our perceptions of Victorian manufacturing. This article contributes to the wider task of re-evaluating the relationship between art and industry in nineteenth-century Britain by examining the role of design in potteries and art metalworking firms from the manufacturer’s perspective. It shows that contrary to the picture painted by Victorian critics, design was central to the ambitions and commercial operations of manufacturing businesses. Crucially, decisions about the recruitment of design staff were shaped by the close connection between the creation of new products at the drawing board, and their fabrication in the workshop. Since each branch of manufacturing had its distinctive characteristics, there were significant practical, aesthetic and commercial advantages for manufacturers in employing experienced designers who knew the trade, and were fully conversant with production practices. Unless a professional sculptor joined a firm, they were unlikely to have this inside knowledge, which made commissioning one-off designs from artists a riskier proposition. Manufacturers found that one of the best ways to get around this was to make reductions of sculptures, and initial demand for statuettes in Parian suggested they would be profitable for all concerned. In the end, the market did not live up to its early promise, but the publicity given to Parian statuettes compensated manufacturers and sculptors. Overall, it was this increased public exposure for art manufactures that was the prime benefit of the mid-nineteenth century critical discourse for the industrial sector.

Post-Byzantine hermeneiai zographikes in the eighteenth century and their dissemination in the Balkans during the nineteenth century

2006 ◽  
Vol 30 (1) ◽  
pp. 69-79
Author(s):  
Emmanuel Moutafov
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Balkan Peninsula ◽  
Primary Sources ◽  
The Balkans ◽  
Eighteenth And Nineteenth Centuries

This article focuses on the significance of the Orthodox painters’ manuals, called hermeneiai zographikes, in the development of post-Byzantine iconography and painting technology and techniques in the Balkans during the eighteenth and nineteenth centuries. Using a number of unpublished painters’ manuals (Greek and Slavonic) as primary sources for the study of Christian and Ottoman culture in the Balkan peninsula, it is possible to examine perceptions of Europe in the Balkans, in particular the principal routes for the transmission of ideas of the European Enlightenment, as well as the role of artists as mediators in the processes of ‘Europeanization'.

“Until the Day of His Death”

2021 ◽  
Vol 2021 (139) ◽  
pp. 52-74
Author(s):  
Henrique Espada Lima
Keyword(s):  
Nineteenth Century ◽  
Old Age ◽  
Human Aging ◽  
Southern Brazil ◽  
Contractual Arrangements ◽  
The Poor ◽  
Slave Society ◽  
The Relationship ◽  
Over Time

Abstract This article examines postmortem inventories and notarial records from Brazilian slaveholders in southern Brazil in the nineteenth century. By discussing selected cases in detail, it investigates the relationship between “precarious masters” (especially the poor and/or disabled, widows without family, and single elderly slaveholding women and men) and their slaves and former slaves to whom they bequeathed, in their testaments and final wills, manumission and property. The article reads these documents as intergenerational contractual arrangements that connected the masters’ expectations for care in illness and old age with the slaves’ and former slaves’ expectations for compensation for their work and dedication. Following these uneven relationships of interdependence and exploitation as they developed over time, the article suggests a reassessment of the role of paternalism in Brazil during the country’s final century of slavery. More than a tool to enforce relations of domination, paternalism articulated with the dynamics of vulnerability and interdependency as they changed over the life courses of both enslaved people and slave owners. This article shows how human aging became a terrain of negotiation and struggle as Brazilian slave society transformed throughout the nineteenth century.

