“I Wanted It to Change and to Make Up for Its Past”

2020 ◽  
pp. 162-204
Author(s):  
Simon Wendt
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Public Rhetoric ◽  
Race And Gender ◽  
Immigration Laws ◽  
Femininity And Masculinity ◽  
And Gender ◽  
The 1960S

The chapter explores the organization’s post–World War II history. This period saw major challenges to its conservative vision of America’s “imagined community.” Despite these challenges, the DAR’s views on race, immigration, gender, and the nation’s past remained virtually unchanged. It continued to embrace ethnic nationalism, opposing racial integration and a liberalization of America’s immigration laws, and upheld the very same ideals of femininity and masculinity that its campaigns had emphasized prior to 1945. The organization regarded the social movements of the 1960s, including the civil rights movement, the anti-Vietnam War movement, and second wave feminism, as a grave danger to the nation. Although the DAR began to admit black members in 1977 and finally acknowledged African Americans’ patriotic contributions to American independence in the 1980s, its public rhetoric of civic tolerance frequently belied the DAR’s conservative views on race and gender.

Introduction

2017 ◽  
Author(s):  
Charissa J. Threat
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
Vietnam War ◽  
Gender Discrimination ◽  
The United States ◽  
Race And Gender ◽  
Army Nurse Corps ◽  
Agents Of Change ◽  
Military Nursing ◽  
And Gender

This book examines the battles over race and gender discrimination and social justice by linking the civil rights story of the Army Nurse Corps (ANC) to critical events in the United States between World War II and the Vietnam War. Using the microcosm of military nursing, it considers how agents of change became defenders of exclusionary practices when some of the same women who challenged their exclusion from the military or civilian nursing profession, or those who had gained considerable status within the profession, were unwilling to extend the opportunities to men who sought out military nursing careers. The book also explores the connection between the campaigns to integrate the ANC and the domestic and international anxieties during the Cold War by suggesting that anticommunism both hindered and supported the prospect for gender and race equality within the ANC and, by extension, civilian society.

Passing the Baton

2020 ◽  
Author(s):  
Cat M. Ariail
Keyword(s):  
United States ◽  
World War Ii ◽  
Black Women ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Sporting Events ◽  
Gender Expectations ◽  
Race And Gender ◽  
And Gender

In the post–World War II period, nations and territories used international sport to codify and communicate their ideal citizenries. For the United States, black women who competed in track and field complicated these efforts. This book analyzes the ideological influence of black women track stars, examining how they destabilized dominant ideas about race, gender, sexuality, and national identity. The strivings and successes of black American track women, such as Alice Coachman, Mae Faggs, and Wilma Rudolph, at the Olympic Games and other international sporting events from 1948 to 1962 repeatedly forced white and black sport cultures in the United States to wrestle with the meaning of black women’s athleticism. Both white and black sport cultures struggled to fit black women athletes into their respective visions for the postwar American nation, reflecting and reinforcing how the Cold War, civil rights movement, and their intersection encouraged broader reconfigurations of the racial, gender, and sexual associations of ideal American identity. Ultimately, these American sport cultures marshaled racialized gender expectations to contain the threat that black women track stars embodied, interpreting and reinterpreting the meaning of their athletic efforts in ways that bolstered established hierarchies of race and gender.

Race and Gender

2017 ◽  
Author(s):  
Peter Temin
Keyword(s):  
African Americans ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Jim Crow ◽  
Latino Immigrants ◽  
Dual Economy ◽  
Race And Gender ◽  
African Slaves ◽  
And Gender ◽  
The 1960S

Racism, or racecraft, began when African slaves first were brought to America. Slaves were not included in “all men” who were created equal, and the Civil War did not make African Americans equal citizens. Jim Crow laws and actions prevented them from voting and getting a decent education until the Civil Rights Movement of the 1960s. The backlash from this movement led to a dual economy. Women also were not full citizens until the 20th century, and their right to full equality is still being contested. Latino immigrants more recently have entered racecraft on a par with blacks, as in pejorative statements about black and brown people.

5. Absurdism, protest, and commitment

2016 ◽  
Author(s):  
Kirsten E. Shepherd-Barr
Keyword(s):  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Gay Rights ◽  
Modern Drama ◽  
1960S And 1970S ◽  
Post War ◽  
The 1960S ◽  
Many Sources ◽  
The Cold War

The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience. ‘Absurdism, protest, and commitment’ shows it is a post-war rage stemming from many sources: the Vietnam War, the Cold War, a feeling of betrayal by government and politicians, the Civil Rights Movement, Black Power, gay rights, feminism, the growing gap between rich and poor, and ethnic oppression. It is all about denying the audience what it expects of a play, provoking it out of real or perceived complacency, startling, and offending it. The plays of Pinter, Shepard, Beckett, Stoppard, Friel, and Fugard are discussed.

