creative analytic practice
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2021 ◽  
Author(s):  
Angeline Sahayanathan

This paper presents an autoethnographic analysis of hybridity and identity negotiation related to young Tamil Canadian women. Tamil women face unique challenges when it comes to maintaining cultural practices that are so heavily embedded in our upbringing. I have experienced this within my own life, in addition to observing similar challenges among women whom I have encountered within the Sri Lankan Tamil community in the City of Toronto. Young Tamil Canadian women are finding it difficult to conform to cultural expectations given their upbringing in a Western country like Canada Using an autoethnographic approach, the purpose of this paper is to examine transnational issues young Tamil Canadian women – specifically daughters, experience in their diaspora, as a result of negotiating between cultural practices and related impacts or consequences. Specifically, I employ vignette writing, a form of creative analytic practice to explore how young Tamil women are seen as carriers of culture and related implications for their agency and autonomy. Further, I examine and communicate how personal negotiations related to choosing to follow certain Tamil cultural practices and rejecting others, can result in community isolation, rejection from diasporic relations, and uncertainties about self-worth. I consider processes of identity construction and negotiation, and how this results in the creation of a third space that celebrates difference through new ways of being, encompassing cultural values from both the Canadian and Sri Lankan Tamil spectrum. My lived experiences will translate into short narratives that create a tangible example of this phenomenon and is captured by theories of hybridity, third space, acculturation and the good daughter. Key words: Diaspora, hybridity, identity, negotiation, culture, practices, gender, roles, migration, daughters


2021 ◽  
Author(s):  
Angeline Sahayanathan

This paper presents an autoethnographic analysis of hybridity and identity negotiation related to young Tamil Canadian women. Tamil women face unique challenges when it comes to maintaining cultural practices that are so heavily embedded in our upbringing. I have experienced this within my own life, in addition to observing similar challenges among women whom I have encountered within the Sri Lankan Tamil community in the City of Toronto. Young Tamil Canadian women are finding it difficult to conform to cultural expectations given their upbringing in a Western country like Canada Using an autoethnographic approach, the purpose of this paper is to examine transnational issues young Tamil Canadian women – specifically daughters, experience in their diaspora, as a result of negotiating between cultural practices and related impacts or consequences. Specifically, I employ vignette writing, a form of creative analytic practice to explore how young Tamil women are seen as carriers of culture and related implications for their agency and autonomy. Further, I examine and communicate how personal negotiations related to choosing to follow certain Tamil cultural practices and rejecting others, can result in community isolation, rejection from diasporic relations, and uncertainties about self-worth. I consider processes of identity construction and negotiation, and how this results in the creation of a third space that celebrates difference through new ways of being, encompassing cultural values from both the Canadian and Sri Lankan Tamil spectrum. My lived experiences will translate into short narratives that create a tangible example of this phenomenon and is captured by theories of hybridity, third space, acculturation and the good daughter. Key words: Diaspora, hybridity, identity, negotiation, culture, practices, gender, roles, migration, daughters


Cities ◽  
2020 ◽  
Vol 96 ◽  
pp. 102478 ◽  
Author(s):  
Sara Edge ◽  
Karla Boluk ◽  
Mark Groulx ◽  
Matthew Quick

2019 ◽  
Vol 5 (2) ◽  
pp. 168-178 ◽  
Author(s):  
Giovanna Bertella ◽  
Benjamin Vidmar

PurposeThe purpose of this paper is to provoke reflections on the potential contribution of food tourism experiences to achieving the sustainable development goals for eradicating hunger and malnutrition.Design/methodology/approachIn line with the creative analytic practice in scientific inquiry, this study develops and discusses a futuristic scenario inspired by a factual company. The case is based on ideas derived from studies on educational and food tourism and entrepreneurship, more precisely ecopreneurship.FindingsFood tourism can offer an opportunity for discussing food challenges in the context of ideas and projects to alleviate hunger and malnutrition. This study shows that imagining such possibilities and projects is challenging because of the complexity of the issue.Practical implicationsThis study suggests that despite some limitations, educational food tourism experiences might go well beyond the issues of regional development, localism and authenticity. Practitioners, including tourism entrepreneurs and private and public food and tourism organisations, might be essential to exploring alternative food tourism futures in ways that truly contribute to urgent global challenges.Originality/valueThe value of this paper lies in the use of a scenario to imagine and to reflect on the future of food tourism in relation to the global challenges of hunger and malnutrition. The paper suggests that the ideas from tourism studies and ecopreneurship can offer interesting perspectives on future developments in the sector.


