White People Ain’t Left Us Nothin’ But the Underworld: Historicity, Race and the American Dream in Ridley Scott’s American Gangster

2016 ◽  
Author(s):  
Laura Sampson
Keyword(s):  
Civil Rights ◽  
Lived Experience ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Task Force ◽  
White People ◽  
Economic Context ◽  
Political Implications ◽  
Drug Lord ◽  
The 1960S

Released in 2007, Ridley Scott’s American Gangster tracks the career of Frank Lucas (Denzel Washington), who dominated the Harlem drug trade in the 1960s and 70s through his monopoly over heroin, which he imported directly from Vietnam and Thailand. The film follows the character of Detective Richie Roberts (Russell Crowe), who led the police task force ultimately responsible for toppling Lucas’ regime. This paper investigates the historical validity of the film, taking into consideration the consultant role Roberts and Lucas adopted during production alongside the political implications of Scott’s decision to cinematize (and so implicitly condone) the life of a convicted drug lord and accused murderer. It examines both filmic elements of music, casting and cinematography as well sociological concerns of race, space, masculinity and class in order to determine whether the film realistically portrays the lived experience of gang members and Harlem residents alike. Moreover, it considers the film’s political backdrop and its engagement with events like the Vietnam War, the Civil Rights Movement and the 1970s recession. Ultimately, the paper concludes that despite Scott’s efforts to undermine traditional iconography by portraying Lucas as a complex, rational and respected outlaw-businessman, the narrative’s lack of critical engagement with the socio-economic context of its era ultimately render it presentist in style, content and intention.

5. Absurdism, protest, and commitment

2016 ◽  
Author(s):  
Kirsten E. Shepherd-Barr
Keyword(s):  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Gay Rights ◽  
Modern Drama ◽  
1960S And 1970S ◽  
Post War ◽  
The 1960S ◽  
Many Sources ◽  
The Cold War

The decades 1960–80 witnessed a seismic shift in modern drama. The rage that came to define, and fuel, much of the drama in the 1960s and 1970s is directed at the audience. ‘Absurdism, protest, and commitment’ shows it is a post-war rage stemming from many sources: the Vietnam War, the Cold War, a feeling of betrayal by government and politicians, the Civil Rights Movement, Black Power, gay rights, feminism, the growing gap between rich and poor, and ethnic oppression. It is all about denying the audience what it expects of a play, provoking it out of real or perceived complacency, startling, and offending it. The plays of Pinter, Shepard, Beckett, Stoppard, Friel, and Fugard are discussed.

scholarly journals Music of the 1960s: The Praxis of Ideological Change

2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman
Keyword(s):  
United States ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Cultural Change ◽  
The United States ◽  
The World ◽  
The 1960S ◽  
Ideological Change

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.

“I Wanted It to Change and to Make Up for Its Past”

2020 ◽  
pp. 162-204
Author(s):  
Simon Wendt
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Public Rhetoric ◽  
Race And Gender ◽  
Immigration Laws ◽  
Femininity And Masculinity ◽  
And Gender ◽  
The 1960S

The chapter explores the organization’s post–World War II history. This period saw major challenges to its conservative vision of America’s “imagined community.” Despite these challenges, the DAR’s views on race, immigration, gender, and the nation’s past remained virtually unchanged. It continued to embrace ethnic nationalism, opposing racial integration and a liberalization of America’s immigration laws, and upheld the very same ideals of femininity and masculinity that its campaigns had emphasized prior to 1945. The organization regarded the social movements of the 1960s, including the civil rights movement, the anti-Vietnam War movement, and second wave feminism, as a grave danger to the nation. Although the DAR began to admit black members in 1977 and finally acknowledged African Americans’ patriotic contributions to American independence in the 1980s, its public rhetoric of civic tolerance frequently belied the DAR’s conservative views on race and gender.

Why were the 1960s so Religiously Explosive?

