Metadados para preservação digital de dados abertos: um estudo de identificação

Objetivo. Investigación que pretende identificar los estándares de metadatos útiles para la preservación digital y la disponibilidad de los datos abiertos según la literatura actual.Método. Se caracteriza por ser una investigación exploratoria, en la identificación de estándares de metadatos, y bibliográfica, por la base literaria necesaria sobre la representación descriptiva de la información, la preservación digital y los metadatos, con el fin de tratar, preservar y hacer disponibles digitalmente los datos abiertos, desde el enfoque cualitativo de la recogida de datos.Resultados. Resultados, basados en la investigación literaria, en el elenco de entornos como sitios gubernamentales, Institutos de Investigación, repositorios digitales, catálogos electrónicos y bibliotecas digitales que adoptan estándares de metadatos utilizables para la preservación y disponibilidad de datos abiertos, siendo, específicamente, los esquemas: Dublin Core, utilizado en entornos como el Portal de Datos Abiertos de Brasil; Preservation Metadata Implementation Strategies, presente en repositorios como el Repositorio Digital de Carolina; Metadata Object Description Schema, adoptado por sistemas como el Copac: Catálogo de Bibliotecas de Investigación del Reino Unido e Irlanda; y Metadata Encoding and Transmission Standard, al que se accede para gestionar objetos digitales en bibliotecas y repositorios como la Biblioteca NacionalBiblioteca Digital de Portugal.Conclusiones. Se llegó a la conclusión de que la única norma de metadatos pensada específicamente en la preservación digital, y que se considera como la recomendada para la salvaguarda digital y la puesta a disposición de datos abiertos, es la Preservation Metadata Implementation, La única norma de metadatos diseñada específicamente para la preservación digital y que, si se considera recomendable para la preservación digital y la disponibilidad de datos abiertos, es la Preservation Metadata Implementation, basada en campos como los derechos, los agentes y los eventos. otros fines, también permiten la conservación de los datos, como es el caso de Dublin Core, en el uso de elementos fuente, relación, [...] y la Norma de Transmisión, adoptando los componentes de la sección de enlace estructural y de la sección de comportamiento.

Fungsi, Peran, dan Kategori Sintaksis Bahasa Indonesia dalam kalimat Berita dan Kalimat Seruan pada Naskah Pidato Bung Karno 17 Agustus 1945

The manuscript of Bung Karno's speech on August 17, 1945 is an example of the use of Indonesian in official documents and state speeches so that the sentences in them are good to analyze. There are many syntactic symptoms found in it that are interesting to study, including the structure of descriptive sentences and imperative sentences which can be analyzed based on the functions, roles, and syntactic categories of Indonesian. This research consists of two problems, namely (1) regarding the functions, roles, and syntactic categories of news sentences in Bung Karno's speech on August 17, 1945, (2) regarding the functions, roles, and syntactic categories of exclamatory sentences in Bung Karno's speeches on August 17, 1945. This study aims to describe the types of functions, roles, and syntactic categories of news sentences and exclamations of Bung Karno's speech on August 17, 1945. The research method used is descriptive qualitative research method. Data collection was carried out using the note-taking technique and data analysis using content analysis techniques. The results of this study found that syntactic functions include subject, predicate, object, description, and complement; the roles that are found are as actors, tools, and experiences occupying the function of the subject; and categories include pronouns, nouns, transitive verbs, intransitive verbs, adverbial phrases, verbal phrases, nominal phrases, prepositional phrases, adjective phrases, and numeral phrases. From this research, it can be seen that one sentence can contain more than one type of function, role, and syntactic category. This research is expected to show the functions, roles, and syntactic categories in declarative and imperative sentences in Bung Karno's speech on August 17, 1945, which is the speech of the proclamation of Indonesian independence.

