“Nota de Clamore”

World of Echo ◽  
2020 ◽  
pp. 62-93
Author(s):  
Adin E. Lears
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Divine Love ◽  
Cloud Of Unknowing ◽  
Medieval Mystics ◽  
The Moment ◽  
Spiritual Sensation

This chapter recounts how a fifteenth-century annotator has added “nota de clamor[e]” in the margin at the moment of Margery Kempe's “fyrst cry pat euyr sche cryed in any contemplacyon.” It mentions Hope Emily Allen, one of the earliest editors of Kempe's book, who observes that the marginal comment recalls Richard Rolle's description of his own tumultuous expression of divine love: “clamor iste canor est.” It also examines Allen's view that misunderstands Rolle and reads in Margery Kempe's tears and wails the possibility that Rolle's clamor is literal and physical. The chapter explores how Allen sets Kempe's spiritual understanding against other medieval mystics, such as the author of the late fourteenth-century treatise The Cloud of Unknowing. It shows how the Cloud-author advances a familiar distinction between bodily and spiritual sensation, which aligns the misunderstanding of the novice contemplative or would-be mystic with a desperate excess of labor.

scholarly journals Antonius Andreae y la cultura clásica / Antonius Andreae and Classical Culture

2015 ◽  
Vol 22 ◽  
pp. 23
Author(s):  
Jaume MENSA I VALLS
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Detailed Examination ◽  
The Future ◽  
The Moment ◽  
Classical Culture

Tomàs and Joaquim Carreras stated (1943) that either the Scriptum super Metaphysicam Aristotelis was not genuinely by Antonius Andreae († ca. 1333), or it was subjected to interpolations because its author demonstrates knowledge of classical culture and a mentality characteristic of the fifteenth century. Experts currently consider this work to be genuinely by Andreae; but could it also have been subjected to interpolations? Only a detailed examination of the manuscript and printed tradition will, in the future, allow this question to be answered definitively. For the moment, this article analyses the knowledge of classical culture demonstrated in this work, and concludes that it is compatible with the knowledge available to an author from the beginning of the fourteenth century.

Contextualizing Josquin’s Ave Maria…virgo serena

2017 ◽  
Vol 34 (2) ◽  
pp. 182-240
Author(s):  
Clare Bokulich
Keyword(s):  
Fifteenth Century ◽  
Musical Style ◽  
Growing Body ◽  
Late Fifteenth ◽  
The Moment

Notwithstanding the reputation of Josquin’s Ave Maria…virgo serena as a touchstone of late–fifteenth-century musical style, little is known about the context in which the piece emerged. Just over a decade ago, Joshua Rifkin placed the motet in Milan ca. 1484; more recently, Theodor Dumitrescu has uncovered stylistic affinities with Johannes Regis’s Ave Maria that reopen the debate about the provenance of Josquin's setting. Stipulating that the issues of provenance and dating are for the moment unsolvable, I argue that the most promising way forward is to contextualize this work to the fullest extent possible. Using the twin lenses of genre and musical style, I investigate the motet’s apparently innovative procedures (e.g., paired duos, periodic entries, and block chords) in order to refine our understanding of how Josquin’s setting relates to that of Regis and to the Milanese motet cycles (motetti missales). I also uncover connections between Josquin’s motet and the music of earlier generations, above all the cantilena and the forme fixe chanson, that offer new insights into the development of musical style in the fifteenth century. The essay concludes by positioning the types of analyses explored here within a growing body of research that enables a revitalized approach to longstanding questions about compositional development and musical style.

Anthology of texts

2018 ◽  
Author(s):  
Steven N. Dworkin
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
The Body ◽  
Don Juan ◽  
Alfonso X ◽  
Conde Lucanor ◽  
Lexical Items ◽  
General Estoria

This short anthology contains extracts from three Castilian prose texts, one from the second half of the thirteenth century (General estoria IV of Alfonso X the Wise), one from the first half of the fourteenth century (El conde Lucanor of don Juan Manuel), and one from near the mid-point of the fifteenth century (Atalaya de las corónicas of Alfonso Martínez de Toledo, Arcipreste de Talavera). These passages illustrate in context many of the phonological, orthographic, morphological, syntactic, and lexical features of medieval Hispano-Romance described in the body of this book. A linguistic commentary discussing relevant forms and constructions, as well as the meaning of lexical items no longer used or employed with different meanings in modern Spanish, with cross references to the appropriate sections in the five main chapters, accompanies each selection.

scholarly journals The Czech Nobility's Use of the Right of Patronage on Behalf of the Hussite Reform Movement

