scholarly journals A gender-stereotyped representation of Marie in Jean-Philippe Toussaint’s tetralogy M. M. M. M. (2017)

Neophilologus ◽  
2020 ◽  
Vol 104 (4) ◽  
pp. 469-483
Author(s):  
Greta Brodahl
Keyword(s):  
Historical Perspective ◽  
Methodological Approach ◽  
Literary Tradition ◽  
Representation Of Women ◽  
Second Sex ◽  
Patriarchal Society

Abstract This article examines the portrait of Marie in Toussaint (M.M.M.M., ed. de Minuit, Paris, 2017) and asks how Marie is represented as a woman in the tetralogy. The study shows that although Marie is portrayed as a modern, independent woman, she is also presented with different gender-stereotyped characteristics. The theoretical and methodological approach to this topic will be based on Simone de Beauvoir’s The second sex (1949), in particular the chapter “Myths” that focuses on women and myths in a historical perspective. Another question the article raises is what may be the author’s intention by playing with stereotyped characteristics. I will argue that the author exposes a modern woman’s ambivalent situation in our patriarchal society. Furthermore, that he writes within a literary tradition that gives a stereotyped representation of women as part of the collective myths.

scholarly journals A feministic critique of Jamil Ahmed’s The Wandering Falcon

2021 ◽  
Vol 2 (2) ◽  
pp. 1-12
Author(s):  
Zareena Qasim ◽  
Adeela Iftikhar ◽  
Asifa Qasim
Keyword(s):  
Domestic Violence ◽  
Sexual Objectification ◽  
The Novel ◽  
Philosophical Approach ◽  
Representation Of Women ◽  
Second Sex ◽  
Patriarchal Society ◽  
The Way

The study investigates the novel The Wandering Falcon (2011) by Jamil Ahmad in the milieu of feminist approach. It qualitatively explores the text for the representation of women: the treatment of women by men, and their position in the patriarchal society. The novel is analysed by employing De-Beauvoir’s (1949) feministic philosophical approach in The Second Sex. This research explores the way power is exercised over women in the novel and the suppression of women by men plays as an instrument of transmission of customs and traditions.  This research is to explore the novel from a feministic perspective to unveil the hidden realities in the novel regarding women to find out what sort of oppression is faced by women in the novel and to explore the general problems of women in the novel. It is found that in the context of the novel, women are treated unjustly by men. They are deprived of their rights and are taken as commodities in the patriarchal society. Women are stereotypically presented as having no identity, no freedom, and no voice of their own. Being treated as objects and things to be traded by men, women in the novel are found facing domestic violence, sexual objectification, and extra judicial killings.

scholarly journals The Concept of “Internal Colonization” and Its Application in a Comparative Analysis of (Post)Soviet States

2018 ◽  
Vol 43 (2) ◽  
pp. 71-94
Author(s):  
Rasa Čepaitienė
Keyword(s):  
Comparative Analysis ◽  
Natural Resources ◽  
Cultural History ◽  
Political System ◽  
Socioeconomic Development ◽  
Historical Perspective ◽  
Methodological Approach ◽  
16Th Century ◽  
History Of ◽  
Internal Colonization

This article discusses a direction of sociocultural studies – the cultural history of natural resources – and the possibilities of its application in examining the causes of inequality and social exclusion in post-Soviet Lithuania. This theoretical-methodological approach assumes a strong interdependence shared between the extraction of natural resources, a state’s political system and institutions as well as certain sociocultural provisions. In exploring the concept of “internal colonization,” developed by historian of culture Alexander Etkind and other authors, this article sets guidelines for a comparative analysis of the sociopolitical structure of post-Soviet countries (especially Russia and Lithuania). Some initial hypotheses regarding the trends, differences, and similarities of post-Soviet societies in the long historical perspective, from the 16th century up to our time, are presented for further analysis. This article concludes that this methodological approach could be sufficiently promising in explaining the specifics of the socioeconomic development of independent Lithuania, in particular by applying the hypothesis of a “secondary internal colonization,” which has been raised during the course of the investigation.

scholarly journals Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Lila Lamrous
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
The Novel ◽  
Female Characters ◽  
Patriarchal Society ◽  
The Feminine ◽  
The Right

The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.

