Substrate-borne vibrations used during acoustic communication and the existence of courtship songs in some species of the genus Anaxipha (Saussure) (Orthoptera: Trigonidiidae: Trigonidiinae)

Anaxipha (Saussure, 1874) are small, swordtail crickets found in much of eastern North America. Many species within the genus Anaxipha were only recently described and their calling songs characterized. However, little is known about their courtship songs or use of substrate-borne communication (drumming). This study is the first documentation of the existence of courtship songs and substrate-borne vibrational communication in the genus. Courtship songs and substrate-borne vibrational communication were first detected in the following species: Anaxipha exigua (Say, 1825), A. tinnulacita Walker & Funk, 2014, A. tinnulenta Walker & Funk, 2014, and A. thomasi Walker & Funk, 2014. When in the presence of a conspecific female, males of all four species perform courtship songs that are distinctly different in pattern of echeme delivery and syllable details compared to their respective calling songs. Additionally, males of all four species exhibited drumming behavior during courtship singing and variably during calling songs. Examination of video recordings of males drumming during courtship singing showed that they are apparently using the sclerotized portion of their mandibles to impact the substrate on which they are perched to create vibrations. Courtship song and drumming bout characteristics were statistically different among the four species studied here, although A. tinnulacita and A. tinnulenta were similar in some measurements. Drumming during calling songs was common only in A. tinnulacita, where drumming occurs predominately during the first forty percent and last twenty percent of the long echemes of calling songs. Additional study is needed to further explore the use of substrate-borne vibrational communication in this genus.

Calling and courtship songs of the rare, robust ground cricket, Allonemobius walkeri

In the original description of Allonemobius walkeri Howard & Furth, 1986, the authors describe the species’ calling songs in a table that included trill length, length of the interval between trills, pulse rate, and carrier frequency for four individuals. Further investigation of the acoustics of this species reveals that the calling songs are composed of syllables organized into echemes composed of a varying number of syllables, and organized into groups of echemes, of variable length. The echemes are separated by intervals of various lengths. The calling song is pleasing to the ear, with ~27 syllables per second and a carrier frequency of ~7.7 kHz at 25°C. The characteristics of the echemes and echeme intervals are significantly different when the cricket is singing in sunlight compared to darkness. In sunlight, echemes are shorter, but echeme intervals are longer. There is no effect on calling bout lengths. Courtship songs are quieter than calling songs, with a random delivery of soft and loud chirps in addition to fainter, rhythmic sounds randomly distributed between the chirps. Courtship songs are interspersed with long bouts of calling songs with displays lasting hours.

Substrate-borne vibration in Pacific field cricket courtship displays

While thought to be widely used for animal communication, substrate-borne vibration is relatively unexplored compared to other modes of communication. Substrate-borne vibrations are important for mating decisions in many orthopteran species, yet substrate-borne vibration has not been documented in the Pacific field cricket Teleogryllus oceanicus. Male T. oceanicus use wing stridulation to produce airborne calling songs to attract females and courtship songs to entice females to mate. A new male morph has been discovered, purring crickets, which produce much quieter airborne calling and courtship songs than typical males. Purring males are largely protected from a deadly acoustically orienting parasitoid fly, and they are still able to attract female crickets for mating though typical calling song is more effective for attracting mates. Here, we document the first record of substrate-borne vibration in both typical and purring male morphs of T. oceanicus. We used a paired microphone and accelerometer to simultaneously record airborne and substrate-borne sounds produced during one-on-one courtship trials in the field. Both typical and purring males produced substrate-borne vibrations during courtship that temporally matched the airborne acoustic signal, suggesting that the same mechanism (wing movement) produces both sounds. As previously established, in the airborne channel, purring males produce lower amplitude but higher peak frequency songs than typical males. In the vibrational channel, purring crickets produce songs that are higher in peak frequency than typical males, but there is no difference in amplitude between morphs. Because louder songs (airborne) are preferred by females in this species, the lack of difference in amplitude between morphs in the substrate-borne channel could have implications for mating decisions. This work lays the groundwork for investigating variation in substrate-borne vibrations in T. oceanicus, intended and unintended receiver responses to these vibrations, and the evolution of substrate-borne vibrations over time in conjunction with rapid evolutionary shifts in the airborne acoustic signal.

