Designing a Successful MOOC – An Empirical Study of the Foreign Language Courses On a MOOCs Platform

MOOCs have achieved great development in the last five to seven years. However, MOOCs present unique features of their own which distinguish themselves from the traditional classroom interaction. In this article, in order to find out the factors influencing the design of successful MOOCs, we examined the communication mode of MOOCs from the perspective of symbolic interactionism by combining the features of the communication mode of MOOCs as well as that of the traditional classroom interaction. Multiple linear regression analysis was conducted on 280 sample MOOCs from the foreign language courses category of a major Chinese MOOCs platform. The findings indicate that providing options for comprehension, providing options for self-regulation, coherence and temporal contiguity are the key factors for a successful design of MOOCs.

Does Depth of Processing Affect Temporal Contiguity?

Memory tends to be better when items are processed for their meaning (deep processing) rather than their perceptual features (shallow processing). This levels of processing (LOP) effect is well-replicated and has been applied in many settings, but the mechanisms involved are still not well understood. The temporal contiguity effect (TCE), the finding that recalling one event often triggers recall of another event experienced nearby in time, also predicts memory performance. This effect has given rise to several competing theories with specific contiguity-generating mechanisms related to how items are processed. Therefore, studying how LOP and the TCE interact may shed light on the mechanisms underlying both effects. However, it is unknown how LOP and the TCE interact—the various theories make differing predictions. In this preregistered study, we tested predictions of three theoretical explanations: accounts which assume temporal information is automatically encoded, accounts based on a trade-off between item and order information, and accounts which emphasize the importance of strategic control processes. Participants completed an immediate free recall task where they either engaged in deep processing, shallow processing, or no additional task while studying each word. Recall and the TCE were highest for no-task lists and greater for deep than shallow processing. Our results support theories which assume temporal associations are automatically encoded and those which emphasize strategic control processes. Both perspectives should be considered in theory development. These findings also suggest temporal information may contribute to better recall under deeper processing with implications in determining which situations benefit from deep processing.

Unsupervised changes in core object recognition behavior are predicted by neural plasticity in inferior temporal cortex

Temporal continuity of object identity is a feature of natural visual input, and is potentially exploited -- in an unsupervised manner -- by the ventral visual stream to build the neural representation in inferior temporal (IT) cortex. Here we investigated whether plasticity of individual IT neurons underlies human core-object-recognition behavioral changes induced with unsupervised visual experience. We built a single-neuron plasticity model combined with a previously established IT population-to-recognition-behavior linking model to predict human learning effects. We found that our model, after constrained by neurophysiological data, largely predicted the mean direction, magnitude and time course of human performance changes. We also found a previously unreported dependency of the observed human performance change on the initial task difficulty. This result adds support to the hypothesis that tolerant core object recognition in human and non-human primates is instructed -- at least in part -- by naturally occurring unsupervised temporal contiguity experience.

Creativity Is Optimal Novelty and Maximal Positive Affect: A New Definition Based on the Spreading Activation Model

Creativity is commonly defined as a process that leads to a novel and useful outcome (an idea, product, or expression). However, two dilemmas about this definition remain unresolved: (1) A strict application of usefulness is difficult to apply to artistic works: who decides what artwork is useful, and how it is useful? (2) The implied boundary conditions of novelty are problematic: The default perspective is that novelty has a monotonic increasing relationship with creativity, or it is categorical—i.e., novel or not. To address these dilemmas, this paper proposes a spreading activation model of creativity (SAMOC), a model built on a brain-architecture-inspired vast interconnected network of nodes, each node representing information, and assigned meanings through interaction with the environment. Nodes are linked to each other according to principles of temporal contiguity (linking objects/events in time) and similarity (linking objects/events by shared features). A node activated by attention spreads through the network through previously linked nodes. Nodes that are well connected activate each other easily, while those that are weakly connected do not. Net total activation corresponds to positive affect (e.g., pleasure), and this is proposed as an essential criteria for a creative work of art, instead of usefulness. SAMOC also predicts that creativity will be optimized at an intermediate, not extreme, level of novelty. Too much activation will occur with the activation of preexisting ideas (hence reproduction rather than creativity), and too much novelty will not produce spread of activation. The two functions (spreading activation and the novelty curve) are superposed to demonstrate this optimal novelty hypothesis. Early evidence of the hypothesis comes from the data that some great works of art were critically rejected at premiers (suggesting excessive novelty), but after sufficient repetition (and therefore linking) became suitably associated and commenced generating activation. The hypothesis has important implications for future empirical research programs on creativity, and for the definition of creativity itself.

Time is of the essence: Exploring temporal and spatial organisation in episodic memory

There is disagreement in the literature as to whether episodic memory maintains an inherent temporal organisation, that is, whether learned items are necessarily organised along some temporal dimension or whether temporal organisation is a task-specific occurrence. The current series of experiments explored this issue. In Experiment 1, we tested whether temporal or spatial contiguity was present in an incidental encoding task where either strategy (but not both together) could be employed at test. In Experiment 2, we attempted to facilitate the use of a spatial retrieval strategy at test by asking participants to recall the location where target items had been displayed at study, after incidental encoding. Experiment 3 explored the role of study-test congruency by informing participants at encoding that they would be tested on either their memory for the temporal sequence or spatial locations, and then testing both at retrieval. Finally, Experiment 4 employed a masking task at encoding to ensure participants could not predict the true nature of the task, despite it being incidental, and a surprise free recall task. Predominantly, participants displayed recall performance consistent with temporal contiguity, although there was evidence for spatial contiguity under certain conditions. These results are consistent with the notion that episodic memory has a stable and predictable temporal organisation.

The Kamin Blocking Effect in Sign and Goal Trackers

The discovery of the Kamin blocking effect suggested that surprise or prediction errors are necessary for associative learning. This suggestion led to the development of a new theoretical framework for associative learning relying on prediction error rather than just temporal contiguity between events. However, many recent studies have failed to replicate the blocking effect, questioning the central role of blocking in associative learning theory. Here, we test the expression of Kamin blocking in rats that either approach and interact with the conditioned cue (sign trackers) or approach and interact with the reward location (goal trackers) during appetitive classical conditioning. The behavioral task involved three phases: classical conditioning of a lever cue, conditioning of a compound of the lever cue plus an auditory cue, and testing response to presentation of the auditory cue in extinction. The results show that only sign trackers express the blocking effect. Thus, groups that include goal trackers are less likely to be able to replicate the blocking effect. Our findings support the idea that sign and goal tracking responses arise as a result of distinct parallel learning processes. Psychological theories of learning that incorporate these parallel learning processes and their interactions will provide a better framework for understanding the blocking effect and related associative learning phenomena.