Nursing Civil Rights

2015 ◽  
Author(s):  
Charissa J. Threat
Keyword(s):  
Social Justice ◽  
World War Ii ◽  
Civil Rights ◽  
African American Women ◽  
Vietnam War ◽  
Gender Discrimination ◽  
The United States ◽  
Race And Gender ◽  
Army Nurse Corps ◽  
Military Nursing

This book investigates the parallel battles against occupational segregation by African American women and white men in the U.S. Army, using the microcosm of military nursing. As the book reveals, both groups viewed their circumstances with the Army Nurse Corps (ANC) as a civil rights matter. Each conducted separate integration campaigns to end the discrimination they suffered. Yet their stories defy the narrative that civil rights struggles inevitably arced toward social justice. The book examines the battles over race and gender discrimination and social justice by linking the civil rights story of the ANC to critical events in the United States between World War II and the Vietnam War. It tells how progressive elements in the integration campaigns did indeed break down barriers in both military and civilian nursing. At the same time, it follows conservative threads to portray how some of the women who succeeded as agents of change became defenders of exclusionary practices when men sought military nursing careers. The ironic result was a struggle that simultaneously confronted and reaffirmed the social hierarchies that nurtured discrimination.

Trends in Popular Support for the Wars in Korea and Vietnam

1971 ◽  
Vol 65 (2) ◽  
pp. 358-375 ◽  
Author(s):  
John E. Mueller
Keyword(s):  
World War Ii ◽  
Public Opinion ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Korean War ◽  
Large Body ◽  
Opinion Poll ◽  
Popular Support ◽  
The Korean War

In an examination of responses to public opinion poll questions designed to assess the degree of generalized support for the wars in Korea and Vietnam, popular support for the two wars was found to follow highly similar patterns. Support was high initially but declined as a logarithmic function of American casualties, a function remarkably similar for both wars. While support for the war in Vietnam did finally drop below those levels found during the Korean War, it did so only after the fighting had gone on considerably longer and only after American casualties had greatly surpassed those of the earlier war. These trends seem to have been fairly impervious to particular events in either of the wars.It is suggested that the greater vocal opposition to the Vietnam War reflects mainly a shift of opinion within the intellectual left on the wisdom of the two wars. Armed with new techniques of protest learned in its identification with the civil rights movement, the intellectual left has been able effectively to garner great attention for its cause during the Vietnamese War.Also noted was the presence of a rather large body of opinion inclined to follow the President on war policy, giving him considerable room for maneuver, at least in the short run, and making public opinion in this area highly sensitive to current policy.A crude comparison with data from World War II suggests that, while the earlier war was unquestionably more "popular" than the wars in Korea and Vietnam, support was less consensual than might be expected. The popularity of the Korean War rose slowly after its conclusion, but this sort of retrospective support for World Wars I and II may have declined as time went by and, at any rate, was quite sensitive to current events,In repeated instances, differences in question wording were found to alter substantially the response generated to poll questions about the wars.

scholarly journals Music of the 1960s: The Praxis of Ideological Change

2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman
Keyword(s):  
United States ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Cultural Change ◽  
The United States ◽  
The World ◽  
The 1960S ◽  
Ideological Change

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.

White People Ain’t Left Us Nothin’ But the Underworld: Historicity, Race and the American Dream in Ridley Scott’s American Gangster

2016 ◽  
Author(s):  
Laura Sampson
Keyword(s):  
Civil Rights ◽  
Lived Experience ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Task Force ◽  
White People ◽  
Economic Context ◽  
Political Implications ◽  
Drug Lord ◽  
The 1960S

Released in 2007, Ridley Scott’s American Gangster tracks the career of Frank Lucas (Denzel Washington), who dominated the Harlem drug trade in the 1960s and 70s through his monopoly over heroin, which he imported directly from Vietnam and Thailand. The film follows the character of Detective Richie Roberts (Russell Crowe), who led the police task force ultimately responsible for toppling Lucas’ regime. This paper investigates the historical validity of the film, taking into consideration the consultant role Roberts and Lucas adopted during production alongside the political implications of Scott’s decision to cinematize (and so implicitly condone) the life of a convicted drug lord and accused murderer. It examines both filmic elements of music, casting and cinematography as well sociological concerns of race, space, masculinity and class in order to determine whether the film realistically portrays the lived experience of gang members and Harlem residents alike. Moreover, it considers the film’s political backdrop and its engagement with events like the Vietnam War, the Civil Rights Movement and the 1970s recession. Ultimately, the paper concludes that despite Scott’s efforts to undermine traditional iconography by portraying Lucas as a complex, rational and respected outlaw-businessman, the narrative’s lack of critical engagement with the socio-economic context of its era ultimately render it presentist in style, content and intention.

A Political Companion to James Baldwin

2017 ◽  
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
Historical Context ◽  
James Baldwin ◽  
The Political ◽  
Individual Experience ◽  
Race And Gender ◽  
The Past ◽  
Political Implications ◽  
And Gender

In this text, a group of prominent scholars assesses James Baldwin’s relevance to present-day political challenges. Together, they address Baldwin as a democratic theorist, activist, and citizen, examining his writings on the civil rights movement, religion, homosexuality, and women’s rights. They investigate the ways in which his work speaks to and galvanizes a collective American polity, and explore his views on the political implications of individual experience in relation to race and gender. This volume not only considers Baldwin’s works within their own historical context, but also applies the author’s insights to recent events such as the Obama presidency and the Black Lives Matter movement, emphasizing his faith in the connections between the past and present. These incisive essays will encourage a new reading of Baldwin that celebrates his significant contributions to political and democratic theory.

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