The Chewa Concept of Beauty and Meaning

2018 ◽  
pp. 107-115
Author(s):  
Grivas Muchineripi Kayange
Keyword(s):  
Concept Of Beauty

Evolutional Aspect of Concept of Beauty

2019 ◽  
pp. 97-107
Author(s):  
E. Yakhnin ◽  
Keyword(s):  
Concept Of Beauty

Baroque Dance

2018 ◽  
pp. 263-285
Author(s):  
Jennifer Nevile
Keyword(s):  
Social Interactions ◽  
Design Principles ◽  
Self Control ◽  
Scientific Thought ◽  
The Social ◽  
French Court ◽  
Concept Of Beauty

Baroque dance was inseparable from music and theater, with its role in multimedia spectacles giving it a dramatic power and an expressive passion. It was part of politics and diplomacy; it was influenced by contemporary artistic attitudes as they pertained to the concept of beauty and artistic design principles, as well as trends in philosophic and scientific thought; and it reflected the organization of society and the social interactions of the upper levels of society. Dance taught self-control, which was itself a sign of noble virtue and a graceful bearing. While each country had its own national dance traditions, the fundamental characteristics of baroque dance was French; the practice as performed at the French court and the Opéra. The years 1630–1750 saw changes in styles and dance genres, major innovations in the methods of notating choreographies, as well as visible and substantial changes in the bodily deportment of dancers.

Ästhetisch konstruierte Traditionen?

2019 ◽  
Vol 44 (2) ◽  
pp. 442-470
Author(s):  
Torsten Voß
Keyword(s):  
Discursive Practice ◽  
German Romanticism ◽  
Literary Field ◽  
Avant Garde ◽  
Art And Literature ◽  
European Tradition ◽  
Concept Of Beauty

Abstract Throughout various literary and artistic periods, artists have referred to or even converted to Catholicism as a means of conjuring a certain perception of a European tradition. In doing this, they seek to create an aesthetic of romanticism and/or an idea and concept of beauty, the artist, artwork etc. After giving a brief overview of this discursive practice in modern avant-garde movements, this article focuses on early forms of literary Catholic movements, such as the French Renouveau catholique and François-René de Chateaubriand’s Le Génie du Christianisme (The Genius of Christianity), as well as Novalis’ ‘invention’ of German romanticism in his essay Die Christenheit oder Europa (Christianity or Europe). It shows that there are a variety of parallels to be identified across these periods and places, namely, in programs, performances, rhetoric-building and group-building processes, and in cultivating an anti-bourgeois distinction, both in the texts themselves and in the positioning of the artists within the literary field. Despite accusations of being reactionary, writers and artists who elaborate a Catholic concept of art and literature aim to develop a traditionalist and anti-modern stance within (aesthetical and social) modernity.

Official Ceremonies Aesthetics in Moscow Russia

2021 ◽  
Vol 64 ◽  
pp. 89-96
Author(s):  
Galina V. Talina
Keyword(s):  
17Th Century ◽  
The Other ◽  
Royal Court ◽  
Other Hand ◽  
The One ◽  
Concept Of Beauty ◽  
The Trinity

On the basis of the 17th century documents the author of the article reveals th concept of “beauty” through the prism of the ideas shaped in Moscow Russia on the whole and in the period of the reign of the first Romanovs, in particular. The concepts of “measure” and “order” characterized the beautiful, on the one hand, and on the other hand, – the necessity to build any action in compliance with the previously formulated sample objectified in the text. The most vivid manifestations of those instructions were the official ceremonies of Moscow royal court, among which especially stood out such ceremonies as coronation, announcement to the subjects of the heir to the throne, cross processions. Special attention in the article is paid to the innovations to the ceremonial sphere, the author shows the continuity in ceremony organization with enough creative freedom for the organizers. Moscow ceremony is shown as the trinity of action, word and symbolism.

