Clare Boothe Luce

2019 ◽  
pp. 132-160
Author(s):  
Philip Nash
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
American Women ◽  
Limited Success ◽  
Power Couple

The ambassadorship of Clare Boothe Luce (Italy, 1953–1956) is the focus of this chapter. Editor, playwright, journalist, congresswoman, and, later, pundit, Luce was one of the most accomplished American women of the twentieth century. Marrying publishing mogul Henry R. Luce in 1935, Luce formed half of a highly influential Republican power couple. President Dwight D. Eisenhower named Luce ambassador to Italy in 1953, making her the first woman envoy to a major US ally. Known for her rapier wit, Luce was a controversial hire. In early Cold War Italy, shestruggled mightily against the Italian Left, with limited success. But she played a key role in helping resolve the dispute over Trieste, and with her combination of intelligence, diligence, and access to the president, Luce proved an effective ambassador. Her bizarre appointment and immediate withdrawal as ambassador to Brazil in 1959 is also discussed.

Espionage and Exile

2016 ◽  
Author(s):  
Phyllis Lassner
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Cold War ◽  
Literary History ◽  
Political Engagement ◽  
The Political ◽  
International Crises ◽  
Popular Entertainment ◽  
John Le Carre ◽  
The Cold War

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.

Making Ballet 3

2017 ◽  
Author(s):  
Andrea Harris
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
Cold War ◽  
Movement Analysis ◽  
Story Line ◽  
George Balanchine ◽  
And Performance ◽  
Ballet History ◽  
Choreographic Analysis

Making Ballet 3 provides a choreographic analysis of the ballet Western Symphony, produced by the New York City Ballet in 1954 with choreography by George Balanchine, music by Hershy Kay, scenery by John Boyt, and costumes by Karinska. It brings to light the multitude of intertextual allusions that occur throughout the ballet, playfully intermingling references of “America” with an entire lineage of nineteenth-century European classicism. Although Western Symphony has no story line, it crafts a deliberate message: a long, transatlantic genealogy of Western classicism that, in the twentieth century, has come to rest in America. Drawing on archival sources and movement analysis, this interchapter argues that Western Symphony incorporates parody to present a revisionist ballet history in which the high cultural lineages of Europe and America are intimately entwined. Ultimately, this message reinforced the Atlanticist politics of private and state anticommunist groups in the cultural Cold War, the historical setting for its production and performance.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

War, Changing Patterns of Warfare, State Collapse, and Transnational Violence in Afghanistan: 1978–2001

2007 ◽  
Vol 41 (4) ◽  
pp. 849-888 ◽  
Author(s):  
H. SIDKY
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
World System ◽  
September 11Th ◽  
State Collapse ◽  
Interstate Relations ◽  
Post Cold War ◽  
The World ◽  
War Rhetoric ◽  
Changing Patterns

The war in Afghanistan was one of the most brutal and long lasting conflicts of the second half of the twentieth century. Anthropologists specializing in Afghanistan who wrote about the war at the time reiterated the United State's Cold War rhetoric rather than provide objective analyses. Others ignored the war altogether. What happened in Afghanistan, and why, and the need for objective reassessments only came to mind after the September 11th attacks. This paper examines the genesis and various permutations of the Afghan war in terms of causal dynamics embedded in the broader interstate relations of the world system and its competing military complexes during the second half of the twentieth century and changes in that system in the post-Cold War period.

scholarly journals The Trumpet of the Swan

2018 ◽  
Vol 6 (1) ◽  
pp. 177-186
Author(s):  
Karen Ann Donnachie ◽  
Andy Simionato
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Cold War ◽  
United States Of America ◽  
The United States ◽  
Autonomous Robot ◽  
Donald Trump ◽  
Twitter Account ◽  
War Propaganda ◽  
Natural Media

This paper will outline the ideation, background and development of the electronic artwork The Trumpet of the Swan (Donnachie & Simionato, 2017) presented by the authors at the Electronic Literature Organisation conference in Porto, Portugal in 2017. The artwork is a custom-coded drawing-robot which automatically inscribes in natural media, every post published from the personal Twitter profile of the 45th President of the United States of America, Donald Trump, identified on Twitter as @realDonaldTrump. The machine, which has the appearance reminiscent of a swan, including a broad “body” balanced on two short legs that end in webbed “feet”, is a semi-autonomous robot that writes in a pen, crowned by a long white plume, on a continuous scroll of paper while producing bird-like sounds. The drawing-robot remains permanently in a state of attention and the demonstrated sequence of actions can only be triggered remotely and by the 45th President of the U.S.A. himself (or more precisely, by whomever publishes a new tweet through his Twitter account ‘@realDonaldTrump’). In other words, to borrow a popular phrase taken from twentieth century cold-war propaganda: only the President has the ability to “launch” this artwork which otherwise remains dormant, in waiting.

