„Volte své jedy!“ K problematice vztahu trampské subkultury k alkoholu a krčemnému prostředí

2019 ◽  
pp. 192-209
Author(s):  
Karel Altman
Keyword(s):  
Past Century ◽  
The Past ◽  
Wild West ◽  
Food And Drink ◽  
The City

Although the need to compensate life in the rush and buzz of the city made its numerous inhabitants seek quiet recreation outdoors, some of them sought recreation as well as excitement, whose source were adventures inspired by their ideas of the Wild West. In the past century, its heroes, real or fictional, have become the symbols of the bearers of a distinctive and unique subculture called tramping, popular exclusively in Czechia (and partly Slovakia). In spite of the unique lifestyle, tramps could not do outdoors without refreshment, food and drink, which were provided by taverns and pubs in villages and secluded places near their campsites. Those businesses that proved successful and effective from the perspective of our tramps and men of prairies became known as tramp taverns. It was mainly there, especially during various excesses, that their god, Pajda, had to stand by them.

Urban renewal and citizenship: the quality of life in British cities, 1890-1990

Urban History ◽  
1995 ◽  
Vol 22 (1) ◽  
pp. 63-84 ◽  
Author(s):  
Helen Meller
Keyword(s):  
Urban Renewal ◽  
Physical Environment ◽  
Past Century ◽  
Technical Expertise ◽  
Cultural Changes ◽  
Social Responses ◽  
The Past ◽  
The Social ◽  
The City

This paper juxtaposes two key themes: the concept of citizenship and ideas on urban renewal over the past century. The aim is to explore the interaction of cultural changes and the physical environment of cities. The concept of citizenship represents a cultural response to social change which itself has changed dramatically over the past century. Urban renewal has taken many forms. Yet behind all the growing technical expertise in dealing with the physical environment, there are specific social responses to the city which legitimize action. By looking at citizenship and urban renewal together, it is possible to establish a perspective on how the urban environment has been manipulated over the past century, often in ways which have barely interfaced with the social demands of many sections of the community.

scholarly journals The Contemporary Sustainable Neighbourhood: Cracow’s Wola Justowska district

2021 ◽  
Vol 1203 (3) ◽  
pp. 032086
Author(s):  
Kazimierz Butelski ◽  
Stanisław Butelski ◽  
Wojciech Firek
Keyword(s):  
19Th Century ◽  
Design Process ◽  
Past Century ◽  
Time And Space ◽  
Cultural Process ◽  
The Past ◽  
Building Form ◽  
The 19Th Century ◽  
The City

Abstract The environment is the little "Homeland”, which is defined by a neighborhood consisting of people and structures. The neighborhood is extended in time and space. The city of Cracow was chosen as a case study here. The contemporary environment in the Wola Justowska district is presented in the last examples of buildings designed by the author. Those contemporary structures are compared with historical houses in Cracow, which belong to the author’s family since the 19th century. The author analyses the influences of the period of the 19th century Austrian occupation, of a construction boom between the two World Wars, and of the Communist ban on design and construction in Cracow. In the paper's final remarks, the author notes that the design process and processes of shaping the environment look similar in the past century and today and that a contemporary neighborhood is shaped more by a cultural process than by design. Designing, building and endurance of a building form is a process that is shaped by culture and at the same time shapes the culture itself.

O’Casey and the City

2016 ◽  
Author(s):  
Christopher Murray
Keyword(s):  
Urban Society ◽  
Past Century ◽  
Irish Theatre ◽  
Working Classes ◽  
The Past ◽  
The Social ◽  
The City ◽  
Urban Working

Seán O’Casey’s first three produced plays are often referred to as the ‘Dublin Trilogy’. They were not conceived as a trilogy but they are centrally concerned with representing the city, a relatively new departure in Irish theatre at the time. This chapter draws on theories of the city to analyse some of the ways in which tenement life and the urban society around it are dramatized in the first Dublin plays, before moving on to consider how O’Casey treated the city in later non-naturalistic works such asWithin the GatesandRed Roses for Me. This consideration of O’Casey’s urban theatre underlines both the social radicalism of his work and, in particular, the centrality of the 1913 Lockout to his understanding of the Irish urban working classes. Ultimately, this focus on the city as the main player in O’Casey’s work provides a fresh focus for one of the most important Irish writers of the past century .