2019 ◽  
Vol 16 (1) ◽  
Author(s):  
D. J. Williams ◽  
Emily E. Prior

Helping professionals in multiple disciplines, including social workers, are commonly taught to embrace human diversity, think critically, empower clients, and respect client self-determination. Indeed, much of clinical practice with clients is predicated on such professional values, which are important to the establishment of a strong therapeutic alliance and an effective treatment outcome. This study applies qualitative measures, such as  an open-ended questionnaire and creative analytic practice (CAP) strategy in the form of poetic representation, to provide insights into how people with a specific nontraditional identity, that of “real vampire,” feel about disclosing this salient identity to helping professionals within a clinical context. As a CAP method, poetic representation is valuable in acknowledging participants’ subjective realities and preserving emotional intensity in participants’ responses. Results suggest that nearly all participants were distrustful of social workers and helping professionals and preferred to “stay in the coffin” for fear of being misunderstood, labeled, and potentially having to face severe repercussions to their lives. 


2017 ◽  
Vol 31 (3) ◽  
pp. 299-307 ◽  
Author(s):  
Mark A. Uphill ◽  
Brian Hemmings

The aim of this paper is to present a critical reflection on mental toughness using a creative analytic practice. In particular, we move from intrapersonal technical reflections to an altogether more interpersonal cultural analysis that (re)considers some of the assumptions that can underpin sport psychology practice. Specifically, in the ripples that extend from these initial technical reflections, we argue that it is important to understand vulnerability, and consider (a) wounded healers, (b) the ideology of individualism, and (c) the survivor bias to help make sense of current thinking and applied practice. Emerging from these ripples are a number of implications (naming elephants, tellability, neoliberalism) from which sport psychologists may reflect upon to enhance their own practice. In making visible the invisible, we conclude that vulnerability can no longer be ignored in sport psychology discourse, research, and practice. Should this story of vulnerability resonate, we encourage you, where appropriate to share this story.


2017 ◽  
Vol 34 (2) ◽  
pp. 160-175 ◽  
Author(s):  
Brian T. Gearity ◽  
Lynett Henderson Metzger

Despite its prevalence as a sensitizing concept for research in psychology, the sociology of sport literature on microaggressions is limited and it has not been used to understand sociocultural aspects of sport coaching. In this poststructural creative analytic practice, we provide three short stories of microaggressions in men’s sport coaching and their plausible negative effects on mental health. An aim of this paper is to begin to map an understanding of the intersection of sport coaching, mental health, and social identities. To achieve this aim, we weave together scholarship on microaggressions and the sociology of sport and sport coaching with our stories and interpretations. Practical implications are offered and a new, strength based discourse is introduced to the field in the form of microaffirmations.


2014 ◽  
Vol 22 (3) ◽  
pp. 393-404 ◽  
Author(s):  
Meridith Griffin ◽  
Cassandra Phoenix

In this article, the authors construct a story of one woman’s (Justine’s) experience of learning to run within the context of a beginners group. Building on existing scholarship on narrative, aging, and physical activity, this work is part of a larger ethnographic project examining subjective accounts of the physically active aging body across the life course. Concerned with often simplistically linear problems of representation, the authors present a messy text that represents the complex and fluid nature of Justine’s embodied tale. The aim is to show the intersection of biographical (storied) identity with health behavior choices and to interrogate the process of challenging narrative foreclosure. By using the emerging genre of messy text as a creative analytic practice, the authors avoid prompting a single, closed, convergent reading of Justine’s story. Instead, they provoke interpretation within the reader as witness and expand the ways in which research on aging and physical activity has been represented.


2010 ◽  
Vol 2 (4) ◽  
pp. 429-432 ◽  
Author(s):  
Felice Yuen

In this paper, poetry, as a form of creative analytic practice, is used to articulate my transformation from a constructivist to a critical theorist during my research with Aboriginal women in prison. I was first kicking and screaming against the very thought of working so closely with women in prison, and eventually I was kicking and screaming with incarcerated women and for incarcerated women. Creative analytic practice embraces the complexity of lived experiences and allows for transformational process of self-creation. In my poem, I illustrate my intense, emotional, and life-changing journey as I re-discovered a world based on hierarchical structures of power.


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