scholarly journals GRANDE ESTRATÉGIA: POLÍTICA EXTERNA E DEFESA EM UM MUNDO EM TRANSFORMAÇÃO

2015 ◽  
Vol 4 (7) ◽  
Author(s):  
Celso Amorim
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Soft Power ◽  
World Order ◽  
Defense Policy ◽  
Mixed Structure ◽  
Hard Power ◽  
The World ◽  
The Cold War ◽  
Brazilian Case

In the last years of the twentieth century, after the end of the Cold War, the world has evolved into a mixed structure, which preserves the characteristics of unipolarity at the same time that approaches to a multipolar world in some ways. In an international reality marked by its fluid nature, the emergence of new actors and the so-called "asymmetric threats" has not eliminated the former agents in the world order. And the conflict between the States has not disappeared from the horizon. In this context, diplomacy must have the permanent support of defense policy. Therefore, in the Brazilian case, the paper presents that the country should adopt a grand strategy that combines foreign policy and defense policy, in which soft power will be enhanced by hard power.

scholarly journals Mission or money?

2019 ◽  
Author(s):  
Aileen Fyfe
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Scholarly Publishing ◽  
Historical Research ◽  
Academic Publishing ◽  
Keynote Presentation ◽  
Learned Societies ◽  
History Of ◽  
Historical Relationship ◽  
Circulation Of Knowledge

Keynote presentation. The current debates about the future of academic publishing have generated much discussion about the most appropriate way to support financially the widespread circulation of knowledge. Yet there have been debates about this since at least the 1890s. Drawing upon my historical research, I will describe how scholarly publishing has a long history of not making money. Indeed, until the mid-twentieth century, its costs were frequently sponsored (i.e. subsidised) by learned societies, by universities, by government and by private donors. It was only in the early Cold War years, in a time of expanding output of research, that mission-driven publishers began to seriously focus on sales income as a means of covering costs; and then, later, as a means of generating income. Should publishing be treated as mission, or as a means to mission? My talk will seek to untangle the historical relationship between publishing, money-making and scholarly mission.

Patterns of Prejudice from Henri Massis to Walter Bedell Smith

2016 ◽  
Vol 43 (2) ◽  
pp. 142-180
Author(s):  
Mircea Platon
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Cold War ◽  
Reading Public ◽  
Policy Makers ◽  
The Status ◽  
War Propaganda ◽  
Successive Generations ◽  
Ideological Context ◽  
The Way

Astolphe de Custine’s collection of letters La Russie en 1839, first published in France in 1843, was rediscovered by Henri Massis in 1946. Massis re-introduced Custine’s by then long forgotten letters on Russia to the French public. Once American Cold Warriors such as George Kennan and General Walter Bedell-Smith discovered the book, they promptly promoted it to the status of the most prophetic book on the “Russian soul.” Denounced as “fictional,” by many nineteenth-century writers and by a host of twentieth-century scholars, Custine’s book was accepted as canonical by a large reading public and, more importantly, by successive generations of us policy makers. This article contributes to the historiography of Cold War propaganda by looking first at the context in which the book was initially resurrected by Massis, and then by analyzing the ways in which Cold War propaganda constructed its “relevance,” “actuality” and “prophetic” character. The article begins by taking a look at the way in which Massis, the first popularizer of the book, fitted it into his own ideological pattern. In a second movement, the article analyzes the ways in which the book functioned in the post-wwii ideological context, seeking to discover if the alleged relevance of the book had anything to do with the survival into the postwar world of the European Right’s interwar tangle of received ideas and patterns of prejudice.

“This Room is Yours, Personal!”: The Rise and Fall of Middle-Class Decoration Expertise in the Bedrooms of America’s Teens, 1900–1985

2011 ◽  
Vol 21 (1) ◽  
pp. 109-129
Author(s):  
Jason Reid
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Middle Class ◽  
Working Class ◽  
Top Down ◽  
Room Design ◽  
Do It Yourself ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War

This article also examines how the decline of teen-oriented room décor expertise reflected significant changes in the way gender and class influenced teen room culture during the tail end of the Cold War. Earlier teen décor strategies were often aimed towards affluent women; by contrast, the child-centric, do-it-yourself approach, as an informal, inexpensive alternative, was better suited to grant boys and working class teens from both sexes a greater role in the room design discourse. This article evaluates how middle-class home décor experts during the early decades of the twentieth century re-envisioned the teen bedroom as a space that was to be designed and maintained almost exclusively by teens rather than parents. However, many of the experts who formulated this advice would eventually become victims of their own success. By the 1960s and 1970s, teens were expected to have near total control over their bedrooms, which, in turn, challenged the validity of top-down forms of expertise.

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