Heritage in Context

2020 ◽  
pp. 670-689
Author(s):  
Nasser Rabbat
Keyword(s):  
Right To The City ◽  
Past Century ◽  
Heritage Preservation ◽  
The Past ◽  
Built Heritage ◽  
Holistic Understanding ◽  
European Colonialism ◽  
The Right ◽  
The City ◽  
Historic Cities

The meaning and scope of heritage are far from settled in the contemporary Middle East, as both history and geography are being contested, reclaimed, and reconfigured. Inspired by European models yet fueled by resistance to European colonialism, heritage preservation prompted a protracted contest between traditionalism and modernism in the past century. What began as an antiquarian interest in preserving historic monuments evolved into a more holistic understanding of the import of the built heritage in recent decades. Yet the historic cities still suffer from chronic problems of poverty, overcrowding, and neglect, as well as new problems resulting from manipulated planning and real estate capitalism, which accelerated the erosion of the civic qualities that were slowly acquired over the past two centuries. To rescue these old cities, a new conceptualizing of heritage is needed that builds on the thinking that has evolved in the last decade on the right to the city.

Marketing the “Tropical Playground”

2012 ◽  
Vol 3 (4) ◽  
pp. 43-68
Author(s):  
Tom Cairns Clery
Keyword(s):  
Spatial Analysis ◽  
Social Exclusion ◽  
Historical Perspective ◽  
Right To The City ◽  
Past Century ◽  
Structured Interviews ◽  
The Past ◽  
History Of ◽  
The Right ◽  
The City

Miami’s marketers have a long and successful history of creating and recreating imagery that draws visitors towards the ‘magic city’ or the ‘tropical playground.’ This paper investigates Miami’s marketing from an historical perspective by examining the role and legacy of various discourses emanating from powerful city actors over the past century. Spatial analysis including spatial autocorrelation and Local Moran’s I are conducted to investigate further Miami’s geographical segregation. The findings suggest that unequal, segregating and exclusive discourses have become so normalized within Miami’s marketing and political structure that change is becoming increasingly difficult as attitudes institutionalize further. Using a discourse analysis set around a framework of social exclusion and adverse incorporation, and semi-structured interviews, this paper also examines the current spatial formation of the city with insights from leading figures in Miami’s marketing industry to suggest that the right to the city is still a distant dream for Miami’s other neighborhoods and populations.

Il cantiere navale Mario Morini di ancona (1945-2004)

2012 ◽  
pp. 109-122
Author(s):  
Paolo Gissi
Keyword(s):  
Second World War ◽  
Past Century ◽  
World War ◽  
The Past ◽  
Merchant Ship ◽  
Set Up ◽  
The City ◽  
Second World ◽  
Harbour Area

During the second half of the 50s of the past century, the city of Ancona witnessed an impressive growing of private Shipyards located in the Molo Sud harbour area. Those Shipyards together with the hystorical Cantieri Navali Riuniti, today Fincantieri, set up a real shipbuilding pole. The Cantiere Navale Mario Morini has been the largest among the private shipyards in the period; the article discusses the main guidelines of its growing from the restarting after the Second World War in 1945, until the 2004, the delivery year of the last merchant ship and of the cutback of its own activities, due to the incorporation in CRN (Ferretti Group), that is the neighbouring shipyard active in mega-yachts building

scholarly journals Identidad e inclusión. Los conjuntos habitacionales realizados por el arquitecto chileno Luciano Kulczewski (1922-1956)

