The Discovery of a World

Author(s):  
Elidor Mëhilli

This chapter views socialism as a mental world, following Albanian youths sent to the Soviet Union in the 1950s for training in literature, engineering, and architecture. These youths came to see themselves and others in similar socialist terms. The encounter with Moscow was awe-inspiring, but exposure to the socialist world could also be alienating. Such contradictory reactions find expression in the lives of two individuals: an aspiring architect shipped to Moscow to learn how to plan the socialist cities of the future, and a young writer sent on a scholarship to absorb the techniques of socialist realism. The chapter also shows how party-enforced “friendship propaganda” for the Soviet Union was meant to insert Albania into a genealogy of international socialism. This campaign came with rewritten history textbooks, mandatory Russian language courses, and a system of sanctions and rewards.

2015 ◽  
Vol 8 (1) ◽  
pp. 1-16 ◽  
Author(s):  
Judith Inggs

This article investigates the perceived image of English-language children's literature in Soviet Russia. Framed by Even-Zohar's polysystem theory and Bourdieu's philosophy of action, the discussion takes into account the ideological constraints of the practice of translation and the manipulation of texts. Several factors involved in creating the perceived character of a body of literature are identified, such as the requirements of socialist realism, publishing practices in the Soviet Union, the tradition of free translation and accessibility in the translation of children's literature. This study explores these factors and, with reference to selected examples, illustrates how the political and sociological climate of translation in the Soviet Union influenced the translation practices and the field of translated children's literature, creating a particular image of English-language children's literature in (Soviet) Russia.


Author(s):  
William C. Brumfield

This article examines the development of retrospective styles in Soviet architecture during the Stalin era, from the 1930s to the early 1950s. This highly visible manifestation of communist visual culture is usually interpreted as a reaction to the austere modernism of 1920s Soviet avant-garde architecture represented by the constructivist movement. The project locates the origins of Stalin-era proclamatory, retrospective style in prerevolutionary neoclassical revival architecture. Although functioning in a capitalist market, that neoclassical reaction was supported by prominent critics who were suspicious of Russia’s nascent bourgeoisie and felt that neoclassical or neo-Renaissance architecture could echo the glory of imperial Russia. These critics left Russia after the Bolshevik Revolution, but prominent architects of the neoclassicist revival remained in the Soviet Union. Together with the Academy of Architecture (founded 1933), these architects played a critical role in reviving classicist monumentalism—designated “socialist realism”—as the proclamatory style for the centralized, neoimperial statist system of the Stalin era. Despite different ideological contexts (prerevolutionary and Stalinist), retrospective styles were promulgated as models for significant architectural projects. The article concludes with comments on the post-Stalinist—and post-Soviet—alternation of modernist and retrospective architectural styles.


Slavic Review ◽  
2003 ◽  
Vol 62 (2) ◽  
pp. 324-342 ◽  
Author(s):  
Lynn Mally

In this article Lynn Mally examines the efforts of a Comintern affiliate called MORT (Mezhdunarodnoe ob“edinenie revoliutsionnykh teatrov) to export models of Soviet theatrical performance outside the Soviet Union. Beginning with the first Five-Year Plan, MORT was initially very successful in promoting Soviet agitprop techniques abroad. But once agitprop methods fell into disgrace in the Soviet Union, MORT abruptly changed its tactics. It suddenly encouraged leftist theater groups to move toward the new methods of socialist realism. Nonetheless, many leftist theater circles continued to produce agitprop works, as shown by performances at the Moscow Olympiad for Revolutionary Theater in 1933. The unusual tenacity of this theatrical form offers an opportunity to question the global influence of the Soviet cultural policies promoted by the Comintern. From 1932 until 1935, many foreign theater groups ignored MORT's cultural directives. Once the Popular Front began, national communist parties saw artistic work as an important tool for building alliances outside the working class. This decisive shift in political strategy finally undermined the ethos and methods of agitprop theater.


