Screening the Art World

2022 ◽  
Author(s):  
Temenuga Trifonova
Keyword(s):  
Cultural Capital ◽  
Art History ◽  
Art World ◽  
The Relationship ◽  
Historical Periods

Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinema, cinema’s simultaneous affirmation and denigration of the idea of art as ‘truth’ and what this means for cinema’s understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world’s tenuous position between commercial good and cultural capital.

Art, History, and Postwar Fiction

2018 ◽  
Author(s):  
Kevin Brazil
Keyword(s):  
Visual Arts ◽  
Art History ◽  
Visual Art ◽  
New Left ◽  
Doris Lessing ◽  
William Gaddis ◽  
Continuity And Change ◽  
Historical Developments ◽  
The Cold War ◽  
The Relationship

Art, History, and Postwar Fiction explores the ways in which novelists responded to the visual arts from the aftermath of the Second World War up to the present day. If art had long served as a foil to enable novelists to reflect on their craft, this book argues that in the postwar period, novelists turned to the visual arts to develop new ways of conceptualizing the relationship between literature and history. The sense that the novel was becalmed in the end of history was pervasive in the postwar decades. In seeming to bring modernism to a climax whilst repeating its foundational gestures, visual art also raised questions about the relationship between continuity and change in the development of art. In chapters on Samuel Beckett, William Gaddis, John Berger, and W. G. Sebald, and shorter discussions of writers like Doris Lessing, Kathy Acker, and Teju Cole, this book shows that writing about art was often a means of commenting on historical developments of the period: the Cold War, the New Left, the legacy of the Holocaust. Furthermore, it argues that forms of postwar visual art, from abstraction to the readymade, offered novelists ways of thinking about the relationship between form and history that went beyond models of reflection or determination. By doing so, this book also argues that attention to interactions between literature and art can provide critics with new ways to think about the relationship between literature and history beyond reductive oppositions between formalism and historicism, autonomy and context.

scholarly journals Cultural Sustainability in University Students’ Flamenco Music Event Attendance: A Neural Networks Approach

2021 ◽  
Vol 13 (5) ◽  
pp. 2911
Author(s):  
Jesús Manuel De Sancha-Navarro ◽  
Juan Lara-Rubio ◽  
María Dolores Oliver-Alfonso ◽  
Luis Palma-Martos
Keyword(s):  
University Students ◽  
Cultural Capital ◽  
Research Work ◽  
Cultural Consumption ◽  
Cultural Sustainability ◽  
Intangible Heritage ◽  
Live Music ◽  
Socioeconomic Profile ◽  
The One ◽  
The Relationship

University students consume live music; however, almost 40% declare that they have never attended a flamenco show, an intangible heritage of humankind. Numerous studies have shown that cultural capital and socioeconomic profile, among other factors, are variables that influence cultural consumption, and therefore, cultural sustainability. Considering the relationship between several variables, this paper pursues a double objective. On the one hand, identifying the factors that influence attendance at flamenco shows, and on the other, proposing a predictive model that quantifies the likelihood of an individual attending a flamenco show. To this end, we analyse flamenco consumption by means of a survey conducted on 452 university students, using Multilayer Perceptrom (a non-parametric model), a methodology based on an artificial neural network. Our results confirm the importance of cultural capital, as well as personal and external factors, among other. The findings of this research work are of potential interest for management and planning of cultural events, as well as to promote cultural sustainability.

A “Magic and Poetic” Moment of Dissensus: Aesthetics and Politics in the June 2013 (Gezi Park) Protests in Turkey

2017 ◽  
Vol 20 (2) ◽  
pp. 191-208 ◽  
Author(s):  
E. Attila Aytekin
Keyword(s):  
Middle Class ◽  
Cultural Capital ◽  
New Wave ◽  
Aesthetics And Politics ◽  
Cultural Symbols ◽  
Protest Movement ◽  
Political Position ◽  
Predominant Form ◽  
The Relationship

This article departs from analyses that underline the middle-class character of June 2013 (Gezi Park) protests in Turkey by focusing on the relationship between politics and aesthetics in the protest movement. The predominant form of protest in the movement was aesthetic political acts, which did not bring about any distinction based on class or cultural capital. Rather, the artistic practices and cultural symbols employed by protesters bridged gaps by bringing a large and diverse body of people around a common political position. The June protests constituted a moment of “dissensus” in the Rancièrean sense as the shared position was based on an essential claim for equality of the dēmos and the demands of the anonymous to be seen, heard, counted in, and to partake. The article focuses on the role Second New Wave poetry played in the protests, as the protesters appropriated the ironic and ambiguous verses of the Second New Wave poets to create a unified movement.

Ranking Artists: An Internet-Era Analysis

Leonardo ◽  
2019 ◽  
Vol 52 (2) ◽  
pp. 135-145
Author(s):  
Alan B. Oppenheimer
Keyword(s):  
Art History ◽  
Alternative Methods ◽  
The Internet ◽  
Art World ◽  
Traditional Art ◽  
Ranked List

To provide guidance to the vastly expanded, uncurated art world made available through the Internet, the author developed a methodology for objectively and repeatably rating artists. He then applied that methodology to Western painters in particular, creating a ranked list of the significance of nearly 10,000 of those painters. Analyzing the process, he observed that the Internet not only greatly broadens access to art but also provides the tools needed to curate that access in a meaningful, scientific manner. The analysis also exposes questions about both the methods used and more traditional art history sources, which can be explored through alternative methods.

