scholarly journals Pirot kilim as a visual symbol in the modern fashion design

2020 ◽  
pp. 45-64
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić ◽  
Predrag Đorđević

The work was created with the aim to research the value and presence of Pirot kilim, more precisely its patterns as fundamental visual presenters of this product traditionally originating from Pirot in the field of contemporary fashion design. As a brand which with its quality crossed the local borders, potentials of Pirot kilim seem to be limitless but also not sufficiently used in the modern fashion design. In this context, the research of this resource was emphasized first on the local level especially in the field of applied art and more precisely in fashion as one of the most productive industries. The study analyses the work of designers who originate from Pirot and therfore are true connoiseurs of local tradition and culture. In some segments, the notion of traditional went beyond that framework and the designers breathed a new modern form into it which is adequate to the modern lifestyle. Apart from the use of Pirot motif pattern, the designers Ana Grgurović and Silvana Tošić have the cooperation with the local industry in common, the management of which recognised the value of its old products which in their redesigned form reach the catwalks and thus gain a new, so far unknown market.

2015 ◽  
Vol 34 (2) ◽  
pp. 75-85 ◽  
Author(s):  
Marco Copercini

Abstract Fashion design plays a significant role in Berlin’s creative industries and for its start-up scene. Berlin has the highest concentration of designers in Germany, most of them working in small start-ups, while the spatial organisation of their production is stretched from the local level to the global network of fashion events, showing different entrepreneurial strategies within the production process. Different spatial structures of the production organisation are identifiable through which it is possible to discuss the role of Berlin in the production network of fashion designers and the kinds of relations holding between the city, designers, and their production network.


2016 ◽  
Vol 14 (2) ◽  
pp. 157-171
Author(s):  
Wildan Imaduddin Muhammad

Celebrating of IndependenceDay became a part of symbol of honour from the citizenship for their country. In many places freedom is celebrated, including in Indonesia. The celebration is an annual event organized by goverment and citizen, both formal and informal. Formally, the goverment of Indonesia from local level to the centre celebrate this day by flag ceremony on the seventeent of August. Somehow in non-formal, citizen commemorate this day by various manner such aspanjatpinang contest etc. One form of celebration in Indonesia to celebrate the independence day is called “malam tirakatan” or “malam pitulasan”, especially in the area of Yogyakarta. Malam tirakatan is kind of acculturation from Moslem local tradition.This paper describe aboutmalam tirakatanas an acculturation between religious local traditions with a sense of nationalism. I use the method of triangulation for collect data which are participant observation, deep interview and documentation. The location of this research is focused on two different places, first in Dukuh the village of Bantul district and second in Ngaseman village, a part of village of Kulon Progo district. From this research known that Indonesian Moslems reinforce their nationality by their religious local tradition.


2016 ◽  
Vol 5 (2) ◽  
pp. 136-140
Author(s):  
Anna Alexandrovna Shevtsova

Popularity of ethnographic plots in contemporary Kazahstans painting let us discuss ethnic mobilization in this region. Also we get possibility to analyze this process using paintings as ethnographical source. Author analyses iconography of painting, graphics, design, decorative and applied art looking for plots with ethnic makers and typical traits linked with ethnic theme, mythology and cultural heritage of Kazakhstan. Research of reconstructing ethnicity through the contemporary visual culture shows us special aspects of complex visual symbol of the country. Among these aspects, we should line references to ethnographical genre and heroical past (often with ignoring of chronology), pursuit to stylization, using of stereotypical landscape, abundance of ethnic markers and motive of the way. Common traits of all these works are symbolism, decorativeness and major tonality.


Author(s):  
Nicolas Poirel ◽  
Claire Sara Krakowski ◽  
Sabrina Sayah ◽  
Arlette Pineau ◽  
Olivier Houdé ◽  
...  

The visual environment consists of global structures (e.g., a forest) made up of local parts (e.g., trees). When compound stimuli are presented (e.g., large global letters composed of arrangements of small local letters), the global unattended information slows responses to local targets. Using a negative priming paradigm, we investigated whether inhibition is required to process hierarchical stimuli when information at the local level is in conflict with the one at the global level. The results show that when local and global information is in conflict, global information must be inhibited to process local information, but that the reverse is not true. This finding has potential direct implications for brain models of visual recognition, by suggesting that when local information is conflicting with global information, inhibitory control reduces feedback activity from global information (e.g., inhibits the forest) which allows the visual system to process local information (e.g., to focus attention on a particular tree).


2021 ◽  
pp. 13-41
Author(s):  
Ella Volodymyrivna Bystrytska

Abstract: A series of imperial decrees of the 1820s ordering the establishment of a Greco-Uniate Theological Collegium and appropriate consistories contributed to the spread of the autocratic synodal system of government and the establishment of control over Greek Uniate church institutions in the annexed territories of Right-Bank Ukraine. As a result, the Greco-Uniate Church was put on hold in favor of the government's favorable grounds for the rapid localization of its activities. Basilian accusations of supporting the Polish November Uprising of 1830-1831 made it possible to liquidate the OSBM and most monasteries. The transfer of the Pochaiv Monastery to the ownership of the Orthodox clergy in 1831 was a milestone in the liquidation of the Greco-Uniate Church and the establishment of a Russian-style Orthodox mono-confessionalism. On the basis of archival documents, the political motivation of the emperor's decree to confiscate the Pochayiv Monastery from the Basilians with all its property and capital was confirmed. The transfer to the category of monasteries of the 1st class and the granting of the status of a lavra indicated its special role in strengthening the position of the autocracy in the western region of the Russian Empire. The orders of the Holy Synod outline the key tasks of ensuring the viability of the Lavra as an Orthodox religious center: the introduction of continuous worship, strengthening the personal composition of the population, delimitation of spiritual responsibilities, clarifying the affiliation of the printing house. However, maintaining the rhythm of worship and financial and economic activities established by the Basilians proved to be a difficult task, the solution of which required ten years of hard work. In order to make quick changes in the monastery, decisions were made by the emperor and senior government officials, and government agencies were involved at the local level, which required the coordination of actions of all parties to the process.


“We regard the recent science –based consensual reports that climate change is, to a large extend, caused by human activities that emit green houses as tenable, Such activities range from air traffic, with a global reach over industrial belts and urban conglomerations to local small, scale energy use for heating homes and mowing lawns. This means that effective climate strategies inevitably also require action all the way from global to local levels. Since the majority of those activities originate at the local level and involve individual action, however, climate strategies must literally begin at home to hit home.”


2019 ◽  
Vol 49 (2) ◽  
pp. 276-289
Author(s):  
Naoise Murphy

Feminist critics have celebrated Kate O'Brien's pioneering approach to gender and sexuality, yet there has been little exploration of her innovations of the coming-of-age narrative. Creating a modern Irish reworking of the Bildungsroman, O'Brien's heroines represent an idealized model of female identity-formation which stands in sharp contrast to the nationalist state's vision of Irish womanhood. Using Franco Moretti's theory of the Bildungsroman, a framing of the genre as a thoroughly ‘modern’ form of the novel, this article applies a critical Marxist lens to O'Brien's output. This reading brings to light the ways in which the limitations of the Bildungsroman work to constrain O'Brien's subversive politics. Their middle-class status remains an integral part of the identity of her heroines, informing the forms of liberation they seek. Fundamentally, O'Brien's idealization of aristocratic culture, elitist exceptionalism and ‘detachment of spirit’ restricts the emancipatory potential of her vision of Irish womanhood.


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