scholarly journals La introducción del liberalismo inglés en Barcelona: "Lo bello y lo sublime", de Manuel Casamada

STUDIUM ◽  
2018 ◽  
pp. 85-110
Author(s):  
Ignasi Roviró Alemany
Keyword(s):  
Nineteenth Century ◽  
Key Words ◽  
Edmund Burke ◽  
Early Nineteenth Century ◽  
The Real ◽  
The Sublime ◽  
Palabras Clave ◽  
Hugh Blair ◽  
Sublime Aesthetic ◽  
Real Academia

Resumen A principios del siglo xixlos literatos de la capital de España estaban divididos en dos facciones: una progresista y otra conservadora. Estas posiciones ideológicas contaminaron la literatura. Los progresistas utilizaron como bandera un texto retórico del predicador escocés Hugo Blair (1718-1800); los conservadores, un texto del esteta francés Charles Batteux (1713-1780). El uso de Blair representó también una vía más de introducción del pensamiento liberal inglés y la divulgación de Edmund Burke, de especial interés para la oposición entre lo bello y lo sublime. Hasta ese momento, los conceptos de lo bello y lo sublime se entendían como conceptos encadenados. En Barcelona, la influencia de Blair se ve en la obra del fraile liberal Manuel Casamada (1772-1841) y en el discurso, inédito, que pronunció en la Real Academia de Buenas Letras de Barcelona (1837), que ha sido incluido, transcrito y anotado, en este artículo. Palabras clave: Hugo Blair, Manuel Casamada, bello, sublime, estética   Abstract In early nineteenth century, the writers of the capital of Spain were divided into two factions: one conservative and one progressive. These ideological positions were transferred to literature. The progressives used as flag a rhetorical text of the Scottish preacher Hugh Blair (1718-1800), the conservatives, a text of the French esthete Charles Batteux (1713-1780). Blair’s use represents one route of introduction of liberal English thought and the popularization of Edmund Burke, work of particular interest to the opposition between the beautiful and the sublime. Until then, the concepts of beauty and the sublime understood as linked concepts. In Catalonia, Blair's influence is seen in the work of the Liberal priest Manuel Casamada (1772-1841) and in the speech, unedited, who spoke at the Real Acadèmia de Bones Lletres de Barcelona(1837), which has been included, transcribed and annotated, in this article. Key words: Hugh Blair, Manuel Casamada, beautiful, sublime, aesthetic

scholarly journals F.H. Bradley: ¿un espinosista hegeliano?

2017 ◽  
Author(s):  
Michele Cardani
Keyword(s):  
Key Words ◽  
German Idealism ◽  
The Real ◽  
Palabras Clave ◽  
The Absolute ◽  
British Idealism

Resumen: La doctrina de Spinoza constituye una de las principales inspiraciones del más célebre entre los idealistas británicos, F.H. Bradley, cuya filosofía se caracteriza a su vez por elementos típicos del idealismo alemán y, en particular, de Hegel. Según A. Seth Pringle-Pattison, la presencia de estas dos tendencias conflictivas reduce el planteamiento de Appearance and Reality a una disposición filosófica esencialmente mística. Sin embargo, a pesar de las reales influencias de Spinoza y Hegel en el contexto del idealismo británico, los cimientos de la metafísica bradleyana (la incognoscibilidad de lo Absoluto, su transcendencia respecto al pensamiento, el rechazo del panteísmo y del panlogismo) sugieren una postura difícilmente identificable con Spinoza o Hegel, o con ambos. Palabras clave: Absoluto - Idealismo británico – Monismo – Panlogismo - Panteísmo.Abstract: Spinoza’s doctrine represents one of the greatest inspirations for the most well-known representative of the British Idealism, F.H. Bradley, whose philosophy is also marked by some of the most typical elements of German Idealism, especially those of Hegel. According to Seth Pringle-Pattison, the presence of these conflictive tendencies reduce the standpoint of Appearance and Reality to an essentially mystic philosophical attitude. However, despite the real influences of Spinoza and Hegel in the context of British Idealism, the foundations of Bradley’s metaphysics (the unknowability of the Absolute and its transcendence, as well as the rejection of pantheism and panlogism) suggest that Bradley is defending a perspective that can hardly be identified with Spinoza or Hegel, or with both of them. Key words: Absolute - British Idealism – Monism – Panlogism - Pantheism.

scholarly journals Crítica a la teoría neo-ricardiana (y clásica) del valor

2021 ◽  
pp. 131-150
Author(s):  
Juan Ramón Rallo Julián
Keyword(s):  
Nineteenth Century ◽  
Key Words ◽  
Value Theory ◽  
Jel Classification ◽  
Labor Theory ◽  
Palabras Clave ◽  
Theory Of Value ◽  
Carl Menger ◽  
The One ◽  
Ricardian Theory