The Introduction of Playing Cards and Card Playing in Russia

2016 ◽  
Vol 50 (3) ◽  
pp. 355-376
Author(s):  
Vyacheslav V. Shevtsov
Keyword(s):  
Russian Empire ◽  
Literary Works ◽  
Modern Culture ◽  
The Russian Empire ◽  
Eighteenth And Nineteenth Centuries ◽  
The Relationship

This article examines when and how playing cards were introduced in Russia and links the adoption of card playing in the Russian Empire to the process of Westernization in the eighteenth and nineteenth centuries. The author examines the role of card playing in noble culture and in the context of wider historical problems: the transition from medieval to modern culture; the translation and perception of cultural novelties; and the relationship cards and card playing had with other forms of celebration and leisure. The article is based on various sources, including Russian laws, import-export (customs) records, private sources in noble family archives, and literary works.

scholarly journals Dueling, Conflicting Masculinities, and the Victorian Gentleman

2017 ◽  
Vol 56 (3) ◽  
pp. 605-628 ◽  
Author(s):  
Margery Masterson
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Interpersonal Violence ◽  
Multifaceted Approach ◽  
Multiple Modes ◽  
Starting Point ◽  
Modern Britain ◽  
History Of ◽  
The Relationship

AbstractThis article takes an unexplored popular debate from the 1860s over the role of dueling in regulating gentlemanly conduct as the starting point to examine the relationship between elite Victorian masculinities and interpersonal violence. In the absence of a meaningful replacement for dueling and other ritualized acts meant to defend personal honor, multiple modes of often conflicting masculinities became available to genteel men in the middle of the nineteenth century. Considering the security fears of the period––European and imperial, real and imagined––the article illustrates how pacific and martial masculine identities coexisted in a shifting and uneasy balance. The professional character of the enlarging gentlemanly classes and the increased importance of men's domestic identities––trends often aligned with hegemonic masculinity––played an ambivalent role in popular attitudes to interpersonal violence. The cultural history of dueling can thus inform a multifaceted approach toward gender, class, and violence in modern Britain.

The Limits of the Law in Claiming Rights to Land in a Settler Colony: South Australia in the Early-to-Mid Nineteenth Century

2020 ◽  
Vol 38 (4) ◽  
pp. 631-657
Author(s):  
Bain Attwood
Keyword(s):  
Nineteenth Century ◽  
Indigenous Peoples ◽  
South Australia ◽  
British Colony ◽  
The Law ◽  
Eighteenth And Nineteenth Centuries ◽  
Over Time

In recent decades a large amount of scholarship has been devoted to the task of explaining the ways in which European powers claimed possession of indigenous people's territories across the seventeenth, eighteenth and nineteenth centuries. This research has emphasised the role of the law in the dispossession of indigenous peoples. But more work is required to establish the precise roles that the law played in the claiming of land and to measure its importance relative to other factors. In this paper I consider one British colony, South Australia, in order to investigate the changes that occurred in the roles that the law performed over time in the claiming of the indigenous people's lands, and to assess the importance of these relative to the roles played by historical, moral, political, psychological and material factors. I conclude that in this instance at least the role that the law played in the claiming of possession was rather different than that suggested by numerous studies of the claiming of possession as well as much less significant.

The Sexual Politics of Nature Writing and Lepidoptery: ‘The siren song of entomology’

2019 ◽  
pp. 126-153
Author(s):  
Danielle Sands
Keyword(s):  
Nineteenth Century ◽  
Nature Writing ◽  
Vladimir Nabokov ◽  
Sex And Gender ◽  
Ethical Awareness ◽  
Objectification Of Women ◽  
And Gender ◽  
Politics Of Nature ◽  
The Relationship

Arguing that the discourse of insect collecting is one of objectification and domination, and that entomological classification and practices continue to reflect concerns about sex and gender which were present in its eighteenth- and nineteenth-century instantiations, this chapter aligns the objectification of women with that of insects. It interrogates the notion of aesthetic disinterestedness as licence for such objectification, asking whether aesthetic disinterestedness permits an empathetic disengagement which, at its worst, leads to a sociopathic lack of ethical awareness. The chapter has three parts, focusing on John Fowles’s The Collector, insects (particularly butterflies and moths) in contemporary nature writing and, finally, the role of lepidoptery in the fiction of Vladimir Nabokov. The closing section examines the relationship between ethics and aesthetics, appealing to the simultaneous necessity of both cross-species empathetic engagement and of a distancing that is alert to its own subjective positioning.

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