‘The Duty of Discontent’: Some Remarks on Pieter F. Craffert’s The Life of a Galilean Shaman: Jesus of Nazareth in Anthropological-Historical Perspective

2014 ◽  
Vol 11 (3) ◽  
pp. 251-280
Author(s):  
Christian Strecker
Keyword(s):  
New Testament ◽  
Historical Perspective ◽  
Methodological Approach ◽  
Historical Jesus ◽  
Critical Scholarship ◽  
Western Discourse ◽  
The New Testament ◽  
Scholarly Attention

This essay commends Pieter Craffert’s book “The Life of a Galilean shaman” as an important contribution in the field of Jesus studies. At the same time it reveals that Crafferts attempt to identify Jesus as a Galilean shaman is problematic, particularly considering the enigmatic nature of the category “shaman.” Western discourse on shamanism tends to contain an unwelcome mix of exoticism, alienation, and fascination; transferring this model to the life of Jesus is in danger of applying anachronistic and ethnocentric notions to the historical Jesus, not to mention the difficulties involved in verifying the supposed treatment of shamanic ASC-experiences in the New Testament texts. Although Crafferts new methodological approach of “anthropological historiography”, independent of the shamanism thesis, deserves scholarly attention, his employment of it shows an all too rigid, and ultimately counterproductive, rejection of classic historical-critical scholarship.

The Gastronomy of the Eye

2020 ◽  
pp. 175-198
Author(s):  
Vrushali Dhage
Keyword(s):  
Essential Role ◽  
Historical Perspective ◽  
Smart Cities ◽  
Methodological Approach ◽  
Economic Liberalization ◽  
The Other ◽  
Works Of Art

Works of art can be read at various levels: from being objects of simple retinal pleasure to the other extreme of being significant critical statements of their time. This chapter aims to strike a cerebral dialogue through the works of art. The current study shall consider the latter function of art and analyze the methods in which contemporary Indian artists have made attempts to provide a critique of the early initiatives towards developing Delhi and Mumbai as ‘smart cities'. The review of works from India concludes the essential role of infrastructural projects and envisioned spaces built in the era of economic liberalization. The study aims at drawing a methodological approach, with an art historical perspective, with the artists analysing and translating the urban experiential phenomenon, into artworks.

scholarly journals Symbolic representation of women on literary landscape: Textual analysis of the play 'Black is My Robe'

2021 ◽  
Vol 5 (1) ◽  
pp. 139-153
Author(s):  
Mahboob Alam ◽  
Muhammad Usman Askari
Keyword(s):  
Textual Analysis ◽  
Symbolic Representation ◽  
Female Character ◽  
Material Object ◽  
The Unconscious ◽  
Representation Of Women ◽  
Patriarchal Society ◽  
Dominant Society

The article aims to explore the symbolic representation of women in Pakistani society and investigates the unconscious nature of patriarchy in which the image of women is painted as a material object. This study is grounded on the textual analysis of Shahid Nadeem’s play “Black is My Robe.” The story revolves around the exchange of a female character named Sundri with an Ox. Shahid Nadeem has employed symbols to unveil the image of a repressed woman in patriarchal society. He has exposed the constructed myths about the submissive status of woman in male-dominant society through his plays in Ajoka theatre. He highlighted certain traditional hierarchies which signify their influence in gender discrepancy and sex stratification in which women is considered just as a property. To highlight these discrepancies, this study is carried out under Sigmund Freud’s theory of subconscious by using the literary technique of symbolism. The study has highlighted man’s desire for prescribing the negation of any gender through symbolization and devoid of anticipating any unpleasant representation. This study concludes with the suggestion to emancipate and empower women and to demolish ridiculous ideals of patriarchy by moral verdicts.

scholarly journals Tarsila do Amaral and Glete de Alcântara: history in art and photography

2020 ◽  
Vol 73 (2) ◽  
Author(s):  
Rafael Alcantara de Camargo ◽  
Luciana Barizon Luchesi ◽  
Fernando Porto ◽  
Mercedes Neto ◽  
Adriana Saturnino Mazziero ◽  
...  
Keyword(s):  
Visual Culture ◽  
Historical Perspective ◽  
Professional Life ◽  
Representation Of Women ◽  
Relationship Networks ◽  
Two Phases

