scholarly journals Orthodox Clubs and Associations: Cultural, Educational and Religious Networks Between Palestine and Transjordan, 1925–1950

2020 ◽  
pp. 37-62
Author(s):  
Norig Neveu
Keyword(s):  
Nineteenth Century ◽  
Pivotal Role ◽  
Late Nineteenth Century ◽  
Intellectual Life ◽  
Greek Orthodox ◽  
Regional Networks ◽  
History Of ◽  
Late Nineteenth ◽  
Communal Space

AbstractSince the late nineteenth century, Orthodox Arab laymen had organised themselves into associations starting in the main cities of Palestine, a dynamic which quickly spread to Transjordan, leading to the creation of local Orthodox committees in most parishes. This chapter considers the history of the Greek Orthodox associations in Transjordan from 1925 to 1950 and the influence of regional networks in the structuration of religious, social and intellectual life in Amman and more generally Transjordan. By approaching cultural diplomacy “from below”, this chapter highlights the pivotal role of Orthodox laity in promoting cultural, intellectual and political production in Transjordan. Through those activities they could negotiate local sovereignty but also political and communal space, away from the influence of the Patriarchate of Jerusalem.

Can the Story Be Told without Them? The Role of Women in the Student Volunteer Movement

1989 ◽  
Vol 17 (2) ◽  
pp. 159-175
Author(s):  
Thomas Russell
Keyword(s):  
Nineteenth Century ◽  
Field Studies ◽  
Pivotal Role ◽  
Late Nineteenth Century ◽  
Student Volunteer ◽  
History Of ◽  
Late Nineteenth ◽  
Role Of Women

Too much of the history of missions has been written about the men who went to the field. Studies of Victorian missions have followed this course. While women played a pivotal role in the Protestant missionary enterprise of the late nineteenth century, their story has often been neglected. This essay analyzes the role of women in the Student Volunteer Movement and challenges historians and missiologists alike to reexamine the SVM saga in light of the contributions of women.

Pilgrims, Fieldworkers, and Secret Agents: Buryat Buddhologists and the History of an Eurasian Imaginary

Inner Asia ◽  
2009 ◽  
Vol 11 (1) ◽  
pp. 23-45 ◽  
Author(s):  
Anya Bernstein
Keyword(s):  
Nineteenth Century ◽  
Indigenous Peoples ◽  
Late Nineteenth Century ◽  
Southern Siberia ◽  
Eurasian Continent ◽  
History Of ◽  
Late Nineteenth ◽  
The Many ◽  
Revolutionary History

AbstractThis article looks at the pre-Revolutionary history of Buryats' engagement with greater Eurasia, drawing on the legacies of the long underappreciated Russian Buddhological school and exploring the intellectual and political context of its emergence in the late nineteenth century. Exploring the role of Russian Orientalists and political figures such as the Orientalists V.P. Vasil'ev and Prince E.E. Ukhtomskii, and taking a close look at the fieldwork of the first Russian-trained indigenous Buryat Buddhologists G.Ts. Tsybikov and B.B. Baradiin, I demonstrate that this ultimately Eurasianist school of Buddhology was borne out of conflicting sentiments towards Russia's cosmopolitanism, statehood, and imperial destiny in Asia, as well as representations of indigenous peoples of southern Siberia. As a conclusion, I map the emergent forms of what I call 'Asian Eurasianism', linking it to contemporary cultural debates in Buryatia. I suggest that the term offers us a better way to understand the many ways by which many non-Russians position themselves in relation to the vast Eurasian continent.

Eastern Libya, Wadai and the Sanūsīya: A Ṭarīqa and a Trade Route

1977 ◽  
Vol 18 (1) ◽  
pp. 21-36 ◽  
Author(s):  
Dennis D. Cordell
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
Long Distance ◽  
History Of ◽  
Late Nineteenth ◽  
Rapid Transport ◽  
Trade Route ◽  
The Relationship ◽  
Eastern Sudan

The caravan route linking Benghazi and Wadai was probably the most important avenue of long-distance trade between the Mediterranean and the eastern Sudan in the late nineteenth century. It remained economically viable well after 1900, after commerce on routes further west had declined.Beginning with the Mejabra trader from Jālū who first found a direct route from Cyrenaica to Wadai in 1809 or 1810, this article traces the history of the route in the nineteenth century with special reference to the effects of Wadaian policies on trans-Saharan commerce. The important role of the Mejabra and Zūwāyā merchants from Libya is also considered.Fluctuating fortunes characterized trading activity along the route between its opening and the years after 1850. Beginning in the 1860s, however, commercial prospects improved steadily. Evidence suggests that the Sanūsīya Muslim brotherhood (ṭarīqa) was largely responsible for increased trade and prosperity along the route at this time. Because the order spanned the route's entire length, it solved many of the problems connected with long-distance commerce. It assured regular communication, relatively rapid transport, the creation of bonds of trust, a system of adjudication and arbitration, and an all-embracing structure of authority to maintain order and respect for judicial rulings. It functioned as a trading diaspora, but its members were not all of the same ethnic group. Rather, adherence to a single ṭarāqa bound merchants together and fostered the security necessary for the trade. The article concludes that the relationship between the brotherhood and commerce was symbiotic. The Sanūsīya sheltered commerce; in turn, the caravan trade brought wealth to the order and united its far-flung domains.

Illustrated Media, the Built Environment and Identity Politics in Fin-de-siècle Catalonia: Printing Images, Making the Nation

2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart
Keyword(s):  
Nineteenth Century ◽  
Built Environment ◽  
Identity Politics ◽  
Nation Building ◽  
Constitutive Relationship ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Fin De Siècle ◽  
Late Nineteenth

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.

Disruptions of the Local, Eruptions of the Feminine: Local Reportage and National Anxieties in Egypt’s 1890s

2018 ◽  
Author(s):  
Marilyn Booth
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Late Nineteenth Century ◽  
Female Images ◽  
The Feminine ◽  
Late Nineteenth ◽  
Advocacy Role ◽  
Representations Of Women ◽  
Gendered Expectations

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Schopenhauer’s Pessimism in Context

2020 ◽  
pp. 283-298
Author(s):  
Mark Migotti
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Human Life ◽  
Necessary Condition ◽  
Late Nineteenth Century ◽  
Human Flourishing ◽  
History Of ◽  
Late Nineteenth ◽  
Early Eighteenth Century

In this chapter, the author attempts to establish what is philosophically living and what is philosophically dead in Schopenhauer’s pessimism. Against the background of the intriguing the history of the terms “optimism” and “pessimism”—in debates about Leibniz’s theodicy in the early eighteenth century and the popularity of Schopenhauer in the late nineteenth century, respectively—the author points up the distinction between affirming life, which all living beings do naturally, and subscribing to philosophical optimism (or pessimism), which is possible only for reflective beings like us. Next, the author notes the significance of Schopenhauer’s claim that optimism is a necessary condition of theism and explains its bearing on his pessimistic argument for the moral unacceptability of suicide. The chapter concludes that Schopenhauer’s case for pessimism is not conclusive, but instructive; his dim view of the prospects for leading a truly rewarding, worthwhile human life draws vivid attention to important questions about how and to what degree an atheistic world can nevertheless be conducive to human flourishing.

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