2021 ◽  
Vol 39 (60) ◽  
pp. 94-111
Author(s):  
Ronald Harris-Diez
Keyword(s):  
20Th Century ◽  
Past Century ◽  
Working Classes ◽  
The Past ◽  
The Moment ◽  
The City ◽  
Distinctive Role ◽  
The Web

Luciano Kulczewski was a professional who played a key and distinctive role in the first half of the 20th century, a period considered as crucial for the development of Chilean architecture, since it is the moment that brought the advent of modernity to the country. One of the most eloquent illustrations in this regard is the corpus, that collects more than a dozen housing complexes aimed for the middle and the working classes. Today, we recognize in these solutions not just the fact that they are in sync with the web of social, political, cultural, and economic processes that characterized the beginnings of the past century in Chile, but that they also have, among their most notable merits, having been conceived in terms of what we would understand today by “inclusion”. This article seeks to investigate these parameters, which range from urban proposals - that approached the city in "inclusive" terms - inasmuch as they did not push for these housing proposals to be in the metropolitan peripheries - to more particular issues, such as the stylistic management of homes as a tool to serve identity causes, in order to achieve the integration of the user with their environment.

MUSEUM OF ART VERSUS THE CITY AS A WORK OF ART: A Case of the New Acropolis Museum in Athens

2014 ◽  
Vol 8 (2) ◽  
pp. 47
Author(s):  
Martin Horacek
Keyword(s):  
Past Century ◽  
Work Of Art ◽  
Museum Exhibit ◽  
The Past ◽  
Heritage Site ◽  
Heritage Protection ◽  
The Relationship ◽  
The City

This study is concerned with the New Acropolis Museum, which was opened in June 2009 in Athens. The New Acropolis Museum, out of all of the world’s new museum structures of the past century, has dramatically intensified the issue of the relationship between parts and the whole, between the building and its integration into the setting, between the museum function and the historical city, which is a protected heritage site, one treated as a museum exhibit. With the New Acropolis Museum as an example, the study would like to highlight the complexity and the ambiguity of the present-day relationship between the heritage protection, the museumisation of art and the design of our environment. The particular attention is focused on the vivid debate about the building and the distinguishing the differences between traditionalist and modernist views of architecture manifested in this debate. These differences are deeper rooted than many people have been willing to admit.

Yahya Kemal and Nizar Qabbani: Two Poet-Diplomats in Spain and “Andalus” in their Poems

CLEaR ◽  
2017 ◽  
Vol 4 (2) ◽  
pp. 20-33
Author(s):  
İhsan Doğru
Keyword(s):  
The Other ◽  
Past Century ◽  
Coffee Shop ◽  
The Past ◽  
Other Hand ◽  
Traditional Dance ◽  
The People ◽  
The One ◽  
Almost All ◽  
The City

Abstract Yahya Kemal and Nizar Qabbani were two poets who served as diplomats in Spain in the past century on behalf of the governments of Turkey and Syria. Yahya Kemal wrote two poems about Spain, “Dance in Andalusia “ and “Coffee Shop in Madrid”. “Dance in Andalusia,” a poem written about the Flamenco dance, has become very famous. In this poem, he described the traditional dance of the Spanish people and emphasized the place of this dance in their lives and the fun-loving lives of the people of Spain. In almost all of the poems which Nizar Qabbani wrote about Spain, on the other hand, a feeling of sadness rather than joy prevails. He gives a deep sigh in his poems as he regards Andalusia as the one-time land of his ancestors. His most important poem with respect to Spain is the poem entitled “Granada”. This poem is considered to be one of the most significant odes in the Arab literature describing Granada, the pearl of Andalusia, Arab influences there, the Alhambra palace and the sadness felt due to the loss of the city by Arabs. This study analyzes the two most important poems written by Yahya Kemal and Nizar Qabbani concerning Spain, namely “Dance in Andalusia” and “Granada”. Whenever it is deemed appropriate, other poems of the two poets regarding Spain will be dwelt upon and what kind of an influence Andalusia left in their emotional world will be revealed.

Sign in / Sign up

Export Citation Format

Share Document