Marx and the mirage of change: Notes from South Africa

2021 ◽  
pp. 194277862110478
Author(s):  
Sagie Narsiah
Keyword(s):  
South Africa ◽  
Capitalist Development ◽  
Capitalist System ◽  
The Past ◽  
Material Conditions ◽  
The Relationship ◽  
Historical Periods ◽  
Spatial Content

There is little doubt that the understanding of the dynamics of capitalism has been enriched by Geography. Moreover, geographers utilizing Marxist/Marxian lenses have provided valuable insights into the spatial content of the system. Over the past two decades or so, geographers in no small way have contributed to the demystification of capitalism/capitalist development in its neoliberal incarnation – change as mirage. Furthermore, poverty, inequality, unemployment and related social ills are directly linked to the system. Indeed, they are produced by the system. In this paper, the geographical evolution of the capitalist system in South Africa is examined. Critical thinkers, among them Marxists, influenced the theorization of the relationship(s) between capitalism, apartheid, class and race. In this paper, I focus on the spatial aspects, which in my view have been neglected. I reflect on various historical periods – the apartheid era and the post-apartheid era, in particular. What is apparent is that neoliberalism in South Africa has entered a phase which I label “accumulation by corrupt means”. The class basis of this strategy is examined. Critical (Marxist) geographers are shaped by the direct experiences of material conditions. I describe my experiences in this regard.

Who (or What) is an AI Artist?

Leonardo ◽  
2021 ◽  
pp. 1-9
Author(s):  
Kieran Browne
Keyword(s):  
Contemporary Art ◽  
Art History ◽  
Art Market ◽  
Art World ◽  
Significant Disagreement ◽  
History And Theory

Abstract The mainstream contemporary art world is suddenly showing interest in “AI art”. While this has enlivened the practice, there remains significant disagreement over who or what actually deserves to be called an “AI artist”. This article examines several claimants to the term and grounds these in art history and theory. It addresses the controversial elevation of some artists over others and accounts for these choices, arguing that the art market alienates AI artists from their work. Finally, it proposes that AI art's interactions with art institutions have not promoted new creative possibilities but have instead reinforced conservative forms and aesthetics.

scholarly journals Geology and religion in Portugal

2013 ◽  
Vol 67 (4) ◽  
pp. 331-354 ◽  
Author(s):  
Ana Carneiro ◽  
Ana Simoes ◽  
Maria Paula Diogo ◽  
Teresa Salomé Mota
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
Science And Religion ◽  
Point Of View ◽  
Roman Catholic Church ◽  
Cultural Tradition ◽  
Original Research ◽  
Roman Catholicism ◽  
The Relationship ◽  
Historical Periods

This paper addresses the relationship between geology and religion in Portugal by focusing on three case studies of naturalists who produced original research and lived in different historical periods, from the eighteenth to the twentieth century. Whereas in non-peripheral European countries religious themes and even controversies between science and religion were dealt with by scientists and discussed in scientific communities, in Portugal the absence of a debate between science and religion within scientific and intellectual circles is particularly striking. From the historiographic point of view, in a country such as Portugal, where Roman Catholicism is part of the religious and cultural tradition, the influence of religion in all aspects of life has been either taken for granted by those less familiar with the national context or dismissed by local intellectuals, who do not see it as relevant to science. The situation is more complex than these dichotomies, rendering the study of this question particularly appealing from the historiographic point of view, geology being by its very nature a well-suited point from which to approach the theme. We argue that there is a long tradition of independence between science and religion, agnosticism and even atheism among local elites. Especially from the eighteenth century onwards, they are usually portrayed as enlightened minds who struggled against religious and political obscurantism. Religion—or, to be more precise, the Roman Catholic Church and its institutions—was usually identified with backwardness, whereas science was seen as the path to progress; consequently men of science usually dissociated their scientific production from religious belief.

scholarly journals 'Boat People' and Discursive Bordering: Australian Parliamentary Discourses on Asylum Seekers, 1977-2013

Refuge ◽  
2021 ◽  
Vol 37 (1) ◽  
pp. 13-26
Author(s):  
John Van Kooy ◽  
Liam Magee ◽  
Shanthi Robertson
Keyword(s):  
Content Analysis ◽  
Government Policy ◽  
Asylum Seekers ◽  
Security Threats ◽  
Political Language ◽  
Policy And Practice ◽  
Boat People ◽  
Sovereign Territory ◽  
The Relationship ◽  
Historical Periods

This article draws upon content analysis of Australian parliamentary transcripts to examine debates about asylum seekers who arrived by boat in three historical periods: 1977–1979, 1999–2001, and 2011–2013. We analyze term frequency and co-occurrence to identify patterns in specific usage of the phrase “boat people.” We then identify how the term is variously deployed in Parliament and discuss the relationship between these uses and government policy and practice. We conclude that forms of “discursive bordering” have amplified representations of asylum seekers as security threats to be controlled within and outside Australia’s sovereign territory. The scope of policy or legislative responses to boat arrivals is limited by a poverty of political language, thus corroborating recent conceptual arguments about the securitization and extra-territorialization of the contemporary border.

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