Introduction

2019 ◽  
pp. 1-26
Author(s):  
Quintin Colville ◽  
James Davey
Keyword(s):  
Eighteenth Century ◽  
Political Influences ◽  
The Past ◽  
Current State ◽  
Naval History ◽  
The Subject ◽  
Early Eighteenth Century ◽  
The Many ◽  
Historical Profession

This introduction gives on overview of the sub-discipline of naval history since its emergence in the early eighteenth-century. It outlines the various social, cultural and political influences that have shaped the subject over the past three centuries, and discusses its relationship with the wider historical profession. The second half of the introduction sums up the current state of naval history, describing the many historiographies that now have a bearing on how the subject is conducted. Each contribution to the volume is introduced in this context, offering a precis of the chapters that follow.

Metaphors of Time and Modernity in Bach

2012 ◽  
Vol 29 (2) ◽  
pp. 154-190 ◽  
Author(s):  
Bettina Varwig
Keyword(s):  
Eighteenth Century ◽  
Alternative Model ◽  
Time History ◽  
Johann Sebastian Bach ◽  
Historical Inquiry ◽  
Close Attention ◽  
Social Conventions ◽  
The Past ◽  
The Subject ◽  
Early Eighteenth Century

Narratives of music and modernity have been prominent in musicological writings of the past decade, and the place of Johann Sebastian Bach within these narratives has formed the subject of stimulating debates. Recent studies by Karol Berger and John Butt have aimed to integrate Bach's Passion compositions into broadly conceived philosophical frameworks, in Berger's case focusing specifically on changing perceptions of time from a premodern sense of circular stasis to a modern linear idea of progress. This article proposes an alternative model of historical inquiry into these issues by presenting a detailed look at attitudes to time in early eighteenth-century Protestant Leipzig. My approach reveals a complex constellation of conflicting ideas and metaphors that encompass notions of time as both circular and linear and evince a particular concern for the question of how to fill the time of one's earthly existence productively. In this light, pieces like Bach's St. Matthew Passion and Georg Philipp Telemann's Brockes Passion can be understood to have offered a range of different temporal experiences, which depended on individual listening attitudes, performance decisions, and surrounding social conventions. I argue that only through paying close attention to these fluid and often incongruous discourses can we gain a sufficiently nuanced picture of how music may have reflected and shaped early eighteenth-century conceptions of time, history, and eternity.

scholarly journals Māori Urban Migrations and Identities, ‘Ko Ngā Iwi Nuku Whenua’: A study of Urbanisation in the Wellington Region during the Twentieth Century

2021 ◽  
Author(s):  
◽  
Erin Keenan
Keyword(s):  
Twentieth Century ◽  
Urban Areas ◽  
Urban Migration ◽  
World War ◽  
Historical Sources ◽  
The Past ◽  
Complex Interactions ◽  
The Subject ◽  
The Many ◽  
Migration Experiences

<p>Māori urbanisation and urban migrations have been the subject of much discussion and research, especially following World War Two when Māori individuals, whānau and communities increasingly became residents of towns and cities that were overwhelmingly Pākehā populated. However, Māori urbanisation experiences and urban migrations are difficult topics to address because kaumātua are reluctant to discuss ‘urban Māori’, especially considering its implications for Māori identities. The original contribution this thesis makes to histories of Māori urban migrations is that it explores these and other understandings of urbanisations to discover some of their historical influences. By discussing urbanisations directly with kaumātua and exploring historical sources of Māori living in, and moving to, the urban spaces of Wellington and the Hutt Valley through the twentieth century, this thesis is a ‘meeting place’ for a range of perspectives on the meanings of urbanisations from the past and the present. Although urbanisation was an incredible time of material change for the individuals and whānau who chose to move into cities such as Wellington, the histories of urban migration experiences exist within a scope of Māori and iwi worldviews that gave rise to multiple experiences and understandings of urbanisations. The Wellington region is used to show that Māori in towns and cities used Māori social and cultural forms in urban areas so that they could, through the many challenges of becoming urban-dwelling, ensure the persistence of their Māoritanga. Urbanisations also allowed Māori to both use traditional identities in urban areas, as well as develop new relationships modelled on kinship. The Ngāti Pōneke community is used as an example of the complex interactions between these identities and how many Māori became active residents in but not conceptually ‘of’ cities. As a result, the multiple and layered Māori identities that permeate throughout Māori experiences of the present and the past are important considerations in approaching and discussing urbanisations. Urban Māori communities have emphasised the significance of varied and layered Māori identities, and this became particularly pronounced through the Māori urban migrations of the twentieth century.</p>

John Weaver and the Origins of English Pantomime: A Neoclassical Theory and Practice for Uniting Dance and Theatre

