“It was a jet. It was a jet. It was a jet.”

2021 ◽  
pp. 3-21
Author(s):  
Jessica DuLong

This chapter provides a background of the waterborne evacuation that happened after the events of 9/11. New York harbor was, and is, a busy place — the third largest container port in the United States and a vital connection between New York City and the rest of the world. Manhattan is an island, and the realities of island real estate are what ushered the port's industries off Manhattan's shores and over to Brooklyn, Staten Island, and New Jersey in the 1960s and 1970s. By late 2001, maritime infrastructure had been replaced with ornamental fencing. On September 11, 2001, as the cascade of catastrophe unfolded, people found their fates altered by the absence of that infrastructure and discovered themselves dependent upon the creative problem solving of New York harbor's maritime community — waterfront workers who had been thrust beyond their usual occupations and into the role of first responders. Long before the U.S. Coast Guard's call for “all available boats” crackled out over marine radios, scores of ferries, tugs, dinner boats, sailing yachts, and other vessels had begun converging along Manhattan's shores. Hundreds of mariners shared their skills and equipment to conduct a massive, unplanned rescue. Within hours, nearly half a million people had been delivered from Manhattan by boat.

2018 ◽  
Vol 4 (1) ◽  
pp. 144-153
Author(s):  
Gianna Zocco

This is the first English-language publication of an interview with James Baldwin conducted by the German writer, editor, and journalist Fritz J. Raddatz in 1978 at Baldwin’s house in St. Paul-de-Vence. In the same year, it was published in German in the weekly newspaper Die Zeit, as well as in a book of Raddatz’s conversations with international writers, and—in Italian translation—in the newspaper La Repubblica. The interview covers various topics characteristic of Baldwin’s interests at the time—among them his thoughts about Jimmy Carter’s presidency, his reasons for planning to return to the United States, his disillusionment after the series of murders of black civil rights activists in the 1960s and 1970s, and the role of love and sexuality in his literary writings. A special emphasis lies on the discussion of possible parallels between Nazi Germany and U.S. racism, with Baldwin most prominently likening the whole city of New York to a concentration camp. Due to copyright reasons, this reprint is based on an English translation of the edited version published in German. A one-hour tape recording of the original English conversation between Raddatz and Baldwin is accessible at the German literary archive in Marbach.


2018 ◽  
Vol 23 (3) ◽  
pp. 492-505 ◽  
Author(s):  
Ian Lubek ◽  
Monica Ghabrial ◽  
Naomi Ennis ◽  
Sara Crann ◽  
Amanda Jenkins ◽  
...  

A “standard” historiographical overview of the development of health psychology in the United States, alongside behavioral medicine, first summarizes previous disciplinary and professional histories. A “historicist” approach follows, focussing on a collective biographical summary of accumulated contributions of one cohort (1967–1971) at State University of New York at Stony Brook. Foundational developments of the two areas are highlighted, contextualized within their socio-political context, as are innovative cross-boundary collaboration on “precursor” studies from the 1960s and 1970s, before the official disciplines emerged. Research pathways are traced from social psychology to health psychology and from clinical psychology to behavioral medicine.


1977 ◽  
Vol 37 (4) ◽  
pp. 1009-1027 ◽  
Author(s):  
David A. Martin

Foreign money remained in widespread use in the United States until the middle of the nineteenth century. Several foreign coins were provided legal tender status in order to supplement the scanty American specie supply. A particular disadvantage was the perpetuation of non-decimal units of account, especially in New York. When the U.S. enacted a subsidiary silver standard in 1853, the expedient bases for the lawful status of foreign coin was removed. In 1857, the United States coinage was finally reformed to secure an exclusive national currency.


2021 ◽  
pp. 175069802098877
Author(s):  
Amy King

This article analyses the role commemoration of Fascist and anti-fascist martyrs played in the battle for political influence in the Italian diaspora of the United States during Mussolini’s early rule. It is structured around two case studies: the socialist leader Giacomo Matteotti, killed in Rome in 1924, and Giuseppe Carisi and Michele Ambrosoli, two Blackshirts killed in the Bronx on their way to the Memorial Day parade of 1927 in New York. Through an examination of sites of memory and commemoration ceremonies held in both Italy and the U.S., it adds a transnational element to the study of the role of secular martyrdom in the construction of collective identity, concluding that the transnational exchange evident in commemoration of both case studies added to the propagandistic power of the martyrological narrative by drawing meaning from geographical distance from Italy.


Ballet Class ◽  
2020 ◽  
pp. 73-92
Author(s):  
Melissa R. Klapper

The post–World War II era saw an explosion in ballet class as more young people than ever engaged in extracurricular activities. George Balanchine, founder of the School of American Ballet (1934) and the New York City Ballet (1948), exerted an outsize impact on the expansion of ballet in the United States, training teachers and investigating ballet class across the country. The Ford Foundation grants of 1963 cemented Balanchine’s centrality to American ballet by providing extraordinary funding to a number of ballet schools and companies within his orbit. These grants, while opposed by some cultural critics and members of the modern dance community, raised the standard of ballet class in America and also set the tone for the dance boom of the 1960s and 1970s. During the dance boom the number of ballet studios and companies grew sharply, capitalizing on great public interest in dance classes and performances.


