scholarly journals Residential districts of the socialist realism period in Poland (1949−1956). Analysis, comparison and protection

2020 ◽  
Vol 16 (3) ◽  
pp. 7-18
Author(s):  
Zuzanna Napieralska ◽  
Elżbieta Przesmycka

The article analyzes four residential districts from the period of Socialist Realism in Poland: Marszałkowska Residential District in Warsaw, Kościuszkowska Residential District in Wrocław, residential Nowa Huta in Cracow and Downtown Residential District in Szczecin. These districts are analyzed in terms of urban layout, architectural forms, building intensity, and green areas. Common features of these housing complexes, characteristic for socialist realism architecture in Poland, were also examined. The authors also consider the protective methods of individual housing complexes. Each of the examined residential districts is considered in two aspects - the urban layout and architecture as well as the form of protection and it condition of the present day. For each analyzed housing complex, a map was prepared showing the scale of the urban layout and the percentage share of pre-war buildings, buildings from the period under study, and buildings erected in later years. 

2013 ◽  
Vol 21 (21) ◽  
pp. 61-68
Author(s):  
Hanna Hrehorowicz-Gaber

Abstract Accumulating over time, spatial transformations in Kraków have been changing the city’s structure. The contemporary image of the city is creating a new model of life and has a major effect on the functional and spatial conditions for its residents. Life in the city is dictated by the rhythm of daily routines, and the time of leisure has been reduced to a minimum. Less and less frequently are public and semi-private urban spaces used in the traditional manner and their number is decreasing. A considerable role in the decrease in the space for relaxation in the city is played by the purchasing power of money which is winning for itself the space for new residential estates. The disappearance of green areas can be best illustrated by the example of the green areas between Kraków and Nowa Huta. Historically, Nowa Huta was set up as an organism separate from Kraków. In 1956, Anna Ptaszycka presented a new plan for Kraków spatial development which curbed industrialisation and promoted Howard’s ideas of garden cities. In 1966, the largest park in that area was established, its basic function was to isolate Kraków from Nowa Huta and the steel plant there. As a result of the projects developed in recent years, the compact greenery is smaller, and more and more areas are being taken over for various projects. Spontaneous development of Kraków, without any master plans, for some small parts of city structure, is a huge threat to the preservation of existing leisure areas. Because of this, precise guidelines are needed for the intended use of areas neighbouring environmentally sensitive grounds, defining their type, scale and impact, in order to protect the landscape attractions which are amongst the desired recreational characteristics.


2021 ◽  
Author(s):  
Aleksandra Koman

The cultural peculiarity of Nowa Huta, a city founded after World War II, resulted from the lack of any artistic habits of the young audience. It was the Ludowy Theatre which, since 1955, had been bearing the responsibility for shaping up the expectations of the spectators in the new district of Krakow [Cracow] – dynamically developing but still devoid of any cultural foundations. The team of Skuszanka soon gained recognition among critics and elevated the newly created institution to the rank of an equal partner in the nationwide cultural exchange. The image of the Ludowy Theatre as a centre of progressive and experimental art quickly became even more profound, since it looked modern compared to the rather monotonous background of Krakow's theatres at that time. Thus, it became an institution whose opening, coinciding with the symbolic date of the Polish October, inaugurates a new season of the theatrical research. The aim of this paper is to illustrate this phenomenon by describing and analysing the performance that many of the contemporary critics called the flagship spectacle of the Nowa Huta theatre, i.e. Princess Turandot by Carlo Gozzi, directed by Krystyna Skuszanka. This play, drawing on fairy-tale plots and colourful Italian folk comedies, became not only an expression of opposition to socialist realism, but also a harbinger of the future activities of this institution, and perhaps even a reflection of the condition of the Polish theatre at that time.


2008 ◽  
Author(s):  
S. S. Arndt ◽  
M. C. Laarakker ◽  
H. A. van Lith ◽  
F. J. van der Staay ◽  
F. Ohl

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.


2016 ◽  
Vol 9 (1) ◽  
pp. 65-82
Author(s):  
Jean E. Conacher

Youth literature within the German Democratic Republic (GDR) officially enjoyed equal status with adult literature, with authors often writing for both audiences. Such parity of esteem pre-supposed that youth literature would also adopt the cultural–political frameworks designed to nurture the establishment of socialism on German soil. In their quest to forge a legitimate national literature capable of transforming the population, politicians and writers drew repeatedly upon the cultural heritage of Weimar classicism and the Bildungsroman, Humboldtian educational traditions and Soviet-inspired models of socialist realism. Adopting a script theory approach inspired by Jean Matter Mandler, this article explores how directive cultural policies lead to the emergence of multiple scripts which inform the nature and narrative of individual works. Three broad ideological scripts within GDR youth literature are identified which underpin four distinct narrative scripts employed by individual writers to support, challenge and ultimately subvert the primacy of the Bildungsroman genre. A close reading of works by Strittmatter, Pludra, Görlich, Tetzner and Saalmann reveals further how conceptual blending with classical and fairy-tale scripts is exploited to legitimise and at times mask critique of transformation and education inside and outside the classroom and to offer young protagonists a voice often denied their readers.


2015 ◽  
Vol 8 (1) ◽  
pp. 1-16 ◽  
Author(s):  
Judith Inggs

This article investigates the perceived image of English-language children's literature in Soviet Russia. Framed by Even-Zohar's polysystem theory and Bourdieu's philosophy of action, the discussion takes into account the ideological constraints of the practice of translation and the manipulation of texts. Several factors involved in creating the perceived character of a body of literature are identified, such as the requirements of socialist realism, publishing practices in the Soviet Union, the tradition of free translation and accessibility in the translation of children's literature. This study explores these factors and, with reference to selected examples, illustrates how the political and sociological climate of translation in the Soviet Union influenced the translation practices and the field of translated children's literature, creating a particular image of English-language children's literature in (Soviet) Russia.


2020 ◽  
Vol 65 (1) ◽  
pp. 53-63
Author(s):  
Mateusz Kulig ◽  
Anna Przeniczny ◽  
Piotr Ogórek

AbstractGreen areas located on the peripheries of cities have the potential to become green public spaces not only of recreational but also educational character, promoting at the same time the knowledge about environmental protection. The cities included in the research belong to the małopolskie voivodeship (Lesser Poland voivodeship). With the use of geospatial data of land cover, as well as territorial forms of environmental protection, it was pointed that 48.4% of forest, wooded and shrub green areas located within city borders are covered by a form of environmental protection, thus being a valuable resource of significant nature potential. Making such spaces available in a conscious and attractive way is presented on the example of projects implemented in the cities of: Stary Sącz, Nowy Targ and Kraków. The presented projects were used to make recommendations for city authorities to create green public spaces.


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