Garveyism Root and Branch

2019 ◽  
pp. 15-58
Author(s):  
Michael O. West
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
World War I ◽  
White Supremacy ◽  
Haitian Revolution ◽  
Modern World ◽  
World War ◽  
Black Liberation ◽  
Pan Africanism ◽  
Black World

The Garvey movement was at once an end and a beginning. Although very much a product of its time – the immediate post-World War I era – Garveyism was an end in that it summarized much of the thought and struggle of nineteenth-century pan-Africanism and black nationalism. Marcus Garvey, not so much the man as the metaphor, and the United Negro Improvement Association, not so much the institution as the inspiration, sealed up a certain tradition (which included Toussaint Louverture’s Haitian Revolution and black revivalists) in the movement for black liberation in the modern world. At the same time, Garveyism was also a beginning, casting a long shadow on contemporary and subsequent movements against colonialism and white supremacy throughout the black world, including phenomena such as the Moorish Science Temple and Rastafari. This chapter places Garveyism at the center of a narrative spanning from the emergence of pan-Africanism in the eighteenth century to the Ethiopian crisis of 1935.

Continental Influence on American Christian Thought Since World War I

1958 ◽  
Vol 27 (3) ◽  
pp. 256-272 ◽  
Author(s):  
Sydney E. Ahlstrom
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Eighteenth Century ◽  
World War I ◽  
Immanuel Kant ◽  
Theological Seminary ◽  
World War ◽  
Ecclesiastical History ◽  
Christian Thought ◽  
Princeton Theological Seminary

Just after the turn of the nineteenth century, the Rev. Samuel Miller, then a Presbyterian minister in New York but soon to become a professor of ecclesiastical history at the newly-founded Princeton Theological Seminary, published his ambitious Retrospect of the Eighteenth Century. He remarks in due course that “it would be improper to pass in silence the celebrated IMMANUEL KANT, Professor at Koeningsberg, in Prussia.” He then goes on to comment on the “extravagant panegyrics” of Kant's disciples, but having heard “that the acutest understanding cannot tolerably comprehend [this profound and extensive system] by less than a twelve-month's study,” he satisfied himself with a brief second-hand report. The incident might be considered an accurate commentary on the state of “Continental influence on American Christian thought” in 1803.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

International Opera in Nineteenth-century New York

2020 ◽  
pp. 244-269
Author(s):  
Karen Ahlquist
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York City ◽  
World War I ◽  
Buenos Aires ◽  
Considerable Extent ◽  
World War ◽  
Metropolitan Opera ◽  
The City

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”

scholarly journals The Westphalian model and sovereign equality

2011 ◽  
Vol 38 (3) ◽  
pp. 641-660 ◽  
Author(s):  
PETER M. R. STIRK
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
International Relations ◽  
Second World War ◽  
Late Nineteenth Century ◽  
World War ◽  
Sovereign Equality ◽  
Normative Principle ◽  
Late Nineteenth ◽  
Second World

AbstractAlthough the Westphalian model takes many forms the association of Westphalian and sovereign equality is a prominent one. This article argues firstly that sovereign equality was not present as a normative principle at Westphalia. It argues further that while arguments for sovereign equality were present in the eighteenth century they did not rely on, or even suggest, a Westphalian provenance. It was, for good reasons, not until the late nineteenth century that the linkages of Westphalia and sovereign equality became commonplace, and even then sovereign equality and its linkage with Westphalia were disputed. It was not until after the Second World War, notably through the influential work of Leo Gross that the linkage of Westphalia and sovereign equality became not only widely accepted, but almost undisputed until quite recently. The article concludes by suggesting that not only did Gross bequeath a dubious historiography but that this historiography is an impediment to contemporary International Relations.

A Perverted Balance: Modern Salafism between Reform and Jihād*

2017 ◽  
Vol 57 (1) ◽  
pp. 33-66 ◽  
Author(s):  
Itzchak Weismann
Keyword(s):  
Nineteenth Century ◽  
World War I ◽  
Late Nineteenth Century ◽  
Political Struggle ◽  
World War ◽  
Religious Intellectuals ◽  
Late Nineteenth ◽  
Late Ottoman ◽  
Muslim Brothers

This article argues that there are structural affinities and continuities between the late nineteenth-century modernist reformers and today’s quietist, political, and jihādī Salafī factions. Salafism refers to the basic theological-ideological formation that postulates a return to pristine Islam to overcome tradition and bring regeneration. The Salafī balance between authenticity and modernization promoted by enlightened religious intellectuals in the late Ottoman period was shattered by the events of World War I and its aftermath. This resulted in its bifurcation between conservatives, who adopted literalist and xenophobic Wahhābī positions, and modernists, primarily the Muslim Brothers, who employed innovative means in their religio-political struggle to re-Islamize society and oust colonialism. The Salafī balance was reconstructed after independence on new, unenlightened lines in the Saudi Islamic Awakening (al-Ṣaḥwa al-Islāmiyya), which combined the erstwhile rigorous Wahhābī teachings with radicalized Islamism. Global jihādī-Salafism completed the perversion of the modernist Salafī balance by reducing the authentic way of the salaf to excommunication and violence and by using the most modern means in its war against both Westerners and indigenous Muslim governments.