Slavic Review ◽  
1975 ◽  
Vol 34 (2) ◽  
pp. 341-359 ◽  
Author(s):  
John M. Klassen
Keyword(s):  
Eighteenth Century ◽  
Fifteenth Century ◽  
Fourteenth Century ◽  
European History ◽  
Reform Movement ◽  
Reform Movements ◽  
Power Structures ◽  
Southern France ◽  
The Right ◽  
Instrumental Role

Throughout European history the aristocracy has been involved in reform movements which undermined either ecclesiastical or monarchical power structures. Thus the nobles of southern France in the twelfth century granted protection to the Cathars, and in fourteenth-century England lords and knights offered aid to the Lollards. The support of German princes and knights for Lutheranism is well known, as is the instrumental role played by the French aristocracy in initiating the constitutional reforms which gave birth to that nation's eighteenth-century revolution. The fifteenth-century Hussite reform movement in Bohemia similarly received aid from the noble class. Here, when the Hussites were under attack in 1417 from the authorities, especially the archbishop, sympathetic lords protected Hussite priests on their domains.

Contemplation and Virtue in Plato

1980 ◽  
Vol 16 (1) ◽  
pp. 85-95
Author(s):  
F. Rosen
Keyword(s):  
Fourteenth Century ◽  
Cloud Of Unknowing ◽  
The Relationship ◽  
The Way

This paper has been prompted by the conviction that a number of ethical and political doctrines in Plato remain obscure and somewhat unintelligible unless related to the contemplative experience of the Platonic philosopher.1 I shall concentrate here on one such doctrine, the distinction between philosophic and popular virtue, especially as it appears in the Phaedo and the Gorgias. But in order first to clarify our conception of the relationship between contemplation and virtue, I shall examine the fourteenth-century English classic, The Cloud of Unknowing, which is mainly concerned with the practice of contemplation and only remotely connected with Plato.2 One finds in The Cloud a perceptive account of the contemplative's acquisition of ‘perfect’ virtue which enables us to see the distinction between philosophic and popular virtue in Plato in a fresh light. After discussing the important passage in the Phaedo (69A–C) where the distinction is drawn, I shall criticise the account of virtue in Plato given by D. Z. Phillips and H. O. Mounce in Moral Practices where the contemplative context is minimised by their endeavour to see morality wholly in terms of conventions (albeit, for Plato, ‘non-conventional’ conventions).3 In this section, the argument between Socrates and Polus in the Gorgias will be discussed in light of the way Phillips and Mounce distinguish their respective ethical positions. The object of the paper is not only to point to the significance of contemplation in Plato's ethics which has been overlooked by many modern philosophers, but also to note the way our understanding of the dialogue form in Plato depends on the unique perspective of the contemplative philosopher.

Surviving Desire: Reading Ḥāfiz̤ in Colonial India

2021 ◽  
pp. 1-37
Author(s):  
Ali Altaf Mian
Keyword(s):  
South Asia ◽  
Fourteenth Century ◽  
Social Reform ◽  
Literary Tradition ◽  
Divine Love ◽  
Colonial India ◽  
Colonial Modernity ◽  
The World ◽  
Mystical Theology

Abstract This article contributes to scholarship on Muslim humanities, Islam in modern South Asia, and the Urdu literary tradition in colonial India. It does so by contextualizing and closely reading Ashraf ʿAlī Thānavī’s (1863–1943) commentary on the Dīvān of the fourteenth-century Persian poet Ḥāfiz̤. Unlike his modernist contemporaries, Ashraf ʿAlī does not read Ḥāfiz̤ through the prisms of social reform or anti-colonial nationalist struggle. Rather, in his capacity as a Sufi master, he approaches Ḥāfiz̤’s Dīvān as a mystical text in order to generate insights through which he counsels his disciples. He uses the commentary genre to explore Sufi themes such as consolation, contraction, annihilation, subsistence, and the master-disciple relational dynamic. His engagement with Ḥāfiz̤’s ġhazals enables him to elaborate a practical mystical theology and to eroticize normative devotional rituals. Yet the affirmation of an analogical correspondence between sensual and divine love on the part of Ashraf ʿAlī also implies the survival of Ḥāfiz̤’s emphases on the disposability of the world and intoxicated longing for the beloved despite the demands of colonial modernity.

