The structure of social effects: Personality as impact on others

2010 ◽  
Vol 24 (3) ◽  
pp. 222-240 ◽  
Author(s):  
Gerard Saucier

Social‐effect descriptors (like charming and annoying) register the individual's footprint on the social world. Highly prototypical social‐effects terms in English were identified and factor‐analysed in peer‐ratings, with comparisons to the same procedures in self‐ratings. Two internally replicated factors were highly interpretable. They reflect the extent to which a person is a source of pleasure to others, or alternatively is a source of pain to others. The factors are linked to hedonic principles and basic appraisal tendencies. Extension‐correlation analyses indicated that variation in social‐effects dimensions is represented diffusely in Big Five and six‐factor measures, but corresponds more directly to variation in a Big Two personality structure that has previously been found to arise rather ubiquitously across cultures. Copyright © 2010 John Wiley & Sons, Ltd.

2020 ◽  
pp. 219-234
Author(s):  
Michael Lucey

This chapter makes the case that Proust's Recherche offers a way of perceiving how our pleasure in aesthetic objects (novels, septets) can, when viewed from the appropriate angle, reveal the topography of the social world through which we must all necessarily find our way. How might the experience of a particularly social level of reality be communicated in a novel?  The social world can be understood in Bourdieusian terms as a space of immanent tendencies, one in which some people are more likely to follow one kind of social trajectory than another. Proust’s novel shares with Bourdieu’s sociology an interest in how a work of art, being the product of a social world, can on occasion serve as an instrument that reveals something of the immanent structures that contribute to the shape of the social topography around it.  It does so by producing differential effects on its public. The Vinteuil Septet is presented in the Recherche as a work that has this kind of differential social effect:  by producing different effects on different listeners it becomes a diagnostic instrument revealing the social topography around it. 


Author(s):  
Dayi He ◽  
Ximing Deng

Consumer environmental awareness (CEA) can affect green consumption decisions in different and confusing ways. In order to explain the reasons for these divergences, this study divides CEA into two main components: the subjective effect and the social effect. Then, we integrate the two effects into the classic Hotelling model to study the influence of CEA’s subjective effect and social effect on price competition and product differentiation strategy. It was found that the subjective and social effects of CEA have opposite impacts on price competition and product differentiation strategies. The subjective effect of CEA increases the price and profit level of enterprises, and enlarges the difference in the environmental friendliness of products. Meanwhile, the social effect of CEA reduces the enterprises’ price and profit level, and narrows the difference in the environmental quality of products. Therefore, we suggest that it is necessary for producers of green products to distinguish between these two effects. Numerical examples are provided to verify our findings. Finally, some possible suggestions regarding the competition of green products are put forward which take into consideration the subjective and social effects of CEA. The main contribution of this paper is to theoretically explain the opposite effects of the two different components of CEA on environmentally friendly product pricing and differentiation strategy; this presents a possible explanation as to why the behavior regarding CEA differs, and provides theoretical support for enterprises to price and differentiate green products.


2015 ◽  
Vol 36 (3) ◽  
pp. 183-189 ◽  
Author(s):  
Michael C. Ashton ◽  
Kibeom Lee ◽  
Kathleen Boies

We report solutions for one through six components for self-ratings (N = 559) on 449 familiar English personality-descriptive adjectives (see Lee & Ashton, 2008 ). The first unrotated component mainly contrasted desirable with undesirable characteristics. The varimax-rotated two-component solution contained dimensions closely resembling the Social Self-Regulation and Dynamism constructs of Saucier et al. (2014) . The three-component solution contained dimensions closely resembling the Affiliation, Dynamism, and Order constructs of De Raad et al. (2014) . In the four-component solution, an Emotional Stability dimension emerged, absorbing some variance from dimensions of the three-component solution. The five-component solution added an Intellect/Imagination/Unconventionality (Openness) component, and thus resembled the classic Big Five structure (e.g., Goldberg, 1990 ). In the six-component solution, the variance of the Big Five Agreeableness and Emotional Stability components was reorganized, producing components corresponding to HEXACO Agreeableness and to rotated variants of HEXACO Emotionality and Honesty-Humility. Solutions based on peer ratings (N = 303) were generally similar to those based on self-ratings, but showed a much larger first unrotated component.


2021 ◽  
Vol 99 (5) ◽  
Author(s):  
Belcy K Angarita ◽  
Junjie Han ◽  
Rodolfo J C Cantet ◽  
Sarah K Chewning ◽  
Kaitlin E Wurtz ◽  
...  

