scholarly journals Cosmopolitanism, Patriotism, Nationalism

2006 ◽  
Author(s):  
Siegfried Weichlein
Keyword(s):  
Eighteenth Century ◽  
Central Europe ◽  
French Revolution ◽  
Large Scale ◽  
Political Order ◽  
The Political ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Republic ◽  
New Phase

With the French Revolution, the ‘nation’ entered a new phase as a model for political order that replaced corporate societies and triggered a large-scale process of emancipation and modernisation in European societies. Until the eighteenth century the political order in central Europe was organised along other lines, such as the state, the Reich, the monarchy, or the republic. That changed dramatically between the Seven Years War and around 1800. Despite its thorough universalism, Enlightenment in Germany combined universalism with patriotism, a rather unlikely combination in the twentieth century. For most educated authors in the age of Enlightenment, cosmopolitanism and patriotism were not opposites, but complementary. How, then, did contemporaries in the late eighteenth century conceptualise cosmopolitanism, patriotism, and nationalism, and relate them? How did they explain the complicity of cosmopolitanism and patriotism? This chapter outlines different answers to these questions relating to the period between the Seven Years War and around 1800.

scholarly journals Otherness and Self in Latvian Theatre: Changes at the Turn of the Nineteenth Century

2015 ◽  
Vol 27 (2) ◽  
pp. 120
Author(s):  
Pauls Daija
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
French Revolution ◽  
The Political ◽  
Late Eighteenth Century ◽  
The Social ◽  
Late Eighteenth ◽  
The Difference ◽  
The Baltic ◽  
The Hill

In the article, political and historical interpretations of the first play in Latvian, an adapted translation of Ludvig Holberg’s Jeppe of the Hill (1723, Latvian version 1790) are explored. Although the play has been often interpreted as a work of anti-alcohol propaganda, the article argues that the political motives of the play are no less important. Translated into Latvian during the time of the French revolution, the play mirrors the tense atmosphere of the revolutionary years and reflects changes in Latvian peasant identity. While translating, Baltic German pastor Alexander Johann Stender changed the play’s setting to the late eighteenth century Courland and added new details, emphasizing the social conflict of the play as an ethnic one. It has been argued in the article that since ‘class’ in the Baltics was divided along national lines, the difference between peasants and masters was also the difference between Latvians and Germans, so class and ethnicity merged. When the peasant and the nobleman switch places in the play, this symbolizes a change in the Latvian-German colonial relationship. The colonial interpretation allows for a characterisation of the protagonist as a desperate imitator – a colonial subject who loses his identity as a serf and is not able to form a new identity in any way other than by copying the colonialist op- pressor. But this mimicry turns into ridicule, hence the play acquires a political meaning as it implicitly shows the disastrous consequences of revolutionary pro- test. Therefore, the play can be read as a part of the discussions about the Baltic Enlightenment emancipation project and as a hidden debate on serfdom and the colonial framework of the Courland society

TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON

2018 ◽  
Vol 15 (2) ◽  
pp. 177-205 ◽  
Author(s):  
JULIA DOE
Keyword(s):  
Eighteenth Century ◽  
Large Scale ◽  
Stage I ◽  
Performance History ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
Printed Music

ABSTRACTLarge-scale programming studies of French Revolutionary theatre confirm that the most frequently staged opera of the 1790s was not one of the politically charged, compositionally progressive works that have come to define the era for posterity, but rather a pastoral comedy from mid-century:Les deux chasseurs et la laitière(1763), with a score by Egidio Duni to a libretto by Louis Anseaume. This article draws upon both musical and archival evidence to establish an extended performance history ofLes deux chasseurs, and a more nuanced explanation for its enduring hold on the French lyric stage. I consider the pragmatic, legal and aesthetic factors contributing to the comedy's widespread adaptability, including its cosmopolitan musical idiom, scenographic simplicity and ready familiarity amongst consumers of printed music. More broadly, I address the advantages and limitations of corpus-based analysis with respect to delineating the operatic canon. In late eighteenth-century Paris, observers were already beginning to identify a chasm between their theatre-going experiences and the reactions of critics: Was a true piece of ‘Revolutionary’ theatre one that was heralded as emblematic of its time, or one, likeLes deux chasseurs, that was so frequently seen that it hardly elicited a mention in the printed record?