Songs and morphology in grasshoppers of the Stenobothrus eurasius group (Orthoptera: Acrdidae: Gomphocerinae) from Russia and adjacent countries: clarifying of taxonomic status

On the basis of the song and morphological analyses, we revised the status of the subspecies Stenobothrus eurasius eurasius Zubowsky, 1898, and S. eurasius hyalosuperficies Vorontsovskii, 1927. The status of the subspecies S. eurasius hyalosuperficies Vor. has been changed to the species level. The most striking difference between S. eurasius and S. hyalosuperficies lies in the song parameters. The calling songs differ not only in temporal parameters but are also produced by different mechanisms. S. eurasius generates calling songs by common leg stridulation, whereas S. hyalosuperficies produces sound by wing clapping. The courtship songs of both species are complex (contain several elements) and very different in temporal structure. The morphological differences between the two species are not as striking as the differences in bioacoustics: we found the only differences in the hind wing venation. At the same time, we suggest these differences to be important since they might be due to different mechanisms of sound production. We revised the ranges of the two species on the territory of Ukraine, Russia and Kazakhstan. We also reviewed the type localities of S. eurasius Zub. and designated lectotype and paralectotype of this species.

Individuality, as well as genotype, affects characteristics and temporal consistency of courtship songs in male mice

ABSTRACTCourtship songs in mice have been investigated to understand the mechanisms and ecological relevance of vocal communication. There is evidence that courtship song characteristics vary between different genotypes, but little is known on whether individuals, even within the same genotype, differ from each other in the composition, complexity, and temporal consistency of their songs. In a first study, we aimed to systematically identify song features typical of different genotypes, by assessing the composition and complexity (i.e., entropy) of the syllabic sequences of male laboratory mice from four different strains (Mus musculus f. domestica: C57BL/6J, BALB/c, DBA/2 and B6D2F1). Mice were individually presented with a swab containing fresh female urine for 5 minutes to elicit courtship songs. The four strains differed not only in the composition but also in the complexity of their syllabic sequences. In a second study, we investigated within-strain individual differences in temporal consistency and recurring motifs (i.e., identical sets of syllables that are repeated within a song), using BALB/c and DBA/2 mice. The same procedure as in the first study was followed, but in addition testing was repeated weekly over three weeks. Both strains showed some level of individual temporal consistency; BALB/c in the overall amount of emitted vocalisations and DBA/2 in the expression of specific syllable types. However, hierarchical cluster analysis revealed remarkable individual variability in how consistent song characteristics were over time. Furthermore, recurring motifs were expressed at varying levels depending on the individual. Taken together, not only genotype but also individuality can affect variability in courtship songs in mice, suggesting the existence of different courtship strategies (e.g., higher song consistency to facilitate individual identification) related to varying levels of behavioural plasticity.HIGHLIGHTSCourtship songs in mice can serve as a model to study vocal communicationWe explore how genotype and individuality affect courtship songs’ characteristicsGenotypes differ in composition and also in complexity of syllabic sequencesWe find remarkable individual variability in how consistent songs are over timeResults suggest the existence of variation in male courting behaviour

Contributions to the study of the grasshopper (Orthoptera: Acrididae: Gomphocerinae) courtship songs from Kazakhstan and adjacent territories

Male courtship songs of 9 grasshopper species of Gomphocerinae from Kazakhstan and Orenburg region and Altai Republic of Russia were studied. We analyzed not only the sound, but also the stridulatory movements of the hind legs to more entirely describe the songs. We also analyze the frequency spectra of the songs and the whole visual display during courtship. The courtship songs of three species, Stenobothrus miramae, Chorthippus dubius and Ch. angulatus, were studied for the first time. In four species, Omocestus haemorrhoidalis, O. petraeus, Myrmeleotettix pallidus, Ch.karelini, we found certain differences in temporal pattern of the courtship songs in comparison with the previous data on the respective species from other regions. In five species, O. viridulus, S. miramae, M. pallidus, Ch. dubius and Ch. karelini, various parts of elaborate courtship songs differed in the carrier frequency. In four species, O. haemorrhoidalis, O. petraeus, M. pallidus and Ch. dubius, the dominant frequencies of the courtship song were shown to lie in the range higher than 20 kHz. The conspicuous movements of antennae and legs during courtship were studied in M. pallidus, S. miramae and Gomphocerus sibiricus.