Traveling Sets and Ritual Performance

2016 ◽  
Author(s):  
Sherry D. Fowler
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Ritual Performance ◽  
Over Time

Two wooden sculpture sets of Six Kannon, the thirteenth-century set from Daihōonji in Kyoto attributed to the artist Higō Jōkei and the fourteenth-century set from Tōmyōji in the Minami Yamashiro district of Kyoto, are well-documented sets that show the history, modifications, and movement of the cult. Copious inscriptions inside images in the respective sets reveal diverse sponsorship, from an elite female patron in the former to a huge group of patrons from a variety of backgrounds in the latter. Extant thirteenth- to fifteenth-century written records on ritual procedures, such as Roku Kannon gōgyōki, which focused on Six Kannon, contribute to the knowledge of how the rituals related to Six Kannon were performed as well as how the Six Kannon functioned in response to different needs, such as assisting with the six paths, protecting the dharma, or bolstering sectarian heritage, throughout their changing circumstances and movement over time.

Chaucer, Gower, and Fifteenth-Century Poetry in English

2019 ◽  
pp. 228-254
Author(s):  
Derek Attridge
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Major Work ◽  
Confessio Amantis ◽  
Speaking Voice ◽  
Century Poetry ◽  
Iambic Pentameter

By the end of the fourteenth century, a sizeable audience for poetry in English among the gentry and the commercial classes had emerged. Chaucer wrote for this readership, and his poetry shows a successful absorption of French and Italian models. This chapter scrutinizes his work for evidence of the manner in which it was performed and received. Throughout his oeuvre, Chaucer appeals to both hearers and readers, using images both of books and of oral performers. His invention of the English iambic pentameter made possible a fuller embodiment in verse of the speaking voice, unlike Gower, who chose to write his major work, Confessio Amantis, in strict tetrameters. In the fifteenth century, the changing pronunciation of English made writing in metre a challenge, as is evident in the work of Hoccleve and Lydgate. The chapter ends with a consideration of the Scottish poets Henryson, Dunbar, and Douglas.

The Vilna Talmud as a Reflection of Changing Patterns of Study

2021 ◽  
pp. 173-184
Author(s):  
Edward Fram
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Babylonian Talmud ◽  
Early Stages ◽  
Changing Patterns ◽  
Late Fifteenth ◽  
Almost All ◽  
Reference Tools

This chapter discusses the publication of the Babylonian Talmud by ’the Widow and Brothers Romm’ between 1880 and 1886 in Vilna, which is considered a landmark event from the perspective of rabbinic culture. The Babylonian Talmud included almost all of the commentaries and reference tools that had become part and parcel of printed volumes of the Talmud starting in the late fifteenth century. It talks about the ’Vilna Shas,’ which was considered a far cry from talmudic texts that had been known in the age of manuscripts and the early stages of print. It also mentions the fourteenth-century vellum Munich Codex Hebraicus MS 95, the oldest complete text of the Babylonian Talmud, which was noted to have sporadic corrections and glosses in the text and margins. As printing evolved in the late fifteenth and sixteenth centuries, publishers added more material to volumes of the Talmud.

Rivals for Ministry? Ordinations of Secular and Regular Clergy in Southern England c. 1300–1500

1989 ◽  
Vol 26 ◽  
pp. 99-109
Author(s):  
Virginia Davis
Keyword(s):  
Fifteenth Century ◽  
Fourteenth Century ◽  
Religious Orders ◽  
Late Medieval ◽  
Southern England ◽  
Secular Clergy ◽  
Pastoral Role ◽  
Late Medieval Literature ◽  
Changing Patterns

At the beginning of the fourteenth century ecclesiastical recruitment AA was flourishing in England. Hundreds of men turned up to be ordained at the four Ember seasons each year at which major ordinations were permitted to be held. The majority of these men were secular clergy; only a small proportion were members of religious orders. Of the scores of people in the diocese of Winchester who came at the stipulated time to be ordained to the major orders at this date only about one fifth were members of religious orders and of those, only a handful were mendicants. However, by the end of the century, after the ravages of the Black Death, although the total numbers of men being ordained had declined dramatically a greater percentage of these were regular rather than secular clergy. A similar pattern can be seen all over Southern England. It was a trend which persisted throughout much of the fifteenth century. This paper will investigate the changing patterns of secular and regular ordinations to the priesthood in southern England in the period between 1300 and 1500. In the late fourteenth and fifteenth centuries extensive anti-mendicant feeling was expressed both in late medieval literature and in rivalry between the secular clergy and the friars over the pastoral role of the latter. Was this, in fact, a reflection of a reality which meant that, compared to the position in the early fourteenth century, far more ordained friars were on the streets and in the parishes?

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