From the formation of embryonic appendages to the color of wings: Conserved and novel roles of aristaless1 in butterfly development

Highly diverse butterfly wing patterns have emerged as a powerful system for understanding the genetic basis of phenotypic variation. While the genetic basis of this pattern variation is being clarified, the precise developmental pathways linking genotype to phenotype are not well understood. The gene aristaless, which plays a role in appendage patterning and extension, has been duplicated in Lepidoptera. One copy, aristaless1, has been shown to control a white/yellow color switch in the butterfly Heliconius cydno, suggesting a novel function associated with color patterning and pigmentation. Here we investigate the developmental basis of al1 in embryos, larvae and pupae using new antibodies, CRISPR/Cas9, RNAi, qPCR assays of downstream targets and pharmacological manipulation of an upstream activator. We find that Al1 is expressed at the distal tips of developing embryonic appendages consistent with its ancestral role. In developing wings, we observe Al1 accumulation within developing scale cells of white H. cydno during early pupation while yellow scale cells exhibit little Al1 at this timepoint. Reduced Al1 expression is also associated with yellow scale development in al1 knockouts and knockdowns. We also find that Al1 expression appears to downregulate the enzyme Cinnabar and other genes that synthesize and transport the yellow pigment, 3–Hydroxykynurenine (3-OHK). Finally, we provide evidence that Al1 activation is under the control of Wnt signaling. We propose a model in which high levels of Al1 during early pupation, which are mediated by Wnt, are important for melanic pigmentation and specifying white portions of the wing while reduced levels of Al1 during early pupation promote upregulation of proteins needed to move and synthesize 3-OHK, promoting yellow pigmentation. In addition, we discuss how the ancestral role of aristaless in appendage extension may be relevant in understanding the cellular mechanism behind color patterning in the context of the heterochrony hypothesis.

Quantitative dissection of color patterning in the foliar ornamental Coleus reveals underlying features driving aesthetic value

SummaryColeus is a popular ornamental plant that exhibits a diverse array of foliar color patterns. New cultivars are currently hand selected by both amateur and experienced plant breeders. In this study, we reimagine coleus breeding using a quantitative color analysis framework.Despite impressive advances in high-throughput data collection and processing, complex color patterns remain challenging to extract from image datasets. Using a new phenotyping approach called “ColourQuant,” we extract and analyze pigmentation patterns from one of the largest coleus breeding populations in the world.Working with this massive dataset, we are able to analyze quantitative relationships between maternal plants and their progeny, identify features that underlie breeder-selections, and collect and compare consumer input on trait preferences.This study is one of the most comprehensive explorations into complex color patterning in plant biology and provides new insights and tools for exploring the color pallet of the plant kingdom.

Quantum-Dot and Organic Hybrid Tandem Light-Emitting Diodes with Color-Selecting Intermediate Electrodes for Full-Color Displays

The immaturity of color patterning technology and the poor stability of blue (B) quantum-dots are two of the challenges that restrict the development of quantum-dot electroluminescence displays. In this work,...

Eastern Bluebirds (Sialia sialis) use color patterning, but not the colors themselves, as a cue to eject interspecific parasitic eggs

Brood parasitism results in substantial costs to hosts, yet not all species eject foreign eggs. Because the costs of mistakenly ejecting one’s own eggs are high, selection may favor ejection behavior only if it is unlikely a host will incorrectly eject her own eggs. Eastern Bluebirds (Sialia sialis) are currently subject to relatively low levels of interspecific brood parasitism but still sometimes eject parasitic eggs. Therefore, we tested which visual cues they use to eject foreign eggs with the prediction that only the most dissimilar eggs would be ejected, reducing the likelihood of a female making a mistake. House Sparrows (Passer domesticus), which occasionally parasitize bluebirds, lay eggs that have an off-white ground color with brown speckling. Therefore, to test which colors or patterns allow for discrimination of parasitic eggs, we generated 3-dimensional (3D)-printed model House Sparrow eggs and painted them entirely off-white, entirely brown, half off-white and half brown, or off-white with brown speckling. We then sequentially placed these 4 different model eggs in the nests of Eastern Bluebirds, with each nest receiving all treatments over the course of 4 days. After watching females enter and leave the nest box just one time after placement of the model egg, we found that speckled eggs were ejected half the time (7 of 14 nests), while no other treatment was ejected more than 3 times. Thus, Eastern Bluebird females eject eggs based primarily on color patterning (i.e. a speckled pattern) rather than coloration per se, and that they can do so quickly, as the average female had removed the model egg within 6 min of entering the nest. Because Eastern Bluebirds do not lay speckled eggs, but some brood parasites do (e.g., House Sparrows, Brown-headed Cowbirds [Molothrus ater]), selection may specifically favor ejection of eggs with a speckled pattern, not just eggs that have within-egg color contrasts.

LINGUOCOLOR PICTURE OF THE FASHION INDUSTRY WORLD CREATED BY PANTONE COLOR INSTITUTE IN 2008-2018

The article aims to consider the linguocolor picture of the fashion industry as it is created by PANTONE, a leading source of color information in the world. PANTONE COLOR INSTITUTE is a consulting service within PANTONE that leverages the power, psychology and emotion of color in their design strategy. Thus the process of color patterning through naming is analyzed, the culture-specific nature of the creation process and its pragmatics are exposed.