Elisheva Carlebach. Divided Souls: Converts from Judaism in Germany, 1500–1750. New Haven: Yale University Press, 2001. xii, 324 pp.

AJS Review ◽  
2005 ◽  
Vol 29 (2) ◽  
pp. 388-389
Author(s):  
R. Po-chia Hsia
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Central Europe ◽  
New Haven ◽  
Yale University ◽  
Jewish Communities ◽  
Jewish Historiography ◽  
Modern Germany ◽  
Late Eighteenth Century ◽  
Late Eighteenth

Unlike the Sephardim, who accepted the concept of taqiyya and the practice of marranism to cope with forced conversions under Islam, the Ashkenazim, especially the Jewish communities of Germanophone Central Europe, developed an uncompromising rejection of Christian baptism. Instead of marranism and deception under Islam, the Ashkenazim, in the persecutions of the Crusades and after, developed a strong sense of martyrdom and detested baptism, whether forced or voluntary, as ritual and spiritual defilement and pollution. The small number of Jewish converts to Christianity were not so much sinners but apostates (meshummadim or the vertilgten). Given this Ashkenazi tradition, it is not surprising that converts were marginalized in Jewish historiography and scholarship. Nevertheless, as Carlebach argues persuasively in this book, they played a significant role in Jewish–Christian relations in early modern Germany; and given the fact that conversions rose rapidly in the late eighteenth century, it is all the more important to understand the prehistory of Jewish conversion and integration in Germany after Emancipation.

The Opium Wars

Jazz in China ◽  
2018 ◽  
pp. 14-20
Author(s):  
Eugene Marlow
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Eastern Coast ◽  
Republic Of China ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Unrestricted Access ◽  
The Republic ◽  
The Many ◽  
Opium Wars

In the late 1910s, 1920s, and even into the 1930s, “jazz” was the music of the age in the Republic of China, especially and primarily in Shanghai on China's east coast. It was enjoyed equally by sophisticated Chinese gentry and upper-class people in the many dance halls dotting various parts of Shanghai, and by the many Europeans, Russians, and Americans living and working in the so-called “Paris of the East.” These same foreigners also owned pieces of Shanghai, literally. This chapter asks how several foreign nations came to own sections of Shanghai, and have unrestricted access to numerous key ports throughout China's eastern coast? The answer to these questions can be found in a conflict initially between the British (and ultimately the French, Russians, and Americans) and the Chinese in the mid-nineteenth century: the Opium Wars, two wars that had roots in late eighteenth-century China.

The Time of the Trap Door

Killing Times ◽  
2019 ◽  
pp. 54-86
Author(s):  
David Wills
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Supreme Court ◽  
French Revolution ◽  
Death Penalty ◽  
Islamic State ◽  
Trap Door ◽  
Late Eighteenth Century ◽  
Time Period ◽  
Late Eighteenth

This chapter offers an examination of the refining of the instant of execution that takes place with the introduction of trap door gallows in the seventeenth century and, more spectacularly and explicitly, in the late eighteenth century with the French Revolution and the guillotine. The death penalty is thereby distinguished from torture and a post-Enlightenment conception of punishment is introduced, lasting to the present. But the guillotine is bloody, and that underscores a complex visuality of the death penalty that also obtains during the same time period, playing out across diverse genres such as the execution sermon, political and scientific discourses relating to the guillotine, Supreme Court descriptions of crimes, and practices of an entity such as the Islamic State. What develops concurrent with the guillotine—yet remains constant through all those examples--is a form of realist photographic visuality.

scholarly journals Revolution and human rights thought in the political philosophy of Catharine Macaulay, Mary Wollstonecraft and Anna Laetitia Barbauld