2006 ◽  
Vol 60 (2) ◽  
pp. 109-130
Author(s):  
Hugh McLeod
Keyword(s):  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Family Relationships ◽  
Western World ◽  
Religious Change ◽  
Social Changes ◽  
Collective Identities ◽  
The 1960S ◽  
The Impact

Abstract The 1960s were a time of dramatic religious change throughout the Western world. These years were religiously explosive because of the convergence of major social changes with new currents of thinking and the impact of specific events, notably the Civil Rights movement, Vietnam War and Vatican II. The social changes included unprecedented affluence, changes in family relationships and especially in the position of women, and the weakening of collective identities, rooted in confessional and ideological sub-cultures. New currents of ideas included a growing political and theological radicalism, culminating in 1968, and increasingly influential concepts of individual human rights.

When the Movies Mattered

2019 ◽  
Keyword(s):  
Civil Rights ◽  
Vietnam War ◽  
Civil Rights Movement ◽  
Interpersonal Relationships ◽  
Sexual Revolution ◽  
American Cinema ◽  
New Hollywood ◽  
Urban Decay ◽  
Uncertain Outcomes ◽  
The Times

The “New Hollywood” that emerged in the late sixties is now widely recognized as an era of remarkable filmmaking, when directors enjoyed a unique autonomy to craft ambitious, introspective movies that evinced a cinematic world of hard choices, complex interpersonal relationships, compromised heroes, and uncertain outcomes. The New Hollywood Revisited brings together a remarkable collection of authors (some of whom wrote about the New Hollywood as it unfolded), to revisit this unique era in American cinema (circa 1967-1976). It was a decade in which a number of extraordinary factors – including the end of a half-century-old censorship regime and economic and demographic changes to the American film audience – converged and created a new type of commercial film, imprinted with the social and political context of the times: the civil rights movement, the Vietnam War, the sexual revolution, women’s liberation, economic distress, urban decay, and, looming, the Shakespearean saga of the Nixon presidency. This volume offers the opportunity to look back, with nearly fifty years hindsight, at a golden age in American filmmaking.

Racial Realities

2020 ◽  
pp. 9-24
Author(s):  
Natsu Taylor Saito
Keyword(s):  
United States ◽  
Structural Change ◽  
Civil Rights ◽  
Racial Disparities ◽  
Civil Rights Movement ◽  
White Supremacy ◽  
The United States ◽  
Community Empowerment ◽  
American Indian Movement ◽  
The 1960S

In the 1960s, global decolonization and the civil rights movement inspired hope for structural change in the United States, but more than fifty years later, racial disparities in income and wealth, education, employment, health, housing, and incarceration remain entrenched. In addition, we have seen a resurgence of overt White supremacy following the election of President Trump. This chapter considers the potential of movements like Black Lives Matter and the Standing Rock water protectors in light of the experiences of the Black Panther Party, the American Indian Movement, and other efforts at community empowerment in the “long sixties.”

Introduction

Troublemakers ◽  
2019 ◽  
pp. 1-10
Author(s):  
Kathryn Schumaker
Keyword(s):  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Board Of Education ◽  
Chicano Movement ◽  
Legal Principles ◽  
History Of ◽  
The 1960S ◽  
Relationship Of ◽  
The Relationship

The introductionexplains how and why student protest became common in the United States in the late 1960s and places these protests in the context of shifts in the history of education and in broader social movements, including the civil rights movement, the Chicano Movement, and black power activism. The introduction also situates students’ rights within the context of children’s rights more broadly, explaining the legal principles that justified age discrimination and excluded children and students from the basic protections of American constitutional law. The introduction identifies the two decades between the 1960s and 1980s as a constitutional moment that revolutionized the relationship of students to the state. It also connects students’ rights litigation to the issue of school desegregation and the legacy of Brown v. Board of Education.

