scholarly journals Pink Porn Economy: Genealogies of Transnational LGBTQ Organising

2020 ◽  
pp. 177-207
Author(s):  
Pia Laskar
Keyword(s):  
Twentieth Century ◽  
Historical Narratives ◽  
Sexual Rights ◽  
Gender Analysis ◽  
Same Sex ◽  
Sexual Subjectivity ◽  
Lesbian And Gay ◽  
The North ◽  
Political Networks ◽  
To Come

Abstract Studying pre-2000s pink porn magazines reveals the importance of politics in-between in the development of LGBTQ transnational organising in the twentieth century. The usual historical narratives of LGBTQ politics in the North are based on medical or legislative documents or on self-identified queers’ descriptions of their own interactions with these discourses. However, these discourses and data only capture parts of how twentieth-century queers developed sexual subjectivity, became nationally and transnationally organised, and conducted sexual politics. This chapter uses Claire Colebrook’s (Understanding Deleuze. Australia: Allen and Unwin, 2002) feminist engagement in Deleuze’s and Guattari’s concept device to discuss transnational political networks that rhizomatically connected the makers, disseminators and subscribers of male same-sex porn magazines produced in Denmark and Sweden between 1960 and 1980. The concepts enable an analysis of the messy entanglement of desire, subjectivity processes, consumption, organising and activism, and of the shaping of certain queer communities of belonging while also excluding others.  The application of gender analysis to the entanglement of pink porn economies in queer transnational networks sheds a genealogical light on the historical division between the emergence of vis-à-vis lesbian and gay networks and politics—and on the tensions between them regarding so-called positive or negative sexual rights in the decades to come.

scholarly journals Same sex relations, state crime and resistance

2021 ◽  
Author(s):  
◽  
Cara Gledhill
Keyword(s):  
Human Rights ◽  
Cultural Context ◽  
Human Rights Violations ◽  
Sexual Rights ◽  
Same Sex ◽  
Global Context ◽  
Lesbian And Gay ◽  
Civil Society Organisations ◽  
International Pressure

<p>This thesis explores the criminalisation of same sex relations in a global context, using a framework which centres the state as criminal. It argues that criminalising laws serve as hegemonic dictates, which condone and encourage violence perpetrated by state officials, as well as private individuals. The form of these laws, the punishments they mandate and the harms that lesbian and gay individuals suffer due to the existence of criminalisation is critically examined. The thesis shows that international legal progress in the area of 'sexual rights' has been painstakingly slow and that civil society organisations (CSOs) have been the driving force behind much of the change that has occurred. States have also been able to deny, minimise and neutralise challenges by the UN concerning criminalisation. Jamaica, a state which criminalises consensual sex between men, is provided as a case study in order to examine the ways in which criminalisation laws emerge, and the contemporary social and cultural context which supports their continued existence. Despite the climate of heterosexism in Jamaica, the continued work of CSOs means that information about human rights violations can be dispersed through a number of networks, allowing challenges to take place in the international arena. The thesis concludes by arguing that, while the work of CSOs offers great potential for change in the area, international pressure to repeal criminalising laws and address related human rights violations must continue.</p>

THE NATURE OF POWER: CAPE ENVIRONMENTAL HISTORY, THE HISTORY OF IDEAS AND NEOLIBERAL HISTORIOGRAPHY The Rise of Conservation in South Africa: Settlers, Livestock and the Environment, 1770–1950. By WILLIAM BEINART. Oxford: Oxford University Press, 2003. Pp. xxiii+402. £65 (ISBN 0-19-926151-2). Social History and African Environments. Edited by WILLIAM BEINART and JOANN MCGREGOR. Oxford: James Currey; Athens: Ohio University Press; Cape Town: David Philip, 2003. Pp. xii+275. £45 (ISBN 0-85255-951-8); £18.95, paperback (ISBN 0-85255-950-X). Environment, Power and Injustice: A South African History. By NANCY J. JACOBS. Cambridge: Cambridge University Press, 2003. Pp. xxi+300. £45; $65 (ISBN 0-521-81191-0); £16.95; $24, paperback (ISBN 0-521-01070-5).

2004 ◽  
Vol 45 (2) ◽  
pp. 305-313 ◽  
Author(s):  
LANCE VAN SITTERT
Keyword(s):  
Twentieth Century ◽  
Environmental History ◽  
South African ◽  
Social History ◽  
Social Relations ◽  
History Of Ideas ◽  
The North ◽  
Atlantic Rim ◽  
History Of ◽  
To Come

For a region purportedly a backwater of South African environmental history at the close of the twentieth century,1 the Cape has moved rapidly toward centre stage at the start of the new millennium. It now boasts a wealth of literature in international journals and last year saw the publication of the first book-length environmental histories of the region, with the promise of still more to come, not least from a strong crop of recently or nearly completed doctoral dissertations in academies round the north Atlantic rim.2 The Cape owes this distinction to being the oldest region of British missionary and imperial endeavour in the subcontinent, guaranteeing extensive archives in the northern hemisphere and explaining both the bias in the current scholarship towards the pre-1910 period and lack of a comparable scholarship on any other part of southern Africa.3 This anomalous florescence can also be read for likely future trends in a national historiography otherwise unanimously deemed moribund if not actually in decline for the past decade.4 What it reveals are two contending trajectories: the first a shift away from political economy to the history of ideas and the other a fidelity to the late twentieth-century radical social history tradition and its core theme of the social relations of production.

