nowa huta
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2021 ◽  
Vol 17 (2) ◽  
Author(s):  
Michał Żemła ◽  
Rafał Woronkowicz

The paper undertakes the broadly understood perception of tourism space. The research aim is to present the topic in the context of Nowa Huta – the youngest quarter of Krakow (Poland). Empirical data was gathered on the basis of questionnaires distributed among 400 permanent and temporal residents of Krakow and the closest neighburhood of the city. The main hypothesis is related to the existence of differences in the perception of Nowa Huta according to the place of residence of respondents. On the basis of analysis of the empirical material it was proved that the majority of respondents are familiar with the quarter. In their opinion, Nowa Huta is presented as a dangerous, grey, and scary place. Positive perception of the quarter is typical mainly its residents. The results might be used to determine the directions of the future development of Nowa Huta to improve its image and become more attractive for tourists and residents. The results also prove the relationship between the familiarity of the place and its positive perception.


space&FORM ◽  
2021 ◽  
Vol 2021 (48) ◽  
pp. 45-62
Author(s):  
Jan Kurek ◽  

Sacred buildings in Poland in the 20th century are characterized by a great variety of forms – although the sacred world is by its nature conservative. Different conditions should be taken into account when designing a church. In the sphere of sacred art and architecture one should rationally draw from the treasury of the new and the old. After World War II over 3,500 new churches were built in Poland, including the church in Nowa Huta in Krakow. This realization is an attempt to reconcile traditional forms with modernity and with the recommendations of the Second Vatican Council.


2021 ◽  
Author(s):  
Aleksandra Koman

The cultural peculiarity of Nowa Huta, a city founded after World War II, resulted from the lack of any artistic habits of the young audience. It was the Ludowy Theatre which, since 1955, had been bearing the responsibility for shaping up the expectations of the spectators in the new district of Krakow [Cracow] – dynamically developing but still devoid of any cultural foundations. The team of Skuszanka soon gained recognition among critics and elevated the newly created institution to the rank of an equal partner in the nationwide cultural exchange. The image of the Ludowy Theatre as a centre of progressive and experimental art quickly became even more profound, since it looked modern compared to the rather monotonous background of Krakow's theatres at that time. Thus, it became an institution whose opening, coinciding with the symbolic date of the Polish October, inaugurates a new season of the theatrical research. The aim of this paper is to illustrate this phenomenon by describing and analysing the performance that many of the contemporary critics called the flagship spectacle of the Nowa Huta theatre, i.e. Princess Turandot by Carlo Gozzi, directed by Krystyna Skuszanka. This play, drawing on fairy-tale plots and colourful Italian folk comedies, became not only an expression of opposition to socialist realism, but also a harbinger of the future activities of this institution, and perhaps even a reflection of the condition of the Polish theatre at that time.


2020 ◽  
Vol 16 (3) ◽  
pp. 7-18
Author(s):  
Zuzanna Napieralska ◽  
Elżbieta Przesmycka

The article analyzes four residential districts from the period of Socialist Realism in Poland: Marszałkowska Residential District in Warsaw, Kościuszkowska Residential District in Wrocław, residential Nowa Huta in Cracow and Downtown Residential District in Szczecin. These districts are analyzed in terms of urban layout, architectural forms, building intensity, and green areas. Common features of these housing complexes, characteristic for socialist realism architecture in Poland, were also examined. The authors also consider the protective methods of individual housing complexes. Each of the examined residential districts is considered in two aspects - the urban layout and architecture as well as the form of protection and it condition of the present day. For each analyzed housing complex, a map was prepared showing the scale of the urban layout and the percentage share of pre-war buildings, buildings from the period under study, and buildings erected in later years. 


Author(s):  
Jarosław Wilczyński

This text presents the oldest traces of human settlement from the area of Igołomia and Wawrzeńczyce, Kraków district and adjacent areas. It covers a period of time from about 35,000 to 10,000 years ago, which is the end of the Last Ice Age, when areas of Europe were inhabited by hunter-gatherer groups. Unfortunately, only a very small number of finds come from Poland, and in particular from the area in question. Most often these are single discoveries of Pleistocene megafauna, mainly bones and teeth of a mammoth and a woolly rhinoceros. This study presents, among others, finds from Stręgoborzyce, remains of Pleistocene fauna from Wawrzeńczyce, and a cluster of flint products from Glew discovered on the surface of a field. In addition, the text contains information on sites from the areas of Kraków-Nowa Huta and Jaksice, which are of great importance for learning about Upper Palaeolithic settlement encompassing the microregion, whose central place is now occupied by the commune of Igołomia-Wawrzeńczyce.


2020 ◽  
Vol 1 (1) ◽  
pp. 276-283
Author(s):  
Piotr Kapusta
Keyword(s):  

brak


2020 ◽  
Vol 3 (1) ◽  
pp. 127-139
Author(s):  
PIOTR KAPUSTA

The theme of my work is related to the thirtieth anniversary of the introduction of mar-tial law in Poland on the 13th December 1981 by General Wojciech Jaruzelski. It concerns one of the largest sites of resistance in the country – Nowa Huta. I have presented what the arrest of the opposition activist in Nowa Huta looked like on the night of 12/13 December 1981 and I have presented the course of strike and its repression in the largest workplace in Cracow – in the Vladimir Lenin Steelworks in Nowa Huta.


2020 ◽  
Vol 68 (1 Zeszyt specjalny) ◽  
pp. 279-290
Author(s):  
Władysława Bryła ◽  
Agnieszka Bryła-Cruz

This paper presents an analysis of the various ways the Cross was defended in John Paul II’s homilies delievered in Poland on the following occasions: in Nowa Huta, in the Wawel Royal Cathedral and Zakopane. The speaker used arguments anchored in the Gospel and history. He emphasised the meaning of the Cross as a sign of God’s redemption, gift and love towards humans. The speaker evoked people from Polish history who remained faithful to the Cross and are remembered for their heroic attitude: Queen Jadwiga, brother Albert Chmielowski, Bernardyna Jabłońska and Maria Karłowska. In his homily given in Nowa Huta, the Pope signalled the idea of new evangelisation, which requires all believers to undertake persistent and courageous defence of the Cross, irrespective of time and place. The paper also discusses rhethorical aspects of the sermons, such as various types of speech deployed therein (lectures, meditations, appeals) and stylistic devices (e.g. similes, parallelisms, rhetorical questions).


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