Folktales and Civil Rights

2014 ◽  
Author(s):  
Michael Suk-Young Chwe
Keyword(s):  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Real World ◽  
Strategic Thinking ◽  
The Real ◽  
Real World Applications ◽  
The 1960S ◽  
Brer Rabbit

This chapter examines African American folktales that teach the importance of strategic thinking and argues that they informed the tactics of the 1960s civil rights movement. It analyzes a number of stories where characters who do not think strategically are mocked and punished by events while revered figures skillfully anticipate others' future actions. It starts with the tale of a new slave who asks his master why he does nothing while the slave has to work all the time, even as he demonstrates his own strategic understanding. It then considers the tale of Brer Rabbit and the Tar Baby, along with “Malitis,” which tackles the problem of how the slaves could keep the meat and eat it openly. These and other folktales teach how inferiors can exploit the cluelessness of status-obsessed superiors, a strategy that can come in handy. The chapter also discusses the real-world applications of these folktales' insights.

God Can Save Us

Rough Country ◽  
2014 ◽  
Author(s):  
Robert Wuthnow
Keyword(s):  
Civil Rights ◽  
Vietnam War ◽  
Gender Equality ◽  
Civil Rights Movement ◽  
Social Activism ◽  
Religious Right ◽  
Key Factors ◽  
Moral Majority ◽  
Jerry Falwell ◽  
Protestant Denominations

This chapter discusses the emergence of the New Christian Right or simply the Religious Right as a powerful new force in American politics. The rise of the Religious Right has been examined from all angles, and several key factors have been identified. It clearly depended on leadership. The most visible leaders were preacher Jerry Falwell, whose Moral Majority rallies at state capitals had been gaining attention in the late 1970s, and fellow televangelist Pat Robertson, whose popular 700 Club television program included discussions of social and moral topics. Both were canny entrepreneurs who knew how to attract media attention, and there were conservative political operatives eager to enlist their support. There were unifying issues as well, such as opposition to abortion, homosexuality, and promiscuity, and the more general sense that religion was under siege by secularity and humanism. And there were lingering divisions within Protestant denominations and among Catholics over such issues as social activism, the legacies of the civil rights movement and the Vietnam War, communism, gender equality, the ordination of women, and theology.

The 45-rpm dress revolution: Competing temporalities in 1960s fashion

2021 ◽  
Vol 00 (00) ◽  
pp. 1-23
Author(s):  
Juneko J. Robinson
Keyword(s):  
Lived Experience ◽  
Marked Change ◽  
Culture Wars ◽  
Human Potential ◽  
Political Implications ◽  
Experience Of Time ◽  
And Gender ◽  
The 1960S ◽  
Age Of Aquarius ◽  
Aesthetic Values

Perhaps no artefact is as evocative of temporality (i.e. the lived experience of time), as fashion and, arguably, no other period in history represents such a marked change in our notions about the relationship between the two as the 1960s did. In contrast to the Platonic-Apollonian fashion ideals of the 1950s, as exemplified by Dior’s New Look, the mod and the hippy came to represent competing bodily ideals. Their Dionysian fashions aestheticized time in three complementary ways: first, the celebration of the now, with its emphasis on the ephemeral, the physically pleasurable and the situated body in motion; second, the re-appropriation of the past, which involved the postmodern rejection or subversion of grand historical narratives that privileged certain iterations of race, class and gender and touted imperialism and cultural hegemony; and third, a utopian optimism about the future based on a belief in the increased possibilities of individual human potential as well as the prospect of societal transformation into a post-bellum, post-racial, post-classist, post-gender ‘Age of Aquarius’. These aesthetic values had political implications. Although the most radical of street fashions was worn by comparatively few 1960s youth, the deeper reasons why they came to be viewed with suspicion and outright anger were not so much due to particular styles, but rather what they revealed about our changing relationships to temporality and the postmodern fracturing of metanarratives concerning the proper existential comportment towards tradition and change, while laying the symbolic groundwork for what would later be referred to as the ‘culture wars’ in popular media.

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