2020 ◽  
Vol 50 (3) ◽  
pp. 247-266
Author(s):  
Marie-Luisa Frick
Keyword(s):  
Eighteenth Century ◽  
Human Rights ◽  
French Revolution ◽  
Mary Wollstonecraft ◽  
The Political ◽  
Age Of Reason ◽  
Public Reasoning ◽  
Late Eighteenth Century ◽  
Catharine Macaulay ◽  
Core Issues

The Age of Reason is first and foremost an age of public reasoning. Equipped with a fresh and indeed unprecedented consciousness of feasibility and responsibility, educated citizens start to participate actively – and in many cases by taking personal risks – in discourses on political, religious and philosophical issues. In this article, I will highlight two core issues of the late eighteenth century – the dispute about the legitimacy of the French Revolution as well as its underlying philosophical conceptions and the rising human rights idea – and thereby revisit the interventions of three women who, though rediscovered in various fields of research, still have to gain their due recognition as pre-eminent political philosophers of their time.

JEAN-LOUIS DELOLME AND THE POLITICAL SCIENCE OF THE ENGLISH EMPIRE

2012 ◽  
Vol 55 (1) ◽  
pp. 21-44 ◽  
Author(s):  
IAIN McDANIEL
Keyword(s):  
Eighteenth Century ◽  
Political Science ◽  
Modern Science ◽  
The Political ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
The Stability ◽  
British State ◽  
Constitutional Republic

ABSTRACTThis article aims to extend our understanding of eighteenth-century political science through a re-examination of the writings of Jean-Louis Delolme (1741–1806). Beginning with an account of Delolme's conception of a modern ‘science of politics’, the article demonstrates that Delolme's ambition to rest the study of politics on scientific foundations developed in the context of an evolving concern with the stability and durability of the English ‘empire’. Underlining Delolme's critique of traditional republican political science as well as the comparative science of politics set out in Montesquieu's The spirit of the laws, the article thus sheds light on the connection between eighteenth-century conceptions of political science and eighteenth-century analyses of the English constitution and the British state. The article concludes with a brief discussion of the resonance of Delolme's central ideas in late eighteenth-century debates, in Britain, America, and France, about the character and properties of the modern constitutional republic.

Learning Conservatism

2017 ◽  
Author(s):  
Emily Jones
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Political Thought ◽  
Leisure Time ◽  
English Literature ◽  
General Level ◽  
Men And Women ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
New Students

The construction of Burke as the ‘founder of conservatism’ was also a product of developments in education. The increasing study of Burke arose out of several converging movements: in publishing and technology; in philosophical thought; in the increasing disposable income and leisure time of greater portions of the population; and in education movements for men and women at all levels. The popularity of topics such as the French Revolution, Romanticism, and late eighteenth-century history meant that Burke became a feature of lectures and examinations. At university, Burke was of particular interest to philosophical Idealists, English literature professors and students, and a generation of historians who taught increasingly modern courses. By analysing how Burke was studied at this much more popular, general level it is possible to pinpoint how Burke’s ‘conservative’ political thought was taught to swathes of new students—it took more than gentlemanly erudition to establish a scholarly orthodoxy.

Calabria 1783

2018 ◽  
pp. 176-187
Author(s):  
Giuseppe Caridi
Keyword(s):  
Eighteenth Century ◽  
Political Power ◽  
The Other ◽  
The Political ◽  
Technical Knowledge ◽  
Working Hypothesis ◽  
Late Eighteenth Century ◽  
Orthogonal Grid ◽  
Late Eighteenth ◽  
Dual Domain

This chapter considers the reconstruction operations that were carried out in Calabria following the earthquake of the late-eighteenth century. The author connects the physical and ideological role played by the orthogonal grid within the scope of this urban process to Foucault's concept of the device. Such a working hypothesis makes it possible to highlight the dual-domain in which lies political power, on one hand, and technical knowledge, on the other. This is a duplicity that is not resolved in the supremacy of either one domain or the other but, rather, in their huddle in a dialectical node: the political power that avails itself of the technical knowledge to reinforce itself and the technical knowledge that takes advantage of the political power to legitimise itself.

Sign in / Sign up

Export Citation Format

Share Document