Research on consumer portraits of offline fast fashion shoe stores based on IoT smart hardware

There is a close relationship between consumer’s portrait and product’s attributes. Consumer portraits are usually obtained from information provided by consumers or by using data analysis of computer vision technology when they were in store. However, there was few concerns on the product’s attribute which was a critical factor affecting consumer portrait establishment. Therefore, the purpose of this study was to establish IoT based product attributes’ data collection system then to use this system to portrait consumers behaviors. Firstly, we used our own developed smart hardware to collect consumers' attention data on products of fast fashion shoe stores. Then the product attention index was obtained by combining sales data, and the quantitative attributes of the products with the highest attention index were analyzed, including the age, style and price. At last, improved the TOFA model to make it suitable for the conversion analysis of product attributes to consumer portraits. The results showed that there were core hedonic middle-aged consumer groups and potential thrifty youth consumer groups in the store, and the styles of shoes tend to be fashionable and casual. The conclusion was that the new model can effectively analyze the core consumer portraits of shoe stores and provide strategies for shoe store positioning and supply.

Website e-Commerce Penjualan Sepatu Sekolah Studi Kasus : Toko Sepatu Nadin di Tembilahan

The rapid development of technology makes users increasingly spoiled by their presence, especially those that are developing today, namely e-commerce websites, especially with the spread of the Covid-19 virus pandemic that occurs almost everywhere around the world, making people very afraid to interact outside the home, with e-commerce makes buyers or consumers very easy in the process of purchasing transactions. Consumers do not need to come to the Nadin Tembilahan shoe store but they only need to open an e-commerce website using either a handphone or a computer, buyers can choose and buy the desired shoes. Nadin shop is one of the shops that operates in the shoe sales department in the area of tembilahan, managing a shoe shop is not as easy as imagined. Lack of sales in the days of the Covid-19 pendemic and the difficulty of processing payments and shipping goods, making a decrease in sales turnover shoes. Another problem faced by Nadin shoe stores is one of them is the process of selling shoes that still use the manual system, not yet done using e-commerce websites. Many weaknesses and omissions such as slow sales services, stacking shoes, inaccurate and timely reporting. With this problem the researchers tried to help to design a shoe sales e-commerce website, with the presence of this e-commerce very helpful for shop owners in managing their shoe stores, this proved to easily convey the promotion of shoes to the public, purchase transactions, payment and shipping of goods, because the buyer does not have to come to the shop, the buyer just simply makes a purchase transaction and waits for his shoes to come home. The presence of this e-commerce website really helped Nadin shopkeepers in Tembilahan in running their business and also provided a decent profit especially during the Covid-19 virus pandemic.

Pengujian Black Box pada Sistem Informasi Penjualan HI Shoe Store Menggunakan Teknik Equivalence Partitions

Testing software that is incomplete and ineffective can cause various problems that cause losses, especially for users, this test is carried out to ensure that if it does not match what is expected then the system fails. The sales information system at the Hi Shoe Store is then carried out using the Black Box test based on Equivalence Partitions, so it will be known weaknesses in the information system after testing. The system test results show that testing can improve quality and guarantee error free.

Living Local in the East Village

You’re waiting to meet the Japanese college students at 10 A.M. on the corner of Broadway and Astor Place. It’s a cool and drizzly day in June, passersby are buttoned up against the chill, and at this early hour downtown doesn’t have its usual buzz. When the students show up, you’re surprised to see they’re all young women, led by a middle-aged male professor who has some contacts in the city. They’re excited to be in New York, especially in Greenwich Village, and they whip out their digital cameras when you show them the colored tiles that Jim Power, the otherwise unemployed “Mosaic Man,” has spent the past twenty years gluing onto lampposts in a single-handed effort to beautify the neighborhood. They giggle in soft, high voices when you point out the Japanese pastry shop around the corner. “Beard Papa’s,” you hear them say to each other. They know the name of this chain from home. But they don’t know about local institutions such as Astor Place Hair Stylists, which occupies a basement in the building behind you, with its multiethnic team of eighty barbers who use their old-school expertise with the clippers to style the most eye-catching, gravity-defying Mohawks of the Lower Manhattan punk scene. In the 1980s young men used to make the pilgrimage to Astor’s barbers in the East Village from the suburbs and overseas, walking in with a shaggy mane and walking out with a towering crest, sprayed and lacquered and often dyed an unnatural black or red or green that went much better with their black leather jacket and metal studs. Opened in 1945 by an Italian American barber, the salon is still family owned and run. Now it shares the block with a branch of Cold Stone Creamery, the ice cream chain, Arche, the French shoe store chain, and a big Barnes & Noble bookstore. Neither do the Japanese students know that the Walgreen’s drugstore on the corner was until recently Astor Wines.

Face to Face: A Conversation With Vittorio Rossi

With productions of nine of his plays behind him (including his translation of Eduardo de Filippo's Filumena for the Stratford Festival in 1997), playwright and actor Vittorio Rossi has become one of Canada's best-known dramatists of Italian origin. He began his writing career by winning the Best New Play Award at the Quebec Drama Festival twice: for "Little Blood Brother" in 1986 and for "Backstreets" in 1987. His first full-length play, The Chain, broke attendance records at Centaur Theatre, English Quebec's main stage. His most acclaimed drama, The Last Adam, won the Canadian Authors Association Literary Award for Drama in 1996. Rossi's career as an actor, in addition to his work in his own plays, has included roles in such films as Snake Eater II: The Drug Buster (1991), Canvas: The Fine Art of Crime (1992), Le Sphinx (1995), Strip Search (1997), Suspicious Minds (1997), and the award-winning Post Mortem (1999); and televison series such as Malarek (1989), Urban Angel (1991), Bonanno: A Godfather's Story (1999) and the number-one-rated television show in Quebec for its three-year run, Omerta (1996, 1997, 1998). I met with Rossi at the Café Via Crescent on Crescent Street in Montreal, December 8, 1999. We discussed the situation of actors in Canada, the process of translation and adaptation, the background of the plays and his reaction to their critical reception, and his work in progress: the film adaptation of a crime novel for Denys Arcand, the scripting of a television series with Luc Dionne (creator of Omerta) and the film adaptation and production of Rossi's own shoe-store drama Scarpone.