The Psyche in Late Capitalism I

2016 ◽  
Author(s):  
Benjamin Y. Fong
Keyword(s):  
Culture Industry ◽  
Late Capitalism ◽  
Max Horkheimer ◽  
Theodor Adorno ◽  
Drive Theory

Employs the drive theory developed in the first three chapters toward a reinterpretation of the culture industry thesis of Theodor Adorno and Max Horkheimer.

scholarly journals Gordon Rohlehr and the Culture Industry in Trinidad

2011 ◽  
Vol 85 (3-4) ◽  
pp. 191-214
Author(s):  
Raymond Ramcharitar
Keyword(s):  
Cultural Studies ◽  
Trinidad And Tobago ◽  
West Indian ◽  
Culture Industry ◽  
Close Reading ◽  
Max Horkheimer ◽  
Alternative Sexualities ◽  
Theodor Adorno ◽  
Cyber Culture

The terms "culture" and "cultural studies" in Trinidad and Tobago have been narrowly defined to mean Carnival and various other phenomena connected to the nationalist project. There has been little acknowledgement of cyber culture, alternative sexualities, consumerism, media, and in general the "Culture Industry", as theorised by Theodor Adorno and Max Horkheimer. One critic, Gordon Rohlehr, has over decades presented a body of work ostensibly focused on Carnival, but which also contains a cogent critique and outline of the Trinidad and Tobago Culture Industry (as contemplated by Adorno). A close reading of Rohlehr's work, and his intellectual antecedents, reveal a compelling critique of the Trinidadian/West Indian notion and practice of culture and cultural studies, and suggests areas for the discipline's expansion to better serve the needs of the region.

scholarly journals What Is and Where Is Francophone African Popular Fiction?

2017 ◽  
Vol 4 (2) ◽  
pp. 207-221
Author(s):  
Pim Higginson
Keyword(s):  
Popular Culture ◽  
Popular Fiction ◽  
Crime Fiction ◽  
African Continent ◽  
Late Capitalism ◽  
Culture Industries ◽  
Max Horkheimer ◽  
Theodor Adorno ◽  
African Writers ◽  
Mode Of Production

AbstractAfrica, and the specificities of its individual countries’ colonial experiences, poses important questions concerning genre and popular culture. Specifically, it is difficult to situate something like, for example, “crime fiction,” using the “culture industries” model proposed by Theodor Adorno and Max Horkheimer. Although helpful, Stuart Hall’s major rehabilitation of the popular removed Adorno and Horkheimer’s cultural elitism but nevertheless continued to tie the popular to a mode of production concomitant with late capitalism. What, this essay asks, should then be done with the “popular” productions of an African continent that has been systematically underdeveloped? Likewise, how should we categorize the work of Francophone African writers of noir whose books are principally sold in France? These cases further destabilize the already precarious concept of the popular, not only in its application to Africa, but globally.

Culture, Politics, and Governing: Contemporary Ascetics and the Pecuniary Subject

2016 ◽  
Vol 33 (7-8) ◽  
pp. 391-394 ◽  
Author(s):  
Patricia Mooney Nickel
Keyword(s):  
Cultural Production ◽  
Knowledge Production ◽  
Max Weber ◽  
Culture Industry ◽  
The Self ◽  
Contemporary Culture ◽  
Art Of Living ◽  
Max Horkheimer ◽  
Theodor Adorno ◽  
A Site

In Culture, Politics, and Governing, the study of contemporary ascetics provided me with a way to approach the practice of knowledge production and its intersection with cultural production that was able to take into account the institutionalization of authors and artists and the ways in which their practices were both governed and governing, often through valorization. Recently, I have worked to extend this framework to settings that are less obvious as sites for the production of governing knowledge: what Max Weber and Foucault discussed as ascetics, generated through what Max Horkheimer and Theodor Adorno called the culture industry. The contemporary culture industry produces an art of living genre that encourages pecuniary subjects who treat the self as a site for the production of value from which to practice valorized ascetics.

