Achieving Cultural Resonance: Four Strategies Toward Rallying Support for Entrepreneurial Endeavors

Author(s):  
Jean‐François Soublière ◽  
Christi Lockwood
Keyword(s):  
1998 ◽  
Vol 10 (1-3) ◽  
pp. 100-108 ◽  
Author(s):  
Alicia Colson ◽  
Ross Parry

This article argues that the analysis of a threedimensional image demanded a three-dimensional approach. The authors realise that discussions of images and image processing inveterately conceptualise representation as being flat, static, and finite. The authors recognise the need for a fresh acuteness to three-dimensionality as a meaningful – although problematic – element of visual sources. Two dramatically different examples are used to expose the shortcomings of an ingrained two-dimensional approach and to facilitate a demonstration of how modern (digital) techniques could sanction new historical/anthropological perspectives on subjects that have become all too familiar. Each example could not be more different in their temporal and geographical location, their cultural resonance, and their historiography. However, in both these visual spectacles meaning is polysemic. It is dependent upon the viewer's spatial relationship to the artifice as well as the spirito-intellectual viewer within the community. The authors postulate that the multi- faceted and multi-layered arrangement of meaning in a complex image could be assessed by working beyond the limitations of the two-dimensional methodological paradigm and by using methods and media that accommodated this type of interconnectivity and representation.


Author(s):  
Michail A. Maslin ◽  

Press conference of the authors and editors devoted to the Third edition of Ency­clopedia Russian Philosophy had been held at January 21 in International press-center of MIA Rossiya-Segodnya [Maslin 2020]. Philosophers – authors of En­cyclopedia, members and guests of Zinoviev club, journalists took part in the event. Among the speakers were: full member of Russian Academy of Sciences A.A. Guseinov, Editor of Encyclopedia, professor Emeritus of Moscow State University M.A. Maslin, director of the publishing house “World of Philosophy” P.P. Aprishko, editor-in-chief A.P. Polyakov, vice-director of Institute of Philoso­phy Russian Academy of Sciences A.V. Chernyaev, executive director of Zi­noviev’s Center V.A. Lepekhine [Press Conference 2020]. The article is devoted to analyses of encyclopedia as philosophical genre reflected the statue of philo­sophical knowledge in Russian culture and it’s social and cultural resonance. The significance of this publication for the modern world philosophical commu­nity lies in the fact that the authors sought to bring together and present different opinions about Russia's intellectual culture and capture a holistic image of Rus­sian philosophy in the variety of its key directions.


2021 ◽  
Vol 26 ◽  
pp. 31-54
Author(s):  
Michael Allen ◽  

In this article, I reconsider Gandhi's relationship to liberal democracy. I argue that a properly Gandhian approach to this relationship should emphasize the role of the satyagrahi facilitating conflict resolutions and progress in truth. Above all, this approach calls upon courageous, exemplary individuals to pass over and join the viewpoints of 'unreasonables' marginalized by the liberal state. However, I also argue that contemporary Gandhians should explore cultural adaptations of the satyagrahi-role appropriate to highly materialistic, multicultural liberal-democracies. In these societies, the traditional figure of the ascetic or saint may lack popular cultural resonance. Moreover, moral learning and spiritual insight often derives from popular culture and entertainment as much as religious traditions, or devotional practices. Contemporary Gandhi’s scholars should thus consider the prospects for 'alternative satyagrahis' embracing some materialist values and cultural motifs, as appropriate sources spiritual growth and soul-force.


2020 ◽  
Vol 5 (1) ◽  
pp. 118-131
Author(s):  
Leah Richards

Although the tale of Sweeney Todd is one with significant cultural resonance, little has been written about the text itself, The String of Pearls. This article argues that the text engages with anxieties about class conflict through a narrative that enacts exaggerated versions of various interactions. In the nineteenth century, critics objected to the cheap fiction pejoratively known as penny dreadfuls, asserting that the genre’s exciting tales of bloodshed, villainy, and mayhem would seduce readers to lives of debauchery and crime, but I argue that this concern about cheap fiction was not for the preservation of the souls of the poor and working classes but rather for the preservation of the middle classes' own corporeal bodies and the system that privileged and protected them. While there is no question that the narrative enacts extreme manifestations of problems facing the urban poor—among them, contaminated or even poisonous foodstuffs and the perils of urban anonymity—it also features an intractable and rapacious lower class and a subversion of the master-servant dynamic on which the comforts of the middle class were constructed, and so, in addition to adventure, detection, and young love, The String of Pearls offers a dark revenge fantasy of class-based violence that the middle-class critics of the penny dreadful were perhaps justified in fearing. tl;dr: Eat the Rich!


2021 ◽  
pp. 189-192
Author(s):  
Megan Woller

Traditional stories based on Arthurian legend continue to be told, and alongside these tales of romance and chivalry, a comedic tradition exists. This centuries-long tradition holds cultural resonance around the world, including having a strong presence in American popular culture. The musical as a genre has proven to be fertile ground for the insertion of American perspectives into the British legend. The use of song, in particular, can shape the way audiences understand familiar characters as well as the story itself. Given this context, the existence, popularity, and influence of Arthurian musicals represents an important contribution to the annals of myth.


2019 ◽  
Vol 16 (1) ◽  
pp. 258-284
Author(s):  
Gokten Doğangün

AbstractIn Russia and Turkey, the pro-authoritarian regimes have largely relied on nationalistic narratives appealing to cultural authenticity, tradition, and religion for legitimacy and cultural resonance at the mass level. Within this narrative, as it is argued, traditional notions of family and femininity are endorsed so as to represent national power against the West and to invigorate social unity and morality in Russian and Turkish societies. The revival of traditional gender norms and patterns that characterize the prevailing gender climates in Russia and Turkey is visible in the restructuring of gender equality mechanisms, the organization of reproduction in accordance with pronatalist policies, women's employment patterns, and state policy on combating domestic violence. This analysis relies on empirical data obtained through in-depth interviews with academics, representatives of international organizations and nongovernmental organizations, feminist activists, experts from women's shelters, and public officials based in Russia and Turkey. It is supplemented with a review of relevant examples from political discourse employed by political leaders, legal regulations, and public policies on these four areas. The article concludes that the revival of traditional gender categories and stereotypes aggravates the inferior position of women and unleashes discriminatory attitudes toward them at home, in society, and in the labor market.


2017 ◽  
Vol 26 (3) ◽  
pp. 247-264 ◽  
Author(s):  
Benet Vincent ◽  
Jim Clarke

The 1962 dystopian novella A Clockwork Orange achieved global cultural resonance when it was adapted for the cinema by Stanley Kubrick in 1971. However, its author Anthony Burgess insisted that the novel’s innovative element was the introduction of ‘Nadsat’, an art language he created for his protagonist Alex and his violent gang of droogs. This constructed anti-language has achieved a cultural currency and become the subject of considerable academic attention over a 50-year period, but to date no study has attempted a systematic analysis of its resources and distribution. Rather, a number of studies have attempted to investigate the effects of Nadsat, especially in terms of the author’s claim that learning it functioned as a form of ‘brainwashing’ embedded within the text. This paper uses corpus methods to help isolate, quantify and categorise the distinctive lexicogrammatical features of this art language and investigate how Burgess introduces a new, mainly Russian-based lexicon to readers. In doing so, it clarifies the existing confusion over what Nadsat is, and also provides a roadmap for future studies into the construction, function and translatability of the created linguistic component of the novel.


Journalism ◽  
2005 ◽  
Vol 6 (2) ◽  
pp. 131-152 ◽  
Author(s):  
James S. Ettema
Keyword(s):  

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