A Proustian Reading of Michel Onfray's Cosmos and Christian Signol's Les vrais bonheurs: "Privileged Moments" of Sensorial Ecstasy

Author(s):  
Keith Moser

This study probes the philosophical significance of the strange joy induced by a trigger sensation that immediately strikes the reader in Michel Onfray’s Cosmos and Christian Signol’s Les vrais bonheurs. Heavily influenced by Proust’s vision of involuntary memory, the role of the senses, and the nature of time in A la recherche du temps perdu, Onfray and Signol attempt to explore the essence of everything in the context of powerful, transformative sensorial encounters. Some critics automatically dismiss the rending ecstasy depicted by the Proustian narrator in the “petite madeleine” scene as nothing more than a form of whimsical artistry. However, Onfray and Signol’s rewriting of this renowned passage demonstrates that the notion of a privileged moment, associated with Proust in French literary circles, is an all-encompassing metaphor for delving into the most fundamental philosophical questions of all.

Author(s):  
Edouard Machery

Chapter 7 proposes a new, naturalistic characterization of conceptual analysis, defends its philosophical significance, and shows that usual concerns with conceptual analysis do not apply to this revamped version. So understood, conceptual analysis encompasses both a descriptive project and a normative project, similar to explication or to conceptual engineering. Chapter 7 also defends the philosophical significance of this novel form of conceptual analysis and its continuity with the role of conceptual analysis in the philosophical tradition. Furthermore, naturalized conceptual analysis often requires empirical tools to be pursued successfully, and an experimental method of cases 2.0 should often replace the traditional use of cases in philosophy.


2018 ◽  
Vol 40 ◽  
pp. 82-90 ◽  
Author(s):  
Sonia Vilches-Montero ◽  
Nik Mohd Hazrul Nik Hashim ◽  
Ameet Pandit ◽  
Renzo Bravo-Olavarria

Author(s):  
Holly Dugan

Sensory studies is an interdisciplinary field connecting insights from history, anthropology, sociology, philosophy, religion, literature, and art to the scientific study of human perception. Though research in this field draws upon a wide variety of methodologies and focuses on different historical periods and geographical areas, it is unified through a core tenet: that the human sensorium is as much a cultural, historical, and aesthetic phenomenon as it is an environmental and a biological one. Social mores, geographies, religious beliefs, and individual abilities shape perception in uniquely cultural ways. Put more succinctly, sensory studies, as a field, argues for the cultural study of the senses and the sensuous study of culture. And language is squarely at the center of scholarly questions about perception; literary studies thus provides useful methodological tools for understanding not only how we represent visceral experiences (such as sensation) to others through language but also how these strategies have changed over time. The study of literature and the senses emphasizes the important role of language in representing visceral experience and the important role of aesthetics and history in shaping literary representations.


Al-Burz ◽  
2018 ◽  
Vol 10 (1) ◽  
pp. 132-142
Author(s):  
Nilofer Usman ◽  
Dr.Liaquat Ali Sani ◽  
Yousaf Rodeni

This research article describes the role of Brahui literary circles, which have played a vital role for the preservation and promotion of Brahui Language, Literature and build a literary tendency. This paper also shows how the internal disagreement between learned established new literary circles. Few prominent personalities like  Noor Muhammad Parwana, Nawab Ghaus Bakhsh Raisani, Babo Abudl Rehman Kurd, Abdul Rehman Brahui, Syed Kamal al-Qadri and others have initiated this work in Brahui literary history. Now more the two dozen registered and non-registered Brahui literary originations working for betterment of Brahui literature. Every origination has set their separate Moto and vision, few of them promote Brahui Modern poetry few have introduced new literary tendencies, few have urged that criticism is better for new thoughts and new trend in Brahui literature. This research paper helps to understand the different periods in Brahui literature in context of Brahui originations. A descriptive research method will have been adopted to conclude this paper.


2018 ◽  
Vol 45 (3) ◽  
pp. 288-294
Author(s):  
Adam S Komorowski ◽  
Sang Ik Song

Written by Richard Wiseman, sergeant-surgeon to King Charles II of England, ‘A Treatise on the King’s-Evil’ within his magnum opus Severall Chirurgicall Treatises (1676), acts as a proto-case series which explores the treatment and cure of 91 patients with the King’s-Evil. Working within the confines of the English monarch’s ability to cure the disease with their miraculous (or thaumaturgic) touch, Wiseman simultaneously elevates and extends the potential to heal to biomedicine. Wiseman’s work on the King’s-Evil provides an interesting window through which the political expediency of the monarch’s thaumaturgic touch may be explored. The dependence of the thaumaturgic touch on liturgy, theatricality and its inherent political economy in Restoration England allowed Wiseman to appropriate the traditionally monarchical role of healer as his own, by drawing attention to a medical ritual of healing that was as reliant, just as the theatrical ritual of monarchical thaumaturgy was, on symbolic binaries of healer–healed, head–body and touch–sight.


2016 ◽  
pp. 65-81 ◽  
Author(s):  
Catherine Rouby ◽  
Arnaud Fournel ◽  
Moustafa Bensafi
Keyword(s):  

Author(s):  
Jay L. Garfield
Keyword(s):  

This chapter addresses Treatise 1.4.2. It explains the argument in detail, showing again that Hume’s account of custom is central to his understanding both of why skepticism with regard to the senses is justified and of how we come to trust our senses nonetheless. This chapter demonstrates just how robust Hume takes the role of custom to be in our psychological lives. Hume does not argue that we are not entitled to a belief in the external world, or that we are not entitled to trust our senses. Instead, he asks about the grounds of that entitlement, and locates it in custom.


2019 ◽  
Vol 85 ◽  
pp. 87-109
Author(s):  
Sabine Roeser ◽  
Steffen Steinert

AbstractIn this article, we discuss the importance of emotions for ethical reflection on technological developments, as well as the role that art can play in this. We review literature that argues that emotions can and should play an important role in the assessment and acceptance of technological risk and in designing morally responsible technologies. We then investigate how technologically engaged art can contribute to critical, emotional-moral reflection on technological risks. The role of art that engages with technology is unexplored territory and gives rise to many fascinating philosophical questions that have not yet been sufficiently addressed in the literature.


i-Perception ◽  
10.1068/ic939 ◽  
2011 ◽  
Vol 2 (8) ◽  
pp. 939-939
Author(s):  
Thorsten Kluss ◽  
Niclas Schult ◽  
Kerstin Schill ◽  
Christoph Zetzsche ◽  
Manfred Fahle

Sign in / Sign up

Export Citation Format

Share Document