The marginalist and subjectivist revolution led by Carl Menger during the second half of the nineteenth century turned Economics into a science. However, classical value theory did not completely fade away and it has been trying continiously to replace subjetivist theory. The most serious and exhaustive attempt to recover classical value theory in its Ricardian version was the one developed by the italian economist Piero Sraffa. This article seeks to rebut the neo-Ricardian theory of value, while vindicating the Austrian theory of value, even inside the constrains of the former. Key words: Piero Sraffa, Neo-Ricardianism, Value Theory, Subjetivism, Mar-ginalism, Labor Theory. JEL Classification: B24, B51, D46, E43. Resumen: La revolución marginalista y subjetivista liderada por Carl Menger durante la segunda mitad del s. XIX sentó las bases para que la economía pudiera considerarse realmente una ciencia. Sin embargo, la teoría clásica del valor nunca terminó de desaparecer de la escena y en sus muy diversas manifestaciones siguió intentando sobreponerse a la teoría subjetivista. El intento más serio y exhaustivo de resucitar la teoría clásica del valor en su versión ricardiana fue la del economista italiano Piero Sraffa. En este artí-culo se pretende refutar la teoría neorricardiana y reivindicar, incluso dentro de los presupuestos de esta última, la teoría austriaca del valor. Palabras clave: Piero Sraffa, Neorricardianismo, Teoría del Valor, Subjetivismo, Marginalismo, Valor Trabajo. Clasificación JEL: B24, B51, D46, E43.

scholarly journals Ethnic maps of Ukrainian lands in works of Ukrainian and Russian scientists of the second half of XIX century

2019 ◽  
Vol 53 ◽  
pp. 3-12
Author(s):  
Andriy Baitsar
Keyword(s):  
Nineteenth Century ◽  
Key Words ◽  
Early Nineteenth Century ◽  
Geographical Research ◽  
Ethnographic Studies ◽  
Literary Sources ◽  
History Of ◽  
Ethnic Mapping ◽  
Xix Century ◽  
First Time

The study considered the development of ideas about the limits of settling the Ukrainian people in connection with the compilation of ethnographical map of the Austrian and Russian monarchies, since the 40s of XIX century. The views of Ukrainian and Russian researchers who have studied this issue during different periods are analysed. In the manuscript “Geography of Ptolemy” in 1420 (the author is unknown), the map “Sarmatia” (Sarmatias) (the name of the map is conditional) Ukrainian lands were depicted for the first time and for the first time the map contained the inscription “Sarmatia”. Nicolaus Hermanus, who revised the content of “Geography” by Claudius Ptolemy (Cosmographia Claudii Ptolomaei Alexandrini Manuscript, 1467), first placed the name “European Sarmatia” (Sarmatia Єvropє) on the handwritten map of 1467. In the second (the first one with maps) Bologna edition 1477 (26 maps) of Claudia Ptolemy's “Geography” also contained a map of “European Sarmatia”. In the next Roman edition (1478) the Eighth Map of Europe (Octava Europe Tabula) and the Second Map of Asia (Secunda Asiae Tabula) are contained, which the Ukrainian lands are depicted in. Based on a detailed study and analysis of cartographic sources, summarizing the results of ethnographic, historical and geographical research of Ukrainian ethnic territory tracked changes in the boundaries of settling the Ukrainian ethnos. In the early nineteenth century in many European countries, regular population censuses had been introduced and ethnographic studies related to the Ukrainian national revival had been intensified. It created objective prerequisites for the beginning of ethnic mapping in the 1920s and became possible to map the composition of the population in detail, literally by settlements, to determine the absolute and relative share of a particular nationality in a certain territory. The main cartographic works of Ukrainian and Russian scientists, which depict the Ukrainian ethnic territory, are chronologically highlighted. Many ethnic maps have been described. On the basis of elaboration of a considerable number of cartographic and literary sources, the history of ethnographic mapping of the territory of Ukrainian settlements is chronologically covered. Key words: ethnographic researching, map, Ukrainian lands, ethnos.

scholarly journals Reescrituras decimonónicas del siglo XV español: el Suspiro del Moro en la narrativa de Manuel Fernández y González

2016 ◽  
pp. 11
Author(s):  
María Teresa del Préstamo Landín
Keyword(s):  
Nineteenth Century ◽  
Key Words ◽  
Historical Consciousness ◽  
Palabras Clave ◽  
Novela Historica ◽  
Siglo Xix

