By the time Tommy Tune received a special Tony Award for Lifetime Achievement in 2015, he had inspired a new generation of director-choreographers, including Susan Stroman, Jerry Mitchell, and Casey Nicholaw. They successfully adapted Tune’s seamless staging concepts, his use of show business motifs, and his ability to move forward by drawing on the past to a new, faster-paced era. Well into his seventies, Tune continued to create shows with precision and detail, but now they were of a much smaller scale and featured a cast of one. His solo traveling act took on a biographical air, with recollections of his theatrical past performed on a bare stage with just a small platform for dancing, a ladder, and evocative lighting. It was the simplicity and elegance of Nine, Grand Hotel, and My One and Only stripped to their most elemental form. For Tune, everything was still choreography, but on a diminutive scale.