The radicalism of ethnomethodology

Author(s):  
Martyn Hammersley

This book sketches the history, and outlines the character, of ethnomethodology, a distinctive approach to the study of the social world that emerged in U.S. sociology in the 1950s and 1960s.It examines one of its main sources, the phenomenology of Alfred Schutz, and its similarities to and differences from the work of Goffman. In addition, there is an assessment of its relationship to sociology and other disciplines, and its central principles are interrogated in detail. Attention is also given to its influence on social research methodology.

2019 ◽  
Vol 11 ◽  
pp. 103-119
Author(s):  
Ingeborg K. Helling ◽  

In his “Der sinnhafte Aufbau der sozialen Welt” (1932; engl. tr. 1967) Alfred Schutz refers frequently and mostly positively to the author Fritz Sander. In contrast to other members of the Viennese social science milieus in interwar Vienna, Sander has been neglected in the abundant literature on Schutz. Following Henrich’s (1991) Konstellationsforschung approach, Schutz and Sander are placed in the setting of interwar Viennese social science. Explicit references to Sander made by Schutz will be described, similarities and differences in their treatments of Max Weber’s concepts of social action and subjective meaning will be examined, and their respective views of a phenomenological grounding of social science will be discussed.


2012 ◽  
Vol 4 (1) ◽  
pp. 139-166
Author(s):  
Mats Andrén

Abstract This is a study of the intersubjective recognizability of the ‘proper’ accomplishment of children’s actions: in particular, how the status of actions as properly completed is often actively made recognizable through speech and various modulations of bodily movement. In addition to analyzing how children do this in a number of cases, I argue that these manifestations of action completion are often strongly dependent on typified conventional knowledge, and that conventionality on the side of the signified is a neglected issue in gesture research. The data consists of video recordings of four Swedish children between 24-30 months of age who interact with their parents at home. The analysis is framed in ideas about intersubjectivity and action drawn from Alfred Schutz and Adam Kendon in particular, but also others. These theoretical syntheses are a substantial part of the contribution of this paper.


Author(s):  
Carlos Belvedere

En este trabajo paso revista a las diferentes acepciones del concepto de realidad en la obra de Alfred Schutz y las tensiones que lo surcan. Así es que describo una dimensión pragmatista de la realidad, y muestro cómo ella entra en contradicción con una idea marcadamente realista y objetivista. En este contexto, la obra de Schutz se presenta como atravesada por una tensión irresuelta en tres frentes problemáticos: realismo –constructivismo; egología– intersubjetividad; relativismo– fundacionalismo. La intrepretación schutziana del Quijote ilustra magníficamente de qué modo operan estas contradicciones. Al respecto, si bien Schutz se siente cercano a la exégesis de Ortega y Gasset, argumentamos que su Quijote es más afín al de Unamuno. Otra diferencia sustancial que lo distancia de Ortega, a pesar del profundo respeto que sentía por él, es el modo en que ambos cuestionan concepciones colectivistas de lo social como la de Durkheim: Schutz considera que lo social es abstracto y, por ende, irreal, mientras que Ortega lo concibe como una realidad sustituta. Además, Schutz piensa que lo social se enfrenta al individuo, mientras que Ortega muestra que se contrapone a la interacción.In my paper I review the different meanings of the concept of reality in the work of Alfred Schutz and the tensions that cross it. I describe a pragmatic dimension of reality and then I show how it clashes with an idea re-markably realistic and objectivist. In this con-text, Schutz's work is presented as crossed by an unresolved tension on three fronts: realism – constructivism; egology - intersubjectivity; relativism - foundationalism. The Schutzian intrepretación of Don Quixote superbly illustrates how these contradictions operate. In this regard, although Schutz felt close to the exegesis of Ortega y Gasset, I argue that his Quixote is more akin to that of Unamuno. Another substantial difference with Ortega, despite the deep respect Schutz had for him, is the way in which both challenge collectivist social concepts like Durkheim’s: Schutz considered that the social is abstract and therefore unreal, while Ortega conceived it as a substitute reality. Also, Schutz thinks that the social is opposed to the individual while Ortega shows that it opposes interaction.


Author(s):  
Alexey Sitnikov

The article deals with the social phenomenology of Alfred Schütz. Proceeding from the concept of multiple realities, the author describes religious reality, analyses its relationship with everyday, theoretical, and mythological realities, and identifies the areas where they overlap and their specifics. According to Schütz’s concept, reality is understood as something that has a meaning for a human being, and is also consistent and certain for those who are ‘inside’ of it. Realities are structurally similar to one another as they are similar to the reality that is most obvious for all human beings, i.e., the world of everyday life. Religious reality has one of the main signs of genuine reality, that of internal consistency. Religious reality has its own epoché (special ascetic practices) which has similarities with the epoché of the theoretical sphere since neither serve practical objectives, and imply freedom from the transitory issues of everyday life. Just as the theoretical sphere exists independently of the life of a scientist in the physical world and is needed to transfer results to other people, so the religious reality depends on ritual actions and material objects in its striving for the transcendent. Individual, and especially collective, religious practices are performed physically and are inextricably linked with the bodily ritual. The article notes that although Schütz’s phenomenological concept of multiple realities has repeatedly served as a starting point for the development of various social theories, its heuristic potential has not been exhausted. This allows for the further analyzing and development of topical issues such as national identity and its ties with religious tradition in the modern era, when religious reality loses credibility and has many competitors, one of which is the modern myth of the nation. Intersubjective ideas of the nation that are socially confirmed as the self-evident reality of everyday life cause complex emotions and fill human lives, thus displacing religious reality or forcing the latter to come into complex interactions with the national narrative.


2021 ◽  
Vol 2021 (2) ◽  
pp. 141-162
Author(s):  
Christiane Schwab

During the first half of the nineteenth century, the rise of market-oriented periodical publishing correlated with an increasing desire to inspect the modernizing societies. The journalistic pursuit of examining the social world is in a unique way reflected in countless periodical contributions that, especially from the 1830s onwards, depicted social types and behaviours, new professions and technologies, institutions, and cultural routines. By analysing how these “sociographic sketches” proceeded to document and to interpret the manifold manifestations of the social world, this article discusses the interrelationships between epistemic and political shifts, new forms of medialization and the systematization of social research. It thereby focuses on three main areas: the creative appropriation of narratives and motifs of moralistic essayism, the uses of description and contextualization as modes of knowledge, and the adaptation of empirical methods and a scientific terminology. To consider nineteenth-century sociographic journalism as a format between entertainment, art, and science provokes us to narrate intermedial, transnational and interdisciplinary tales of the history of social knowledge production.


2019 ◽  
pp. 183-198
Author(s):  
Martin Clayton

Chapter 12 develops Maurice Halbwachs’ concern with social interaction in theorizing rhythm. Taking inspiration from Halbwachs’ view of rhythm as social not natural, the chapter outlines a new approach to the question that Halbwachs leaves unanswered: If musical rhythm is social in origin, how does it come into being—how is his “prior collective agreement” reached? Alfred Schütz, although casting Halbwachs as the straw man in his famous essay “Making Music Together,” did not contest the latter’s point about the social origin of rhythm. Schütz’s argument—that all communication is made possible by what he called the “mutual tuning-in relationship” in which individuals come to share their experience of inner time—does contradict Halbwachs: for Schütz, rhythmic coordination is prior to any collective agreement. The author argues that rhythm in fact emerges spontaneously both in individuals and, crucially, in interactions between them, and that it is therefore both natural (physiological) and social in origin.


Sign in / Sign up

Export Citation Format

Share Document