Eastward: On Phenomenology and European Thought

2021 ◽  
Vol 21 ◽  
pp. 369-381
Author(s):  
Michael Gubser ◽  

Płotka and Eldridge’s book is an important addition to the literature on phenomenology and phenomenological history, showing that phenomenology had a lively efflorescence in Eastern Europe during its first four decades. Historians have recently shown phenomenology’s intellectual, cultural, and social importance in postwar Eastern Europe, but this volume demonstrates that phenomenology’s independent East European trajectory began long before World War II—indeed from the earliest years of the movement. The review essay also raises the question of phenomenology’s social and political influence beyond academic circles.

Author(s):  
Jelena Subotic

This book asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, the book shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. This book presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. It demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their insecurities about their identities, about their international status, and about their relationships with other international actors. As the book concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.


Author(s):  
George W. Breslauer

Soviet occupation of much of Eastern Europe at the conclusion of World War II facilitated Moscow’s imposition of communist regimes in five countries. In Yugoslavia and Albania, by contrast, communist regimes came to power largely on their own, and remained autonomous of Red Army control. In Czechoslovakia, an urban coup brought the communist party to power largely indigenously, but in the shadow of Soviet power. And in Austria and Greece, communist parties did not succeed in coming to power, and Stalin largely conceded that they would not.


1996 ◽  
Vol 24 (3) ◽  
pp. 371-376
Author(s):  
Andrew Ludanyi

The fate of Hungarian minorities in East Central Europe has been one of the most neglected subjects in the Western scholarly world. For the past fifty years the subject—at least prior to the late 1980s—was taboo in the successor states (except Yugoslavia), while in Hungary itself relatively few scholars dared to publish anything about this issue till the early 1980s. In the West, it was just not faddish, since most East European and Russian Area studies centers at American, French and English universities tended to think of the territorial status quo as “politically correct.” The Hungarian minorities, on the other hand, were a frustrating reminder that indeed the Entente after World War I, and the Allies after World War II, made major mistakes and significantly contributed to the pain and anguish of the peoples living in this region of the “shatter zone.”


2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.


Author(s):  
James Mark ◽  
Quinn Slobodian

This chapter places Eastern Europe into a broader history of decolonization. It shows how the region’s own experience of the end of Empire after the World War I led its new states to consider their relationships with both European colonialism and those were struggling for their future liberation outside their continent. Following World War II, as Communist regimes took power in Eastern Europe, and overseas European Empires dissolved in Africa and Asia, newly powerful relationships developed. Analogies between the end of empire in Eastern Europe and the Global South, though sometimes tortured and riddled with their own blind spots, were nonetheless potent rhetorical idioms, enabling imagined solidarities and facilitating material connections in the era of the Cold War and non-alignment. After the demise of the so-called “evil empire” of the Soviet Union, analogies between the postcolonial and the postcommunist condition allowed for further novel equivalencies between these regions to develop.


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