<p>El topónimo Suspiro del Moro tiene su origen en la leyenda que narra la huida del rey Boabdil. La<br />confrontación entre la derrota nazarí y la conquista de la España cristiana constituyó un motivo de<br />extraordinaria pertinencia literaria en el siglo que da a luz los nacionalismos, la necesidad de crear un<br />sentimiento de unión del pueblo frente a lo extranjero y una conciencia histórica. En el presente artículo<br />abordaré este constructo histórico-nacional, así como su función dentro del historicismo naciente del xix<br />y las diferentes manifestaciones literarias que se llevaron a cabo, tomando como ejemplo las redactadas<br />por Manuel Fernández y González.</p><p>Palabras Clave: Manuel Fernández y González, Suspiro del Moro, siglo xix, novela histórica, reescritura</p><p>The Suspiro del Moro place-name has its origin in King Boabdil’s escape. The confrontation among the<br />Nazari loss to the conquest of Christian Spain, was a motif of extraordinary literary relevance in the<br />century that gave birth to nationalism and the need to create a sense of unity nation against the foreign<br />and historical consciousness. In this article, I will present this historical-national construct, as well as<br />its role in the nascent historicism of the nineteenth century and the different manifestations that were<br />carried out taking as an example the ones written by Manuel Fernández y González.</p><p>Key Words: Manuel Fernández y González, Suspiro del Moro, ninetenth-century, historic novel, rewrite</p>

scholarly journals La arquitectura teatral a través de las pruebas de pensado en la Real Academia de Bellas Artes de San Fernando

1998 ◽  
Author(s):  
Juana María Balsalobre García
Keyword(s):  
Nineteenth Century ◽  
The Real ◽  
San Fernando ◽  
Real Academia

La importancia histórica de la Academia y su influencia, en cuanto al hecho arquitectónico, se halla en la labor de la Comisión de Arquitectura. Ésta junta desempeñó la línea motriz del pensamiento académico. En resumen, el cuerpo de esta investigación se basa en el estudio de tres proyectos de teatros censurados por dicha Comisión. El interés de los planos y de los manuscritos es significativo, porque por un lado proporcionan documentación inédita en la actualidad, sobre tres teatros proyectados en España, por el otro encierran el juicio de valor que motivaron en la Academia. En tal contexto cabe señalar la postura abierta de la Academia, pues no se trataba de defender una curva para la planta de la sala, sino más bien la derivada de resolver el conjunto arquitectónico adecuadamente a su función.Thanks to its Architect Commission the Real Academy of San Fernando was basic to the ulterior development of the academic thought. The main object of the investigation is based on the study of the three theatre projects censored by that Commission. The significance of the plans and manuscripts is important because they show documentation unknown nowadays about the theatres planned in Spain in the Nineteenth Century and because they contain the architectural ideas of the Academy. We must point out the advanced ideas of the Academy in this context because it tried to resolve the architectural group appropriately to its function.

International networks and the shaping of nineteenth-century Spanish collections

2019 ◽  
Vol 32 (3) ◽  
pp. 481-490 ◽  
Author(s):  
Agnès Garcia-Ventura ◽  
Jordi Vidal
Keyword(s):  
Nineteenth Century ◽  
United Kingdom ◽  
The Real ◽  
International Networks ◽  
The United Kingdom ◽  
Starting Point ◽  
The Uk ◽  
Real Academia

Abstract In this essay we discuss two examples of the influence exerted by the advice of scholars from the United Kingdom on the shaping and management of Spanish collections – those at the Museo de Reproducciones Artísticas de Madrid and the Real Academia de la Historia. We take as the starting point for our study two letters sent by Juan Facundo Riaño to scholars from the UK, both of which provide valuable information on the international networks in operation at a time when some collections – including those dealt with here – were being created or expanded. The first of the letters was sent by Riaño to Austen Henry Layard in 1881; the second was addressed in 1895 to Archibald Henry Sayce.

The Life and Death of The Harmonicon: An Analysis

1989 ◽  
Vol 22 ◽  
pp. 137-163 ◽  
Author(s):  
Leanne Langley
Keyword(s):  
Nineteenth Century ◽  
Financial Distress ◽  
The State ◽  
Early Nineteenth Century ◽  
The Real ◽  
Life And Death ◽  
Average Lifespan ◽  
The Subject ◽  
A Current

Between 1800 and 1845 some 30 periodicals devoted to music were launched in Britain, nearly all of them attributing their appearance to a current ‘general’, ‘wide’, ‘perfect’ or ‘increasing’ cultivation of the subject. But the real flurry of activity seems to have been in publishing rather than music. The average lifespan of a single musical journal in this period was only about two years and four months; most lasted a year or less and died from financial distress. From this record, one might question not only the state of genuine musical cultivation in early nineteenth-century England but also the rationale of editors, printers, publishers and proprietors who continued to produce for a marginal, certainly elusive, musical audience.