2001 ◽  
Vol 42 (2) ◽  
pp. 191-214 ◽  
Author(s):  
Nancy Taylor
Keyword(s):  
Eighteenth Century ◽  
Theory And Practice ◽  
Neoclassical Theory ◽  
The Past ◽  
Rare Combination ◽  
The Arts ◽  
Early Eighteenth Century

Theatre historians have long acknowledged John Weaver as the father of English pantomime. In 1985, however, the foremost Weaver scholar, Richard Ralph, noted that no one had systematically studied Weaver's pantomime descriptions, printed in The Loves of Mars and Venus, nor had classical influences upon Weaver been sufficiently investigated.1 Scholarship in the past fifteen years has not filled these gaps; thus, this article begins an examination of these two areas of Weaver's work. They are especially significant because the pantomime descriptions and classical influences reveal that Weaver was a scholar-artist, a rare combination in his era, whose theories and practices deepened the interplay among the arts in early eighteenth-century England.2

“Palestine Sits in Sackcloth and Ashes”: Reading Mark Twain’s The Innocents Abroad as a Protestant Holy Land Narrative

2011 ◽  
Vol 15 (1-2) ◽  
pp. 82-110
Author(s):  
Broke Sherrard
Keyword(s):  
Eighteenth Century ◽  
Holy Land ◽  
Vast Array ◽  
Native Son ◽  
Total Eclipse ◽  
Early Eighteenth Century ◽  
The Many

AbstractAmong the vast array of priceless treasures in the collection of Jerusalem’s Armenian Patriarchate is a votive portrait of a local Jerusalem saint, the priest Hanna, a native son of Jerusalem’s Armenian community. The existence of the portrait is all but unknown, despite the fact that its subject has inspired generations of Jerusalem monks to dedicate their lives to the service of the Sts. James. As vicar to Jerusalem’s Patriarch Grigor IV Shirvants‘i (Shght‘ayakir) Hanna was instrumental in reviving the fortunes of the Jerusalem Patriarchate, which, in the early eighteenth century, had suffered a near-total eclipse. Although Hanna died before the age of forty, the many activities of his short career included such major achievements as the renovation of the Armenian sections of the Holy Sepulchre Church and the transformation of the Patriarchate compound into a fully enclosed and self-sufficient enclave.

XXI: Mortality in Magherafelt, County Derry, in the early eighteenth century reappraised

1982 ◽  
Vol 23 (89) ◽  
pp. 50-60 ◽  
Author(s):  
William Macafee ◽  
Valerie Morgan
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Case Studies ◽  
Demographic History ◽  
Historical Demography ◽  
The Past ◽  
Detailed Case ◽  
Tax Returns ◽  
Early Eighteenth Century ◽  
Population Patterns

The study of Irish historical demography has long been an area of complexity and controversy; and the further back into the past the search for patterns and trends is pushed, the more the problems multiply. Much of the difficulty stems from the inadequacy and/or variability of the available sources. Hearth-tax returns, enumeration lists of various types, estate records and registers of baptisms, marriages and burials, all pose problems of interpretation and in addition, for any single area, they are likely to provide only fragmentary and discontinuous evidence. $$Largely because of these difficulties, only a limited number of detailed analyses of population patterns in specific areas as far back as the late seventeenth century and early eighteenth century have been attempted. Yet at the same time the work which has been done has made it apparent both that this is a crucial period in terms of demographic history and that only detailed case studies can provide the evidence necessary to enlarge upon our current very general understanding.

Bertrand Russell (1872-1970) after twenty years

1990 ◽  
Vol 44 (2) ◽  
pp. 280-306 ◽  
Keyword(s):  
Nova Scotia ◽  
Historical Research ◽  
Bertrand Russell ◽  
British History ◽  
Arithmetical Property ◽  
The Past ◽  
History Of ◽  
The Subject ◽  
Long Life ◽  
The Many

1990 marks the vicesenary of the death of Bertrand Russell, in his 98th year; and this arithmetical property is sufficient reason to review the historical research that has been published on his life and work during the past 20 years. During his long life he had already become the subject of historical research in many of his activities; but this interest accelerated considerably around the time of his death because in the mid 1960s he had decided to sell the bulk of his manuscripts, to raise money to finance his current projects. One of these was the series of conferences financed by the Canadian industrialist Cyrus Eaton, which began at his birthplace of Pugwash, in Nova Scotia. An alumnus of McMaster University at Hamilton, Ontario, Eaton announced that he would put forward a considerable sum of his own money if the papers went to McMaster. Some deft work by the librarian there secured the rest of the required capital, and the papers were purchased in 1968. Thus was created the ‘Bertrand Russell Archives’, as Russell insisted it be called, rejecting the original appellation of ‘Archive’; it is a major resource for British history of Russell’s time, and for the many other concerns in which he was involved. Soon after its launch in 1972, the first Russell conference at McMaster took place, to commemorate the centenary of his birth; its proceedings were published as a book four years later.