A EDUCAÇÃO EM GEORGE HERBERT MEAD, JÜRGEN HABERMAS E A TEORIA HERMENÊUTICO-CRÍTICA: tendências, desafios e perspectivas para uma prática pedagógica emancipatória

2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Shirlene Santos Mafra Medeiros ◽  
Rita Maria Radl-Phillipp ◽  
José Gilliard Santos da Silva
Keyword(s):  
Rio Grande ◽  
George Herbert ◽  
Jürgen Habermas ◽  
George Herbert Mead ◽  
Max Horkheimer ◽  
Jurgen Habermas ◽  
Theodor Adorno

O artigo em questão apresenta a construção coletiva de uma proposta pedagógica para a Escola Estadual Joaquim José de Medeiros, localizada na cidade de Cruzeta, no Estado do Rio Grande do Norte, e possui como base epistemológica a teoria social de George Herbert Mead, Jürgen Habermas e a teoria crítica da educação da Escola de Frankfurt, nas perspectivas de Max Horkheimer, Theodor Adorno (2003), Jürgen Habermas (2012); e, atualmente, de pesquisadores contemporâneos como Freire (2009), Radl-Philipp (1996, 1998, 2014), Bannell (2006), Pucci (2006), Santos (2007), Medeiros (2010-1016), Casagrande (2014) dentre outros autores que estudam Mead e as teorias críticas numa perspectiva emancipatória.

Narratives of Decadence in Post-Kantian Philosophy

2021 ◽  
Author(s):  
Andrew Huddleston
Keyword(s):  
Martin Heidegger ◽  
Friedrich Nietzsche ◽  
Focus Of Attention ◽  
Max Horkheimer ◽  
Theodor Adorno ◽  
European Philosophy ◽  
Nineteenth And Twentieth Centuries ◽  
Kantian Philosophy ◽  
Point Of Reference

Decadence is a perennial theme in philosophy. But tracing the arc of decline becomes an especially prominent focus of attention in European philosophy in the nineteenth and twentieth centuries. This article explains and contrasts several “narratives of decadence” in the post-Kantian tradition. The article first lays out briefly the basics of G. W. F. Hegel’s optimistic view of progress and history as a foil and point of reference, then turns to expounding several narratives of decadence from other canonical philosophical figures in the nineteenth and twentieth centuries—specifically, from Friedrich Nietzsche, from Martin Heidegger, and from Theodor Adorno and Max Horkheimer. All of these thinkers see modern humanity as being, in some (often quite nuanced) sense, in a decadent state, but all have a rather different diagnosis of what that fallen state consists of, and of how (or whether) we might be able to extricate ourselves from it.

Max Horkheimer and Theodor Adorno (1944): Dialectic of the Enlightenment

2020 ◽  
pp. 326-337
Author(s):  
Joyce Appleby ◽  
Elizabeth Covington ◽  
David Hoyt ◽  
Michael Latham ◽  
Allison Sneider
Keyword(s):  
Max Horkheimer ◽  
The Enlightenment ◽  
Theodor Adorno

scholarly journals O Novo Objeto do Mundo - Marx, Adorno e a forma valor

DoisPontos ◽  
2016 ◽  
Vol 13 (1) ◽  
Author(s):  
Wolfgang Leo Maar
Keyword(s):  
Herbert Marcuse ◽  
Max Horkheimer ◽  
Theodor Adorno

A relação entre Marx e a Teoria Crítica não se esgota numa mera influência ou leitura. Os representantes da primeira geração de “frankfurtianos” procuram refletir como Marx os problemas de seu tempo. Nas obras de Max Horkheimer e Herbert Marcuse, entre outros, e especialmente nas contribuições de crítica social e cultural de Theodor Adorno, ocorre uma atualização do pensamento de Marx, tendo em vista a sociedade de massas contemporânea no atual estágio do desenvolvimento capitalista. Ao proceder dessa forma, a Teoria Crítica enfatiza o pioneirismo de Marx, que descobre e apreende teoricamente, a nova objetividade social do capitalismo: a forma valor como novo objeto do mundo capitalista, objetividade “falsa” porém simultaneamente dotada de poder real efetivo. Este novo objeto do mundo, tendo em vista o seu caráter de inversão e deslocamento social, impõe a necessidade da dialética como sua apresentação e, ao mesmo tempo, sua crítica. 

Bernays, Horkheimer, and Adorno

2020 ◽  
pp. 114-135
Author(s):  
William Sipling
Keyword(s):  
Social Media ◽  
Public Opinion ◽  
21St Century ◽  
Mass Communication ◽  
Frankfurt School ◽  
Content Creation ◽  
Max Horkheimer ◽  
Theodor Adorno ◽  
Dialectic Of Enlightenment

Social media and 21st century mass communication have changed the technological landscape of marketing and advertising, enabling instant content creation, content curation, and audience feedback. The thought of Edward Bernays can be useful in examining and interrogating today's media, especially through the lens of Frankfurt School social theorists Max Horkheimer and Theodor Adorno. Further, the works Crystalizing Public Opinion and Propaganda are critiqued through ideas found in Dialectic of Enlightenment to give business and PR professionals ethical concepts that may be applied to modern trends in communications.

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