Dynamic Elements in the Lyrics of Fet

Slavic Review ◽  
1967 ◽  
Vol 26 (2) ◽  
pp. 217-226 ◽  
Author(s):  
Rimvydas Šilbajoris
Keyword(s):  
Daily Life ◽  
Apparent Contradiction ◽  
Philosophical Thought ◽  
Concept Of Beauty

Afanasii Fet was a poet profoundly interested in philosophy, and yet it seemed to some that his verse lacked depth of thought; a realistic and very practical man, he wrote poems remote from the concerns of daily life, immersed in the ephemeral world of nightingales and roses. The key to this apparent contradiction is the concept of beauty that is central to the work of Fet and that enables him to maintain a consistent outlook on life and on art. Fet himself described this outlook as follows: “As poetry itself is the re-creation not of the whole subject but only of its beauty, so poetic thought is only a reflection of philosophical thought, and again it is a reflection of its beauty; its other aspects are of no concern to poetry.” In other words, an artist may take into account the “whole subject” in his practical concerns and strive to comprehend all facets of philosophy in his intellectual endeavors, but his art fulfills itself only in speaking of the beautiful.

scholarly journals A Reconsideration on the Theory of Beauty: Previous Views and a New Approach Following Maslow's Theory (Part II)

2021 ◽  
Author(s):  
Iulia-Adina Lehene
Keyword(s):  
Nineteenth Century ◽  
Urban Planning ◽  
Civil Engineering ◽  
Philosophical Perspective ◽  
New Approach ◽  
Human Motivation ◽  
Definition Of ◽  
Concept Of Beauty

This paper is the second part of a work that aims to rethink the concept of beauty as close as possible to its essence and in a way that integrates the science of aesthetics with the field of construction. Within other theoretical and practical works, this study may be further used to physically reflect the definition of beauty in areas such as architecture, civil engineering or urban planning and support professionals in designing and building beautiful objects and constructions. However, it has to be added that the assumption that there must be a particular original aspect related to beauty that leads a human-made object to success, needs to be further identified. The approach to the concept of beauty is through a general philosophical perspective and partially through the areas mentioned above.The second part of the study includes the synthesised guidance provided by Monroe Beardsley through the theories on beauty from the nineteenth century until today. In addition, it comprises the scheme of concepts that characterised the beautiful in this time, including the lines that guided its study, previous ideas that support our later views on presented theory, and a brief exposition of Maslow's theory of human motivation followed by our theory on beauty and the conclusions.

scholarly journals Review of Chemical toxicity in Cosmetic products w.s.r. Dushi Visha

2019 ◽  
Vol 7 (07) ◽  
Author(s):  
Shubhangi Karanje
Keyword(s):  
Coal Tar ◽  
Chemical Compounds ◽  
The Body ◽  
The Self ◽  
Synthetic Method ◽  
Cosmetic Products ◽  
Chemical Toxicity ◽  
External Application ◽  
Self Confidence ◽  
Concept Of Beauty

 The concept of beauty and cosmetic is as old as mankind and civilization. Cosmetic product for females like sun scream, lipsticks, facial cream, nail paints, deodorants and sindoor are very popular in the market. They are generally the combination of various chemical compounds and some of them are derived from natural sources and others from synthetic method. In females regular external application of cosmetic products to improve beauty and appearance of a person which increases the self confidence. Most of the cosmetic products contains hazardous chemicals like talcum, parabens, coal, tar dye, phthalates, fragrance, tri ethanolamine and use of some heavy metals e.g. lead, mercury etc. Peoples are not aware of adverse effect of regular use of cosmetic products it accumulates in the body can cause contact dermatitis, skin disorders, allergies, hair loss and effect on nails etc. In Ayurveda cosmetic toxicity is compare to cumulative type of toxicity, so the cumulative type of toxicity is similar to Dushi Visha describes in Ayurveda.

O Sublime de Kant

2017 ◽  
Vol 25 (50) ◽  
pp. 151-164
Author(s):  
Hugo Miguel Valadas Assis ◽  
Keyword(s):  
The Sublime ◽  
Concept Of Beauty ◽  
Broad Approach

The following essay presents an analysis on Kantian aesthetics, more specifically directed to the concept of the sublime. We begin with a broad approach to the nature of Kantian aesthetics – in relation to aesthetic-reflexive judgements. Only after this brief context we move on to define the sublime following Immanuel Kant’s approach, doing so in contrast with the concept of beauty – the same way Kant clarified. Sublimity incurs from an inability of human imagination and understanding to comprehend certain phenomena, whose magnitude is beyond us and petrifies us; there is, however some moral potential in this sentiment. In conclusion, we propose a more contemporary reflection on the sublime.

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