Antecedents

2020 ◽  
pp. 25-41
Author(s):  
Rebecca Ayako Bennette
Keyword(s):  
Nineteenth Century ◽  
World War I ◽  
German Society ◽  
World War ◽  
The Poor ◽  
The Military ◽  
Broad Overview

This chapter gives a broad overview of developments within the main areas of psychiatry, the military, and pacifism and provides the necessary background to understand the conditions prevailing in Germany leading up to 1914. It highlights the rising fortunes and expanding purview of psychiatry in the decades before World War I and references the limits of describing the trends as medicalization. It also explores the general prestige of the military and the role of pacifism in imperial German society. The chapter looks at August Fauser and Erwin Ackerknecht's estimations of psychiatry around 1900, which inhabited opposite ends of the opinion spectrum. It analyses attitudes toward the insane that had been lumped with the larger category of the poor over the nineteenth century.

Żydzi

1999 ◽  
pp. 339-340
Author(s):  
Jerzy Tomaszewski
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Second World War ◽  
World War ◽  
Important Group ◽  
The Holocaust ◽  
The First World War ◽  
Polish Society ◽  
Second World ◽  
First World

This chapter considers a series of books, A to Polska właśnie (This is Indeed Poland). These books introduce their readers to various issues of interest to anyone studying Polish society. The chapter focuses on the volume Żydzi (The Jews), in particular, as it is the first to discuss an important group among Poland's population. The volume covers the period up to the second half of the eighteenth century, political and social problems from the second half of the eighteenth century until the end of the nineteenth, Jewish culture and religion in the nineteenth century, the period from the First World War until 1939, the Holocaust, and Jews in Poland after the Second World War. The chapter contends that this book should be regarded not as just one more study about Polish Jews, but as making a singular contribution to the promotion of knowledge about Jewish traditions, culture, and history in Poland.

A (Very Selective) Early History of Ballet in America

Ballet Class ◽  
2020 ◽  
pp. 3-24
Author(s):  
Melissa R. Klapper
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Young People ◽  
World War I ◽  
The United States ◽  
Early History ◽  
World War ◽  
Ballet Dancers ◽  
Metropolitan Opera ◽  
History Of

Ballet developed slowly in the United States and depended on European dancers and teachers at first, but by mid-nineteenth century a few American-trained ballet dancers were beginning to make their mark. The opening of the Metropolitan Opera Ballet School in 1909 and the tours of Anna Pavlova contributed greatly to popularizing ballet and inspiring young people to begin taking ballet class before World War I. Expansion continued from the 1920s through the 1940s with the founding of the School of American Ballet and the performances of the various Ballet Russe companies in every corner of the country. The Littlefield sisters and Christensen brothers helped make ballet American by establishing important homegrown ballet companies with primarily American dancers. The regional ballet movement fostered further growth. All these developments in professional ballet encouraged ever-increasing numbers of Americans not only to enjoy performances but also to take ballet class themselves.

Introduction

2012 ◽  
pp. 1-12
Author(s):  
Shaul Stampfer
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Eastern Europe ◽  
First World War ◽  
World War ◽  
Jewish Settlement ◽  
The First World War ◽  
Separate Identity ◽  
First World

This introductory chapter describes the unique aspects of the yeshivas of nineteenth-century Lithuania. These yeshivas represented a major attempt on the part of traditional Jewry to cope with the challenges of modernity. The Jews of nineteenth-century Lithuania thus defined had several distinguishing characteristics. In religious terms, most were traditional, in the sense that they had withstood the innovations of hasidism; in fact, the strength of the opposition to that movement in Lithuania was such that they came collectively to be known as mitnagedim (opponents) — that is, opponents of hasidism. Economically, they were mostly poorer than Jews in other major areas of Jewish settlement, such as Poland or Bukovina, and lived in more crowded conditions. Until 1764, they benefited from self-government under the Va'ad Medinat Lita (Council of the Land of Lithuania). By the beginning of the eighteenth century this body had ceased to function, but the distinction between the Jews of Lithuania and those of the neighbouring regions continued to exist — not least because the Lithuanian Jews spoke a distinctive dialect of Yiddish. These and other factors ensured that they continued to maintain a separate identity among the Jews of eastern Europe until the First World War.

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