Animation Art Design Online System Based on Mobile Edge Computing and User Perception

Based on mobile edge computing and user perception technology, this paper analyzes and discusses the respective advantages and disadvantages of the important optimization models and mobile models in the animation art design, as well as the wireless block data transmission mechanism and protocol. In order to solve the problem that user mobility cannot be sensed, a content-centric mobile edge animation art design mechanism based on user mobility perception is proposed. This mechanism comprehensively calculates the centrality of users’ perception of nodes, the idle rate of animation design, and the staying time of users in a small area. The mobile edge network controller integrates the information of each edge user’s perception node, calculates the importance of each edge user’s perception node and prioritizes it, and selects the appropriate content animation to design the user perception node according to the ranking result. Finally, various simulation or platform test experiments were carried out for all the design schemes in this paper, and the experimental results were analyzed. The simulation experiment results show that compared with the traditional animation design mechanism, the animation art design system effectively reduces the average number of hops for users to obtain content by up to 15.9%, improves the hit rate of edge user perception node animation design by at least 13.7%, and reduces the traffic entering the core network by up to 32.1%. According to the comparison results, the various designs in this work can successfully use sensor data to preclassify migration tasks in the mobile edge network environment. Compared with the latest block data transmission protocol, it has a significant performance improvement, reducing the data distribution delay by 34.8%, thereby helping to improve the overall efficiency of mobile edge computing.

Design and Analysis a Harvesting Mechanism of Swiftlets Nest

Industry swiftlets nest is not a new industry in Malaysia. It gets very high demand from China. Harvesting swiftlets nest is one of the processes to produce any products that made from swiftlets nest. Currently, they are using manual harvesting equipment to harvest swiftlets nest without using any auxiliary equipment. It is the first step in process flow and very important role before cleaning process. The objectives of this project are to design mechanism harvesting equipment to harvest swiftlets nest and to decrease the time of harvesting swiftlets nest process in a swiftlets house in a day. The methodology of research is including collect data, brainstorming, design concept generation, concept selection and simulation analysis. The design of harvesting equipment is using CAD software and analyze using FEA analysis. At the end of this project, this research will give understanding about design using CAD software and analysis that improved the harvesting equipment.

Phi: Designing Wellington Zoo in Harmony with Nature

<p>The harmonious balance of architecture and nature is undermined by their mutual struggle for control. Their corrosive relationship directly leads to the degradation and displacement of natural ecosystems through economic development, of which modern society is fundamentally reliant. To preserve Earth’s ecology and biodiversity for future generations, architecture needs to become symbiotic with nature. As Adolf Zeising speculated the ratio Phi (the Golden Section) to be the morphological law of nature, this thesis investigates whether its principles can help generate symbiotic architecture. This thesis investigates the historical perception of how Phi relates to nature, and applies its core principles to the development of Wellington Zoo’s ‘Welcome Plaza’. The investigation of Phi finds symbolism to be of central importance reflecting the ancient Pythagorean conception of Aether, later conceived as the medium of electromagnetic fields. The design basis of the Welcome Plaza utilises that which the ratio symbolises, being the Aether and its correlated electromagnetic qualities, rather than deriving its architectural form from the Phi ratio itself. The impact of the Welcome Plaza’s generated form, upon the ecological value of the site, determines the appropriateness of the principles of Phi as a design mechanism. This thesis determines whether the principles ascribed to Phi can be used as a design methodology to generate Wellington Zoo’s Welcome Plaza in a way that is harmonious with nature.</p>

Phi: Designing Wellington Zoo in Harmony with Nature

<p>The harmonious balance of architecture and nature is undermined by their mutual struggle for control. Their corrosive relationship directly leads to the degradation and displacement of natural ecosystems through economic development, of which modern society is fundamentally reliant. To preserve Earth’s ecology and biodiversity for future generations, architecture needs to become symbiotic with nature. As Adolf Zeising speculated the ratio Phi (the Golden Section) to be the morphological law of nature, this thesis investigates whether its principles can help generate symbiotic architecture. This thesis investigates the historical perception of how Phi relates to nature, and applies its core principles to the development of Wellington Zoo’s ‘Welcome Plaza’. The investigation of Phi finds symbolism to be of central importance reflecting the ancient Pythagorean conception of Aether, later conceived as the medium of electromagnetic fields. The design basis of the Welcome Plaza utilises that which the ratio symbolises, being the Aether and its correlated electromagnetic qualities, rather than deriving its architectural form from the Phi ratio itself. The impact of the Welcome Plaza’s generated form, upon the ecological value of the site, determines the appropriateness of the principles of Phi as a design mechanism. This thesis determines whether the principles ascribed to Phi can be used as a design methodology to generate Wellington Zoo’s Welcome Plaza in a way that is harmonious with nature.</p>