scholarly journals “Body Work”: Nurses and the Delegation of Medical Technology at the Ottawa Civic Hospital, 1947-1972

Author(s):  
Cynthia Toman

Abstract The absence of ordinary women from histories of science and technology may be partially explained by what has been excluded as science, as well as who have been excluded as women of science. Although the delegation of medical technology to Ontario nurses increased rapidly during the mid-twentieth century, we know very little regarding how these ordinary women engaged in science and medical technology through the everyday practice of "body work." Gender structured the working relationships between predominantly-male physicians and predominantly-female nurses, shaping the process of delegation and generating significant changes in nurses' work as well as who provided bedside care. Trained nurses parlayed these new technological skills to their advantage, enabling the extension of technological care at the bedside and assuring their roles as essential for the functioning of the hospital system.

2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


Author(s):  
Admink Admink

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.


Author(s):  
Ellen M. Peck

Rida Johnson Young (ca. 1869–1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, five hundred songs, and four novels. Despite her extensive output, no significant study of her work has been produced. This book examines her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert. Using archival materials such as original typescripts, correspondence, and reviews, the book contextualizes Young’s work within the milieu of the early-twentieth-century professional theater and provides a window into the standard practices of writing and production of the era. The works examined are Naughty Marietta, Lady Luxury, The Red Petticoat, When Love Is Young, His Little Widows, Her Soldier Boy, Maytime, Sometime, Little Simplicity, and The Dream Girl.


1996 ◽  
Vol 24 (4) ◽  
pp. 348-359 ◽  
Author(s):  
Linda Farber Post ◽  
Jeffrey Blustein ◽  
Elysa Gordon ◽  
Nancy Neveloff Dubler

As medical technology becomes more sophisticate the ability to manipulate nature and manage disease forces the dilemma of when can becomes ought. Indeed, most bioethical discourse is framed in terms of balancing the values and interests and the benefits and burdens that inform principled decisions about how, when, and whether interventions should occur. Yet, despite advances in science and technology, one caregiver mandate remains as constant and compelling as it was for the earliest shaman—the relief of pain. Even when cure is impossible, the physician's duty of care includes palliation. Moreover, the centrality of this obligation is both unquestioned and universal, transcending time and cultural boundaries.Although universally acknowledged, pain is a complex phenomenon for both the patient and the caregiver, influenced as much by personal values and cultural traditions as by physiological injury and disease.


Iris Murdoch ◽  
2019 ◽  
pp. 1-8
Author(s):  
Anne Rowe

Iris Murdoch is introduced as a writer of brave and open –minded novels that are not only idiosyncratic in their dealing with issues that push against accepted moral and social boundaries but also relevant to the everyday experiences of all types of readers. With reference to significant biographical information the chapter suggests why her novels have carved out her place in British culture in the late twentieth century and outlines the ways in which her often tortuous personal relationships and complex personality are inextricably entwined with her art. The considerable media attention she has attracted since her death in 1999 is evaluated and the reasons for the fluctuations within the critical reception of Murdoch’s novels over four decades are explained. The introduction concludes with summaries of the following four chapters on Murdoch’s philosophy, theology, aesthetics and settings.


Author(s):  
Stephen Skowronek ◽  
John A. Dearborn ◽  
Desmond King

Since its founding of the republic, Americans have devised a variety of different ways to reconcile unity with depth, separation with checks, and presidentialism with republicanism. This chapter surveys the succession of informal institutional and organizational improvisations that periodically altered practical working relationships within the American constitutional system. These extra-constitutional contrivances created several distinctive “systems” of administration, each of which preserved the republican idea of inter-branch collaboration. Nineteenth-century remedies were party-based; twentieth-century remedies were administration-based. The move from one system to the next marked a profound change in the operation of government at large, but at every turn, a more powerful presidency was corralled into novel arrangements that reaffirmed collective responsibility. The origins of our beleaguered republic lay in the 1970s, when that spirit of accommodation began to break down. Presidents grew more independent in their political and institutional powers, and they asserted their right to unitary control over the executive branch more vigorously. In the congressional pushback, collaboration gave way to a constitutional face-off.


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