Abstract Automatic feeding systems in pig production allow for the recording of individual feeding behavior traits, which might be influenced by the social interactions among individuals. This study fitted mixed models to estimate the direct and social effects on visit duration at the feeder of group-housed pigs. The dataset included 74,413 records of each visit duration time (min) event at the automatic feeder from 135 pigs housed in 14 pens. The sequence of visits at the feeder was employed as a proxy for the social interaction between individuals. To estimate animal effects, the direct effect was apportioned to the animal feeding (feeding pig), and the social effect was apportioned to the animal that entered the feeder immediately after the feeding pig left the feeding station (follower). The data were divided into two subsets: “non-immediate replacement” time (NIRT, N = 6,256), where the follower pig occupied the feeder at least 600 s after the feeding pig left the feeder, and “immediate replacement” time (IRT, N = 58,255), where the elapsed time between replacements was less than or equal to 60 s. The marginal posterior distribution of the parameters was obtained by Bayesian method. Using the IRT subset, the posterior mean of the proportion of variance explained by the direct effect (Prpσ^d2) was 18% for all models. The proportion of variance explained by the follower social effect (Prpσ^f2) was 2%, and the residual variance (σ^e2) decreased, suggesting an improved model fit by including the follower effect. Fitting the models with the NIRT subset, the estimate of Prpσ^d2 was 20% but the Prpσ^f2 was almost zero and σ^e2 was identical for all models. For the IRT subset, the predicted best linear unbiased predictor (BLUP) of direct (Direct BLUP) and social (Follower BLUP) random effects on visit duration at the feeder of an animal was calculated. Feeder visit duration time was not correlated with traits, such as weight gain or average feed intake (P > 0.05), whereas for the daily feeder occupation time, the estimated correlation was positive with the Direct BLUP (r^ = 0.51, P < 0.05) and negative with the Follower BLUP (r^= −0.26, P < 0.05). The results suggest that the visit duration of an animal at the single-space feeder was influenced by both direct and social effects when the replacement time between visits was less than 1 min. Finally, animals that spent a longer time per day at the feeder seemed to do so by shortening the meal length of the preceding individual at the feeder.


2019 ◽  
Vol 6 (1) ◽  
pp. 56-62
Author(s):  
Singgih Prio Wicaksono ◽  
Anik Juwariyah

Bahasa Visual Konsumerisme dalam Karya Seni Kontemporer. Artikel ini mendeskripsikan wacana konsumerisme ketika dibahasakan secara visual dalam karya kontemporer. Penelitian ini bertujuan untuk mengetahui pendekatan visualnya, gaya ungkapannya, serta social effect dari karya-karya tersebut. Penelitian ini menggunakan pendekatan deskriptif dengan obyek kajian empat karya kontemporer dunia yang sangat terkenal, “Campbell’s Soup Cans” karya Andi warhol, “Jesus Christ with Shopping Bags” kaya Banksy, “I Shop Therefore I Am” karya Barbara Kruger, “Super Supper” karya Ron English. Berdasarkan analisis terhadap empat karya tersebut dapat disimpulkan bahwa kecenderungan visual pada karya-karya tersebut adalah: (1) memiliki karakteristik visual bergaya Pop Art dengan penggunaan simbol-simbol budaya populer, (2) sarat akan unsur jenaka, satir dan sarkastik, (3) menimbulkan persoalan etis dan estetis.Kata kunci: bahasa visual; konsumerisme; seni kontemporerABSTRACTThis article describes how consumerism discourse is visualized in contemporary works with the aim to find out how the visual approach, how the style of expression, as well as the social effects of these works. Using a descriptive approach with the object of study of four world famous contemporary works, “Campbell’s Soup Cans” by Andi warhol, “Jesus Christ with Shopping Bags” rich in Banksy, “I Shop Therefore I Am” by Barbara Kruger, “Super Supper” by Ron English. Based on the analysis of the four works, it can be concluded that the visual tendencies in these works are: (1) having visual characteristics of Pop Art style with the use of symbols of popular culture, (2) full of humorous, satirical and sarcastic elements, (3) giving rise to ethical and aesthetic issues.Keywords: visual language; consumerism; contemporary art


2014 ◽  
Vol 35 (3) ◽  
pp. 144-157 ◽  
Author(s):  
Martin Bäckström ◽  
Fredrik Björklund

The difference between evaluatively loaded and evaluatively neutralized five-factor inventory items was used to create new variables, one for each factor in the five-factor model. Study 1 showed that these variables can be represented in terms of a general evaluative factor which is related to social desirability measures and indicated that the factor may equally well be represented as separate from the Big Five as superordinate to them. Study 2 revealed an evaluative factor in self-ratings and peer ratings of the Big Five, but the evaluative factor in self-reports did not correlate with such a factor in ratings by peers. In Study 3 the evaluative factor contributed above the Big Five in predicting work performance, indicating a substance component. The results are discussed in relation to measurement issues and self-serving biases.


2016 ◽  
Vol 6 (2) ◽  
Author(s):  
David E. Scharff

Enrique Pichon-Rivière, a pioneer of psychoanalysis, worked and wrote in Argentina in the mid-twentieth century, but his work has not so far been translated into English. From the beginning, Pichon-Rivière understood the social applications of analytic thinking, centring his ideas on "el vinculo", which is generally translated as "the link", but could equally be translated as "the bond". The concept that each individual is born into human social links, is shaped by them, and simultaneously contributes to them inextricably ties people's inner worlds to the social world of family and society in which they live. Pichon-Rivière believed, therefore, that family analysis and group and institutional applications of analysis were as important as individual psychoanalysis. Many of the original family and couple therapists from whom our field learned trained with him. Because his work was centred in the analytic writings of Fairbairn and Klein, as well as those of the anthropologist George Herbert Mead and the field theory of Kurt Lewin, his original ideas have important things to teach us today. This article summarises some of his central ideas such as the link, spiral process, the single determinate illness, and the process of therapy.


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