From Popular to Esoteric: Nikolaos Mantzaros and the Development of his Career as a Composer

2011 ◽  
Vol 8 (1) ◽  
pp. 101-126 ◽  
Author(s):  
Kostas Kardamis
Keyword(s):  
Nineteenth Century ◽  
Social Status ◽  
The Other ◽  
Early Nineteenth Century ◽  
Greek Poetry ◽  
National Anthem ◽  
The Sublime ◽  
Viable Solution ◽  
Late Eighteenth ◽  
The One

Nikolaos Halikiopoulos Mantzaros (1795–1872) was a noble from Corfu and is better known today as the composer of the Greek national anthem. However, recent research has proved his importance as a teacher and as one of the most learned composers of his generation, renowned, in Italy and France as well as Greece.The aim of this article is to present Mantzaros’ developing relationship as dilettante composer to the emerging European nineteenth-century music and aesthetics, as featured through his existing works and writings. In his early works (1815–27) Mantzaros demonstrates a remarkable creative assimilation of late eighteenth- and early nineteenth-century operatic idioms, whereas his aristocratic social status allowed him an eclectic relationship with music in general. From the late 1820s, Mantzaros also began setting Greek poetry to music, in this way offering a viable solution to the demand for ‘national music’.From the mid-1830s onwards, Mantzaros’ already existing interest in Romantic idealism was broadened, affecting his work and thoughts. He stopped composing opera-related works and demonstrated a dual attitude towards music. On the one hand he continued composing popular music for the needs of his social circle, but on the other he developed an esoteric creative relationship with music. The latter led him as early as the 1840s to denounce the ‘extremities of Romanticism’ and to seek the musical expression of the sublime through the creative use of ‘the noble art of counterpoint’. This way he attempted to propose a re-evaluation of nineteenth-century trends through an eclectic neoclassicism, without neglecting the importance of subjective inspiration and genius.

Darwin, Concepción, and the Geological Sublime

2012 ◽  
Vol 25 (1) ◽  
pp. 49-71 ◽  
Author(s):  
Paul White
Keyword(s):  
Nineteenth Century ◽  
Popular Science ◽  
Early Nineteenth Century ◽  
Earth History ◽  
The Sublime ◽  
The Earth ◽  
History Of ◽  
The Aesthetic ◽  
Popular Audience

ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin's Beagle diary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the beginning. The awesome spectacle of the earthquake proved in turn the magnitude of the forces at stake in earth history, and helped to make geology an epic conjoining the history of civilization with the history of the earth.

scholarly journals La fábula esópica: transmisión y difusión en la cultura sefardí contemporánea

2015 ◽  
pp. 169 ◽  
Author(s):  
María Sánchez Pérez
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Key Words ◽  
Late Nineteenth Century ◽  
Early Twentieth Century ◽  
Palabras Clave ◽  
Late Nineteenth ◽  
Siglo Xix ◽  
Spanish Press

<p>Resumen:</p><p>A pesar de que el cuento popular es un género muy conocido y apreciado por los sefardíes, apenas se han conservado relatos sobre animales o fábulas en la tradición moderna y contemporánea. Por este motivo, es bastante destacado que hayamos encontrado algunas fábulas entre las páginas de algunos periódicos sefardíes, publicados entre finales del siglo xix y principios del xx. En el presente trabajo se editan y estudian varias fábulas esópicas que se incluyeron en los siguientes periódicos en judeoespañol: <em>El Amigo de la Famiya</em> (Constantinopla, 1881-1886), <em>La Époka Literaria</em> (Salónica, 1908) y <em>El Rizón</em> (Salónica, 1926-1939).</p><p> </p><p>Palabras clave: judeoespañol, prensa, fábula, sefardíes.</p><p> </p><p>Abstract:</p><p>Despite that folktale is a very well known and appreciated genre by the Sephardim people, barely have been preserved some animal tales or fables in modern and contemporary tradition. For this reason it is noteworthy that we have found some fables among the pages of some Sephardic newspapers which had been published between the late nineteenth century and early twentieth century. In this work we edited and studied several aesopic fables that were included in the following newspapers in djudeo-espanyol (ladino): <em>El Amigo de la Famiya</em> (Constantinople 1881-1886), <em>La Époka Literaria</em> (Thessaloniki, 1908) <em>El Rizón</em> (Thessaloniki, 1926-1939).</p><p> </p><p>Key words: Judeo-Spanish, press, fable, Sephardic.</p>

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