scholarly journals La arquitectura teatral a través de las pruebas de pensado en la Real Academia de Bellas Artes de San Fernando

1998 ◽  
Author(s):  
Juana María Balsalobre García
Keyword(s):  
Nineteenth Century ◽  
The Real ◽  
San Fernando ◽  
Real Academia

La importancia histórica de la Academia y su influencia, en cuanto al hecho arquitectónico, se halla en la labor de la Comisión de Arquitectura. Ésta junta desempeñó la línea motriz del pensamiento académico. En resumen, el cuerpo de esta investigación se basa en el estudio de tres proyectos de teatros censurados por dicha Comisión. El interés de los planos y de los manuscritos es significativo, porque por un lado proporcionan documentación inédita en la actualidad, sobre tres teatros proyectados en España, por el otro encierran el juicio de valor que motivaron en la Academia. En tal contexto cabe señalar la postura abierta de la Academia, pues no se trataba de defender una curva para la planta de la sala, sino más bien la derivada de resolver el conjunto arquitectónico adecuadamente a su función.Thanks to its Architect Commission the Real Academy of San Fernando was basic to the ulterior development of the academic thought. The main object of the investigation is based on the study of the three theatre projects censored by that Commission. The significance of the plans and manuscripts is important because they show documentation unknown nowadays about the theatres planned in Spain in the Nineteenth Century and because they contain the architectural ideas of the Academy. We must point out the advanced ideas of the Academy in this context because it tried to resolve the architectural group appropriately to its function.

International networks and the shaping of nineteenth-century Spanish collections

2019 ◽  
Vol 32 (3) ◽  
pp. 481-490 ◽  
Author(s):  
Agnès Garcia-Ventura ◽  
Jordi Vidal
Keyword(s):  
Nineteenth Century ◽  
United Kingdom ◽  
The Real ◽  
International Networks ◽  
The United Kingdom ◽  
Starting Point ◽  
The Uk ◽  
Real Academia

Abstract In this essay we discuss two examples of the influence exerted by the advice of scholars from the United Kingdom on the shaping and management of Spanish collections – those at the Museo de Reproducciones Artísticas de Madrid and the Real Academia de la Historia. We take as the starting point for our study two letters sent by Juan Facundo Riaño to scholars from the UK, both of which provide valuable information on the international networks in operation at a time when some collections – including those dealt with here – were being created or expanded. The first of the letters was sent by Riaño to Austen Henry Layard in 1881; the second was addressed in 1895 to Archibald Henry Sayce.

scholarly journals La Real Academia de San Fernandoy la devolución de los bienes eclesiásticos tras la Guerra de Independencia

MDCCC 1800 ◽  
2020 ◽  
Author(s):  
Maria Moraleda Gomero ◽  
Jorge García Sánchez
Keyword(s):  
20Th Century ◽  
Religious Communities ◽  
The Real ◽  
French Government ◽  
Works Of Art ◽  
San Fernando ◽  
La Caridad ◽  
Real Academia

With this article we intend to show the policy adopted by the king Fernando VII regarding to the restitution of the artistic patrimony confiscated to the religious communities during the Independence War’s conflicting years, as well as the part played in this process by the Real Academia de San Fernando. When the project of founding the Museo Fernandino failed, the Academy, receiver of many of the paintings dispersed during the French Government, tried to increase his pictorial collection to the detriment of their legitimate proprietors, although laws promulgated from 1814 favoured the works of art were recovered by the religious establishments. In the case of the Hospital de la Caridad of Seville, the Academy kept paintings until the 20th century, based on the agreement of the clergymen with the French.

scholarly journals La introducción del liberalismo inglés en Barcelona: "Lo bello y lo sublime", de Manuel Casamada

STUDIUM ◽  
2018 ◽  
pp. 85-110
Author(s):  
Ignasi Roviró Alemany
Keyword(s):  
Nineteenth Century ◽  
Key Words ◽  
Edmund Burke ◽  
Early Nineteenth Century ◽  
The Real ◽  
The Sublime ◽  
Palabras Clave ◽  
Hugh Blair ◽  
Sublime Aesthetic ◽  
Real Academia

Resumen A principios del siglo xixlos literatos de la capital de España estaban divididos en dos facciones: una progresista y otra conservadora. Estas posiciones ideológicas contaminaron la literatura. Los progresistas utilizaron como bandera un texto retórico del predicador escocés Hugo Blair (1718-1800); los conservadores, un texto del esteta francés Charles Batteux (1713-1780). El uso de Blair representó también una vía más de introducción del pensamiento liberal inglés y la divulgación de Edmund Burke, de especial interés para la oposición entre lo bello y lo sublime. Hasta ese momento, los conceptos de lo bello y lo sublime se entendían como conceptos encadenados. En Barcelona, la influencia de Blair se ve en la obra del fraile liberal Manuel Casamada (1772-1841) y en el discurso, inédito, que pronunció en la Real Academia de Buenas Letras de Barcelona (1837), que ha sido incluido, transcrito y anotado, en este artículo. Palabras clave: Hugo Blair, Manuel Casamada, bello, sublime, estética   Abstract In early nineteenth century, the writers of the capital of Spain were divided into two factions: one conservative and one progressive. These ideological positions were transferred to literature. The progressives used as flag a rhetorical text of the Scottish preacher Hugh Blair (1718-1800), the conservatives, a text of the French esthete Charles Batteux (1713-1780). Blair’s use represents one route of introduction of liberal English thought and the popularization of Edmund Burke, work of particular interest to the opposition between the beautiful and the sublime. Until then, the concepts of beauty and the sublime understood as linked concepts. In Catalonia, Blair's influence is seen in the work of the Liberal priest Manuel Casamada (1772-1841) and in the speech, unedited, who spoke at the Real Acadèmia de Bones Lletres de Barcelona(1837), which has been included, transcribed and annotated, in this article. Key words: Hugh Blair, Manuel Casamada, beautiful, sublime, aesthetic

