During the Second World War, Germany often imposed its own time zone onto those countries it occupied. Chapter 5 looks at the case of France, and examines responses to a perceived temporal misalignment with Britain which occurred with its capitulation to Germany in June 1940. Surveying a series of wartime propaganda films, including those by the GPO Film Unit, the chapter demonstrates how war time was expressed through pastoral tropes, and through notions of Allied temporal guardianship. It turns to the activist writer Storm Jameson, whose novel Cloudless May (1943) conveys a kind of ‘international regionalism’ to cultivate British support for France. Through affective, embodied landscapes, she reinforces what she sees as modernism’s strengths, and revises what she sees as its weaknesses, for a geopolitical agenda.