Author(s):  
Laura D Hirshbein

Summary Throughout its history, American child psychiatry has been a hospitable specialty for women physicians. In its early years when practitioners were often steeped in psychoanalysis and influenced by theorists such as Anna Freud, many leaders within the field were women. By the 1960s and 1970s, child psychiatry was moving away from analysis and towards more research-based practice. The biography of an important leader in this area, New York University’s Stella Chess, illustrates the mechanism of that transformation and the role of ideas about mothers and working women. Chess, along with her husband and collaborator Alexander Thomas, gathered data to disprove the popular notion that mothers were to blame for children’s behaviour problems and demonstrated instead that issues resulted from a poor fit between a child’s temperament and his/her environment. Chess not only demanded that facts support theory, but also used her own parenting experiences and common sense to guide her work.


2022 ◽  

The Tricontinental Revolution provides a major reassessment of the global rise and impact of Tricontinentalism, the militant strand of Third World solidarity that defined the 1960s and 1970s as decades of rebellion. Cold War interventions highlighted the limits of decolonization, prompting a generation of global South radicals to adopt expansive visions of self-determination. Long associated with Cuba, this anti-imperial worldview stretched far beyond the Caribbean to unite international revolutions around programs of socialism, armed revolt, economic sovereignty, and confrontational diplomacy. Linking independent nations with non-state movements from North Vietnam through South Africa to New York City, Tricontinentalism encouraged marginalized groups to mount radical challenges to the United States and the inequitable Euro-centric international system. Through eleven expert essays, this volume recenters global political debates on the priorities and ideologies of the Global South, providing a new framework, chronology, and tentative vocabulary for understanding the evolution of anti-imperial and decolonial politics.


Author(s):  
Alice Heeren

Hélio Oiticica was born in 1937 in Rio de Janeiro and studied at the Museum of Modern Art in Rio de Janeiro with Ivan Serpa in the 1950s, later moving to New York and engaging with the 1960s artistic milieu in the United States. Oiticica was an exponent of the Brazilian modernism group Frente in the 1940s and early 1950s, and influenced by abstract geometric tradition the artist experimented with the two-dimensionality of the pictorial field to the point that his works in the late 1950s transitioned to participatory works. Together with other artists of the Neoconcrete group such as Lygia Clark and Lygia Pape, Oiticica’s trajectory marked an extremely important shift in Brazilian art towards sensorial works with a concern with the place for the spectators. The strategies of Oiticica, particularly from his break with the two-dimensional space, his engagement with marginalized members of Brazilian society, to his large installations sensorial and participative works of the 1960s and 1970s, influenced an entire generation of artists in Brazil and abroad, and his works are part of some of the largest collections of modern art in the world such as MoMA and Tate Modern.


2007 ◽  
Vol 30 (4) ◽  
pp. 47
Author(s):  
P. Pace-Asciak ◽  
T. Gelfand

Medical students depend on illustration to learn anatomical facts and details that may be too subtle for the written or spoken word. For surgical disciplines, learners rely on tools such as language, 2-dimensional illustrations, and 3-dimensional models to pass on important concepts. Although a photograph can convey factual information, illustration can highlight and educate the pertinent details for understanding surgical procedures, neurovascular structures, and the pathological disease processes. In order to understand the current role of medical illustration in education, one needs to look to the past to see how art has helped solve communication dilemmas when learning medicine. This paper focuses on Max Brodel (1870-1941), a German-trained artist who eventually immigrated to the United States to pursue his career as a medical illustrator. Shortly after his arrival in Baltimore, Brodel made significant contributions to medical illustration in Gynecology at John Hopkins University, and eventually in other fields of medicine such as Urology and Otolaryngology. Brodel is recognized as one of America’s most distinguished medical illustrators for creating innovative artistic techniques and founding the profession of medical illustration. Today, animated computer based art is synergistically used with medical illustration to educate students about anatomy. Some of the changes that have occurred with the advancement of computer technology will be highlighted and compared to a century ago, when illustrations were used for teaching anatomy due to the scarcity of cadavers. Schultheiss D, Udo J. Max Brodel (1870-1941) and Howard A.Kelly (1858-1943) – Urogynecology and the birth of modern medical illustration. European Journal of Obstetrics & gynecology and Reproductive Biology 1999; 86:113-115. Crosby C. Max Brodel: the man who put art into medicine. New York: Springer-Verlag, 1991. Papel ID. Max Brodel’s contributions to otolaryngology – Head and Neck surgery. The American Journal of Otology 1986; 7(6):460-469.


Sign in / Sign up

Export Citation Format

Share Document