On Graeffe's Method for Complex Roots of Algebraic Equations

1924 ◽  
Vol 22 (2) ◽  
pp. 83-87 ◽  
Author(s):  
S. Brodetsky ◽  
G. Smeal
Keyword(s):  
Nineteenth Century ◽  
Real Axis ◽  
Practical Method ◽  
Algebraic Equations ◽  
Argand Diagram ◽  
Considerable Difficulty ◽  
The Real ◽  
Real Roots ◽  
Bipolar Coordinates ◽  
Complex Roots

The only really useful practical method for solving numerical algebraic equations of higher orders, possessing complex roots, is that devised by C. H. Graeffe early in the nineteenth century. When an equation with real coefficients has only one or two pairs of complex roots, the Graeffe process leads to the evaluation of these roots without great labour. If, however, the equation has a number of pairs of complex roots there is considerable difficulty in completing the solution: the moduli of the roots are found easily, but the evaluation of the arguments often leads to long and wearisome calculations. The best method that has yet been suggested for overcoming this difficulty is that by C. Runge (Praxis der Gleichungen, Sammlung Schubert). It consists in making a change in the origin of the Argand diagram by shifting it to some other point on the real axis of the original Argand plane. The new moduli and the old moduli of the complex roots can then be used as bipolar coordinates for deducing the complex roots completely: this also checks the real roots.

Spanish Lexicography and the Real Academia Espanola: A Sketch

Hispania ◽  
1974 ◽  
Vol 57 (4) ◽  
pp. 958 ◽  
Author(s):  
Edward Davis Terry
Keyword(s):  
The Real ◽  
Real Academia

Un dizionario nato vecchio. Legittimazione e delegittimazione della Seconda Repubblica spagnola

2012 ◽  
pp. 81-91
Author(s):  
Tappi Andrea ◽  
Tébar Hurtado Javier
Keyword(s):  
20Th Century ◽  
The Real ◽  
The Past ◽  
Second Spanish Republic ◽  
Biographical Dictionary ◽  
Cultural Project ◽  
Real Academia

A dictionary born old. Legitimization and delegitimization of the Second Spanish Republic. The controversy following the recent publication of the Spanish Biographical Dictionary by the Real Academia de la Historia is here analysed. Many entries about the 20th century in Spain highlight the questionable aspects of a cultural project that derives from a public usage typical of the past concerning the legitimization and delegitimization of the Second Spanish Republic.

scholarly journals El arquitecto Lorenzo de la Hidalga

2012 ◽  
Vol 24 (80) ◽  
pp. 101
Author(s):  
Elisa García Barragán
Keyword(s):  
San Fernando ◽  
San Carlos ◽  
Real Academia

Lorenzo de la Hidalga, nacido en Álava, en la región vascongada de España, después de titularse en Madrid, de arquitecto, en la Real Academia de Bellas Artes de San Fernando, continúa sus estudios en París, en el taller de Henri Labrouste, el arquitecto autor de la paradigmática biblioteca parisina de Santa Genoveva. Conoce a otros arquitectos como Eugène Viollet Le Duc y Edmond Blanc, y las teorías de Louis Durand y de Claude Nicolas Ledoux. Una estancia breve en la capital francesa le marca profundamente para el desarrollo de su profesión. En 1838, se traslada a México. Rápidamente inicia sus primeras construcciones en la ciudad de México: el mercado de la Plaza del Volador, el Gran Teatro Santa Anna (ambas hoy desaparecidas), el proyecto de monumento a la Independencia para la Plaza Mayor, la cúpula de Santa Teresa la Antigua, el proyecto de una cárcel panóptica, para el cual realiza un minucioso programa que tituló “Paralelo de las penitenciarías”. El talento de Lorenzo de la Hidalga le valió varios nombramientos y honores, entre otros el de académico de mérito de la Academia de San Carlos; el emperador Maximiliano le otorgó el título de “arquitecto de Palacio y de la Iglesia Catedral”. La arquitectura mexicana es deudora de De la Hidalga por los muchos adelantos que introdujo; por ejemplo, su preocupación de adecuar sus construcciones al destino que se les iba a dar y el respeto por los géneros. También tuvo el talento y la visión de ajustar las formas antiguas clásicas a las funcionales, y adaptarlas así a las exigencias de la sociedad de su época.

The Real World of Nineteenth-Century Labor: The Case of the Railroaders

1984 ◽  
Vol 12 (1) ◽  
pp. 93
Author(s):  
John Bodnar ◽  
Walter Licht ◽  
James H. Ducker
Keyword(s):  
Nineteenth Century ◽  
Real World ◽  
The Real
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