The Oxford Handbook of Egyptology

2015 ◽  
Keyword(s):  
Ancient Egypt ◽  
Environmental Aspects ◽  
Ancient Egyptian ◽  
Current State ◽  
Egyptian Culture ◽  
The Subject ◽  
Current Characteristics ◽  
The Many ◽  
Key Aspects ◽  
Egyptian History

The Oxford Handbook of Egyptology presents a series of articles by colleagues working across the many archaeological, philological and cultural subdisciplines within the study of ancient Egypt from prehistory through to the end of the Roman Period. The volume seeks to place Egyptology within its theoretical, methodological, and historical contexts, both indicating how the subject has evolved and discussing its distinctive contemporary problems, issues and potential. Transcending conventional boundaries between archaeological and ancient textual analysis, it stresses the need for Egyptology to seek multidisciplinary methods and broader collaborations if it is to remain contemporary and relevant. It therefore serves as a reference work not only for those working within the discipline, but also as a gateway into Egyptology for archaeologists, anthropologists, sociologists and linguists. The book is organized into ten parts, the first of which examines the many different historical and geographical perspectives that have influenced the development and current characteristics of the discipline. Part II addresses the various environmental aspects of the subject: landscapes, climate, flora, fauna and the mineral world. Part III considers a variety of practical aspects of the ways in which Egyptologists survey, characterize and manage landscapes. Part IV discusses materials and technology, from domestic architecture and artefacts through to religious and funerary items. Part V deals with Egypt’s relations with neighbouring regions and peoples, while Part VI explores the sources and interpretive frameworks that characterize different phases of ancient Egyptian history. Part VII is concerned with textual and iconographic approaches to Egyptian culture, and Part VIII comprises discussions of the key aspects of ancient Egyptian scripts and philology. Part IX presents summaries of the current state of the subject in relation to a variety of textual genres, from letters and autobiographies to socio-economic, magical and mathematical texts. The final section covers different aspects of museology and conservation.

The classical model of contract: the product of a revolution in legal thought?

Legal Studies ◽  
2010 ◽  
Vol 30 (4) ◽  
pp. 513-532
Author(s):  
Warren Swain
Keyword(s):  
Eighteenth Century ◽  
Sustained Attention ◽  
Social Factors ◽  
Driving Forces ◽  
Classical Model ◽  
Contract Law ◽  
The Past ◽  
Legal Literature ◽  
The Subject ◽  
Proper Weight

Writing in the introduction to his new treatise on contract in 1826, Joseph Chitty observed that ‘Perhaps no branch of the jurisprudence of this country has of late years been more subject of judicial inquiry and decision than the Law of Contracts’. It is generally accepted that the so-called classical model of contract law, which remains influential into the present day, was created at this time. Ever since the subject first attracted sustained attention from legal historians in the 1970s, the driving forces of these developments have been contested. Some saw legal change as a product of economic and social factors. For others the reception of new ways of thinking and legal literature provided a more convincing explanation. What is not usually disputed is that there was a fundamental revolution in contract doctrine and literature in the nineteenth century. This assumption is open to challenge. It fails to give proper weight to the past. In fact these changes were deeply rooted in the eighteenth century and even earlier.

The Royal Sign and Visual Literacy in Eighteenth-Century London

2016 ◽  
Vol 55 (1) ◽  
pp. 24-56 ◽  
Author(s):  
Stephanie Koscak
Keyword(s):  
Eighteenth Century ◽  
Visual Culture ◽  
Party Politics ◽  
Urban Spaces ◽  
Political Debate ◽  
Art And Politics ◽  
Everyday Objects ◽  
The Subject ◽  
Early Eighteenth Century ◽  
The Aesthetic

AbstractThis article argues that the commercialization of monarchical culture is more complex than existing scholarship suggests. It explores the aesthetic dimensions of regal culture produced outside of the traditionally defined sphere of art and politics by focusing on the variety of royal images and symbols depicted on hanging signs in eighteenth-century London. Despite the overwhelming presence of kings and queens on signboards, few study these as a form of regal visual culture or seriously question the ways in which these everyday objects affected representations of royalty beyond asserting an unproblematic process of declension. Indeed, even in the Restoration and early eighteenth century, monarchical signs were the subject of criticism and debate. This article explains why this became the case, arguing that signs were criticized not because they were trivial commercial objects that cheapened royal charisma, but because they were overloaded with political meaning. They emblematized the failures of representation in the age of print and party politics by depicting the monarchy—the traditional center of representative stability—in ways that troubled interpretation and defied attempts to control the royal image. Nevertheless, regal images and objects circulating in urban spaces comprised a meaningful political-visual language that challenges largely accepted arguments about the aesthetic inadequacy and cultural unimportance of early eighteenth-century monarchy. Signs were part of an urban, graphic public sphere, used as objects of political debate, historical commemoration, and civic instruction.

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