1989 ◽  
Vol 68 (2) ◽  
pp. 199
Author(s):  
John C. Campbell ◽  
Alexander Shtromas ◽  
Morton A. Kaplan

1956 ◽  
Vol 9 (1) ◽  
pp. 1-14 ◽  
Author(s):  
Robert W. Campbell

SOVIET economic policy in the few years since Stalin's death has been characterized by flamboyance and ferment. In an attempt to free economic growth from the bottleneck of stagnation in agriculture, Khrushchev has sponsored some extravagant gambles in corn-growing and in expansion of the sown acreage. Policy toward the consumer has gone through two complete reversals: the regime at first experimented with offering the population an improvement in the standard of living, but is now once again asserting that abundance in the future requires austerity today. Perhaps the most startling innovation of all emerged in the past year when the regime began to develop a program of foreign economic assistance as a weapon in its economic competition with the capitalist part of the world. Because of their spectacular nature, these shifts of policy have attracted considerable attention in the West and have been commented on at length. Aware diat the Soviet Union is expanding her economic power at a more rapid rate than are the capitalist countries, Western students of the Soviet economy have sought in these policy changes-some clue as to whether its rate of growth is likely to decline or to be maintained in the future. The early indications of a rise in standards of living that would cause a reduced growth of heavy industry and so a decline in investment and in the rate of growth have now been dispelled. The inability of Soviet agriculture to provide an expanding food supply for a growing work force certainly appears to be a real threat to industrial growth, and with die failure of Khrushchev's gambles, this threat remains. Thus the evidence as to the over-all effect of these changes on the rate of expansion of die Soviet economy is still inconclusive.


2020 ◽  
Vol 8 (2) ◽  
Author(s):  
Rodric Braithwaite

Sir Rodric Braithwaite was educated at Christ’s College, University of Cambridge, from where he went to serve in HM Diplomatic Service, having worked in Jakarta, Moscow, Washington, Warsaw, Rome, and Brussels, where he was a member of the British delegation to the European Community. From 1988 to 1992, Sir Rodric served as HM Ambassador in the Soviet Union during the decisive years of the Perestroika and the first British ambassador in Russia. Subsequently, he was appointed foreign policy adviser to the Prime Minister in the second John Major ministry and chaired the UK Joint Intelligence Committee between 1992 and 1993. He was appointed Knight Grand Cross of the Order of St Michael and St George (GCMG) in 1994. As a career diplomat, Sir Rodric gained decades of insight into the troubled relations between Russia and West, having taken part in numerous negotiations on arms control. His affinity with the decision-making circles in both Russia and Britain alongside with the mastery of the Russian language allow him to skillfully dissect the underlying causes of ups-and-downs in Moscow’s relationship with the West, employing the works of both English- and Russian-speaking analysts. Among his recent books are Across the Moscow River (2002), Moscow 1941: A City and Its People at War (2006), Afgantsy: The Russians in Afghanistan, 1979–1989 (2012), Armageddon and Paranoia: The Nuclear Confrontation (2017). In this essay, Sir Rodric reminisces of the years spent as a diplomat and provides his view on the usefulness and applicability of historical lessons while devising a foreign policy course.


Author(s):  
T. V. Mazur

The research covers the development of the legislation of the Ukrainian SSR cultural heritage protection problems. The rapid development of sectoral legislation in the second half of the twentieth century was driven by the need of preservation of cultural heritage sites, damaged during the Second World War, or affected by the improper use by various institutions and organizations.The purpose of the article is to analyze the specifics of legal regulation of cultural heritage protection in the Ukrainian SSR in the second half of the 1950 s – the end of the 1980 s.Scientific novelty. The analysis of the legislative acts of the Verkhovna Rada of the USSR and the Council of Ministers of the USSR, as well as by-laws of the Ministry of Culture of the USSR revealed the specifics of the legal regulation of cultural heritage protection in the Ukrainian SSR in the second half of the 1950 s – late 1980s, which consisted of application of separate national legal terminology. The main directions of legal regulation of cultural heritage protection during the period under review are singled out.Conclusions. Soviet legislation on the protection of cultural heritage, as any sectoral legislation, was unified, and the republican special-purpose laws duplicated Union norms. The legislation of the Ukrainian SSR of the 1950s – 1980s concerning the cultural heritage protection was developed in accordance with the Union legislation, as well as the decrees and orders of the USSR Government. At the same time, both federal and republican legislation had basic international rules, including the provisions of the 1972 Convention concerning the Protection of World Cultural and Natural Heritage, signed by the Soviet Union. The special aspect of the the Ukrainian SSR legislation was the consideration of some national traditions, including terminological ones. This could be noticed in the name of the Law of the Ukrainian SSR from July 13, 1978 «On the Protection and Use of Monuments of History and Culture», in which instead of the term «памятник» (monument) in the Russian language and the law, the term «monument» was introduced more wide term «пямятка» (site). In general, due to the consistent policy on conservation and extensive legislation, we have been able to preserve the destruction of monuments that remind the thousand-year history and culture of Ukraine.


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