scholarly journals Soviet Lithuanians, Amber and the "New Balts": Historical Narratives of National and Regional Identities in Lithuanian Museums, 1940–2009

2010 ◽  
Vol 2 (5) ◽  
pp. 665-694 ◽  
Author(s):  
Egle Rindzevičiute
Keyword(s):  
Twentieth Century ◽  
Russian Empire ◽  
Nordic Countries ◽  
Ethnic Identification ◽  
Historical Narratives ◽  
Imagined Community ◽  
Post Colonial ◽  
The North ◽  
Soviet Occupation ◽  
Ethnic Nation

In the twentieth century Lithuania emerged from the crumbling Russian Empire as a post-colonial nationalising state. Its short-lived independence (1918–1940) featured attempts to assemble the material foundations for an imagined community of Lithuanians, however in 1940 this nationalist project was disrupted by Soviet occupation. However, this article argues that regardless of the measures taken against political nationalism by the Soviets, the material work of assembling the Lithuanians as a historical and ethnic nation was not abandoned. The study analyses the ways in which Northern and Baltic categories were used to regionally situate the ethnic identification of the Lithuanian population in Soviet and post-Soviet Lithuanian museums. The cases of the Historical-Ethnographic Museum and the Museum of Amber reveal that Northern and Baltic dimensions had to be reconciled with the Soviet version of the Lithuanian past. The resulting assemblage of Lithuania as a synchronic and diachronic community of inhabitants who defined themselves through shared Baltic ancestors and centuries-old uses of amber was transmitted to the post-Soviet museums. The most salient post-Soviet changes were, first, the rewriting of the relations between Lithuanians and the Nordic countries in positive terms and in this way reversing the Soviet narrative of Lithuania as a victim of aggression from the North. Second, the Soviet construction of amber as a material mediator which enabled Lithuanians to connect with each other as a synchronic and diachronic imagined community was somewhat pushed aside in favour of the understanding of amber as a medium of social and cultural distinction for the ancient Balts and contemporary Lithuanian elites.

scholarly journals Same sex relations, state crime and resistance

2021 ◽  
Author(s):  
◽  
Cara Gledhill
Keyword(s):  
Human Rights ◽  
Cultural Context ◽  
Human Rights Violations ◽  
Sexual Rights ◽  
Same Sex ◽  
Global Context ◽  
Lesbian And Gay ◽  
Civil Society Organisations ◽  
International Pressure

<p>This thesis explores the criminalisation of same sex relations in a global context, using a framework which centres the state as criminal. It argues that criminalising laws serve as hegemonic dictates, which condone and encourage violence perpetrated by state officials, as well as private individuals. The form of these laws, the punishments they mandate and the harms that lesbian and gay individuals suffer due to the existence of criminalisation is critically examined. The thesis shows that international legal progress in the area of 'sexual rights' has been painstakingly slow and that civil society organisations (CSOs) have been the driving force behind much of the change that has occurred. States have also been able to deny, minimise and neutralise challenges by the UN concerning criminalisation. Jamaica, a state which criminalises consensual sex between men, is provided as a case study in order to examine the ways in which criminalisation laws emerge, and the contemporary social and cultural context which supports their continued existence. Despite the climate of heterosexism in Jamaica, the continued work of CSOs means that information about human rights violations can be dispersed through a number of networks, allowing challenges to take place in the international arena. The thesis concludes by arguing that, while the work of CSOs offers great potential for change in the area, international pressure to repeal criminalising laws and address related human rights violations must continue.</p>

Investor-State Dispute Settlement under NAFTA Chapter 11: The Shape of Things to Come?

1998 ◽  
Vol 35 ◽  
pp. 263-290
Author(s):  
J. Anthony VanDuzer
Keyword(s):  
Free Trade Agreement ◽  
Dispute Settlement ◽  
Trade Agreement ◽  
Minimum Standards ◽  
The North ◽  
State Behaviour ◽  
Nafta Chapter 11 ◽  
To Come ◽  
The Right

SummaryRecently, there has been a proliferation of international agreements imposing minimum standards on states in respect of their treatment of foreign investors and allowing investors to initiate dispute settlement proceedings where a state violates these standards. Of greatest significance to Canada is Chapter 11 of the North American Free Trade Agreement, which provides both standards for state behaviour and the right to initiate binding arbitration. Since 1996, four cases have been brought under Chapter 11. This note describes the Chapter 11 process and suggests some of the issues that may arise as it is increasingly resorted to by investors.

Rewriting the Narrative

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
American Indian ◽  
Modern Society ◽  
Mixed Media ◽  
The State ◽  
Historical Narratives ◽  
Recent Scholarship ◽  
Art Scene ◽  
The 1960S

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

The Afterlife of Art and Objects

2018 ◽  
Author(s):  
James Tweedie
Keyword(s):  
Twentieth Century ◽  
Historical Narratives ◽  
Still Life ◽  
Art Cinema ◽  
Spanish Baroque ◽  
Late Twentieth ◽  
Moving Pictures ◽  
Tableau Vivant ◽  
The Relationship ◽  
Late Twentieth Century

Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.

Veiling Esther, Unveiling Her Story

2018 ◽  
Author(s):  
Adam J. Silverstein
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Case Studies ◽  
Muslim World ◽  
Historical Narratives ◽  
Modern Times ◽  
Religious Background ◽  
Literary Context ◽  
Shed Light ◽  
Selection Of

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.

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