Maud Allan's Salomé : a case study into the psychology of costume, dance and performance

Maud Allan (1873-1956) was a trailblazer of modern expressionist dance and costume design who drew from her family’s tradition of shoemaking and her experience in corset making to design and construct a novel costume for her renowned and controversial performance, The Vision of Salomé (1906). She wore this costume more than 250 times to perform on the international stage, becoming one of the most successful dancers of her era from 1906 to 1925. By challenging the customs and conventions of Edwardian London through the use of her revealing costume and performance, she was also pioneering costume design, and yet scholarship to date has largely ignored the costume itself as an important material culture object. By using a material culture approach, and performing an object description and analysis of the two sets of Salomé costumes held at Dance Collection Danse in Toronto, this major research project establishes for the first time the many important innovations of Allan’s costume design techniques such as illusion mesh, pearl netting, bejeweled breastplates, eyelet hook bra fasteners and other novel details. Furthermore, I argue that scholarly object analysis used alongside theories of enclothed cognition allows us to elucidate the powerful affective link between psychology and dance costumes, further heightening our appreciation of Allan’s dance costume, while also specifying the details of her problematic appropriation of elements of Orientalism and the Femme Fatale in constructing the costume. More than a century after its creation, the aesthetic of Allan’s costume innovations continues to resonate in other dance costumes today.

Maud Allan's Salomé : a case study into the psychology of costume, dance and performance

Maud Allan (1873-1956) was a trailblazer of modern expressionist dance and costume design who drew from her family’s tradition of shoemaking and her experience in corset making to design and construct a novel costume for her renowned and controversial performance, The Vision of Salomé (1906). She wore this costume more than 250 times to perform on the international stage, becoming one of the most successful dancers of her era from 1906 to 1925. By challenging the customs and conventions of Edwardian London through the use of her revealing costume and performance, she was also pioneering costume design, and yet scholarship to date has largely ignored the costume itself as an important material culture object. By using a material culture approach, and performing an object description and analysis of the two sets of Salomé costumes held at Dance Collection Danse in Toronto, this major research project establishes for the first time the many important innovations of Allan’s costume design techniques such as illusion mesh, pearl netting, bejeweled breastplates, eyelet hook bra fasteners and other novel details. Furthermore, I argue that scholarly object analysis used alongside theories of enclothed cognition allows us to elucidate the powerful affective link between psychology and dance costumes, further heightening our appreciation of Allan’s dance costume, while also specifying the details of her problematic appropriation of elements of Orientalism and the Femme Fatale in constructing the costume. More than a century after its creation, the aesthetic of Allan’s costume innovations continues to resonate in other dance costumes today.

Analysis of the Impact of Application of Fuels With Addition of Biocomponents on Functioning of Transport Means

The study describes a method and a model for assessment of the impact of addition of fatty acid methyl esters to fuel oil on selected parameters of transport means. For this purpose, criteria for assessment of operational parameters of the analyzed mixture have been identified. A model has been developed to find out how the values of the analyzed parameters reflect the state of transport means powered by fuel oil mixtures and methyl esters of fatty acids. Ten operational parameters have been accepted for the research object description. The parameter values were measured depending on the analyzed mixture composition. The obtained results allowed to determine the components of the object state vector. The developed model has been verified by application of the method of mean fuzzy diagram.

Franco-Prussian campaign of 1870-1871 in perception of the novice British war correspondent A. Forbes

The object of this article is professional activity of the British war correspondent Archibald Forbes during the Franco-Prussian War of 1870-1871. The subject is the perception and reflection of military realities (1870-1871) by the novice journalist. The goal consists in determination of the mechanisms of perception of participants and realities of the Franco-Prussian confrontation of 1870-1871 by the British correspondent A. Forbes. Intellectual history and imagological approach comprise the methodological framework of this research. Based on the analysis of documentary evidence left by A. Forbes, which describes the events of 1870-1871, the author was able to trace the evolution of Forbes’ perception of the Franco-Prussian campaign of 1870-1871. The conclusion is made on gradual changes in Forbe’s perception and reflection of war realities. The initial admiration was replaced by the professional subject-object description. However, his stance on parties to the conflict remained unchanged. The author assumes that A. Forbes had particular personal attitudes, but his perception of the war of 1870-1871 has evolved. The acquired results may be valuable in studying journalistic practice, as well as mutual perception of European ethnoses. The scientific novelty lies in a comprehensive approach towards the phenomenon at hand: the author examines not only the mechanisms of perception as such, but also their transformation influenced by various factors. This research made a transition from the widespread study of biographies and activity of correspondents of the XIX century to an extensive culturological and intellectual approach in consideration of professional practice of journalists of the past.