ABSTRACT Objectives: to analyze the canvas “Retrato de Glete de Alcântara” (freely translated as Portrait of Glete de Alcântara) and discuss the effect of the canvas for Tarsila do Amaral and for Brazilian nursing. Methods: a study in the historical perspective, in the field of visual culture, with analysis in two phases: pre-iconography and iconography. Results: Tarsila do Amaral brings up the woman Glete de Alcântara without the attributes that identify nursing. In this sense, the representation of women on the canvas is a person aligned with the hairstyle of her time, elegantly dressed, with seriousness and haughtiness accentuated by a fixed and directed look. Final considerations: an attempt was made to advance beyond Glete de Alcântara’s professional life and her portrayed relationship networks, as well as to approach Tarsila do Amaral’s trajectory, beyond the aesthetics and recognition gained.

scholarly journals D. H. Lawrence’s Etruscan Places. A Modernist Revaluation of Temporality

2021 ◽  
Vol 10 (2) ◽  
pp. 35-47
Author(s):  
Camelia Anghel
Keyword(s):  
Twentieth Century ◽  
Historical Perspective ◽  
Literary Tradition ◽  
Cross Cultural ◽  
Cultural Discourse ◽  
Art Of Living ◽  
The Past ◽  
Ancient People ◽  
Exploratory Technique ◽  
Personal Engagement

The article deals with the literary modes of constructing temporality in D. H. Lawrence’s Etruscan Places (1932), a travel book written in 1927 and published posthumously. Typically for the first decades of the twentieth century, the work reflects the writer’s anxieties about war force, scientific discoveries and cultural exhaustion in a series of interrelated essays on the remnants of ancient Etruria and the powerful memory of Etruscan civilization. In this article, Etruscan Places is read like a subjective re-creation of a lost civilization; it is interpreted as the writing of an imaginary philosophy attributed to an ancient people and modelled on Lawrence’s personal engagement with the renewal of life potentialities. Patterning his book on the past-present opposition, the author recuperates the Etruscan past within the mythical framework of modernist coherence. The repeated movements between the lost Etruscan world and the writer’s mostly disappointing contemporary age reveal the possibility of establishing continuities not only on an anthropological plane, but also on a philosophical-aesthetic one. The Etruscans’ narrative of death brings to light an art of living; the historical perspective blends with existential and artistic considerations. Lawrence’s exploratory technique is based on similitudes and antitheses, being literarily rendered by a cross-cultural discourse that combines the factual with the fictional, and the epic with the lyric. The British author’s style puts forward repetition as a modernist rhetorical achievement that indirectly questions the validity of literary tradition. Furthermore, the explicit intertextuality of the book completes the writer’s modernist perspective, authenticating the cultural substance of the temporal links that Lawrence seeks to uncover.

scholarly journals A Critique of Twentieth Century Feminist Criticism

2021 ◽  
Vol 6 (4) ◽  
pp. 112-117
Author(s):  
Dr Vijay Nagnath Mhamane
Keyword(s):  
Women Writers ◽  
Virginia Woolf ◽  
Literary Tradition ◽  
Feminist Criticism ◽  
Social Constructs ◽  
Women In Literature ◽  
Representation Of Women ◽  
Constructive Work ◽  
Female Phase ◽  
Images Of Women

Feminist criticism arose in response to developments in the field of the feminist movement. Many thinkers such as John Stuart Mill, Mary Wollstonecraft raised their voice against the injustice done to women in every sphere of life. As this gained momentum throughout the world, feminist also awakened to the depiction and representation of women in literature which is one of the influential medium of socialization and culture. They argued that woman and womanhood are not biological facts but are given social constructs. One is not born a woman, but becomes one through culture and socialization. At first, feminist criticism was reactionary in the nature in the sense that they exposed stereotypical images of women in the literature. These images of women were promulgated by the male writers. These images of women were what men think of women. Gradually, feminist criticism moved from this phase to more constructive work. They unearthed many women writers that were either suppressed or neglected by the male literary tradition. In this way, they created a separate literary tradition of women writers. Feminist critics divided this tradition in such phases as feminine phase, feminist phase and female phase. They also studied the problems faced by female creative writers.  They used theories from post-structuralism, Marxism, psychoanalysis to study the nature of female creativity. They also realized that there is an innate difference between male and female modes of writing. Feminist critics also exposed the sexiest nature of man-made language. They also exposed phallic centrism of much of the western literary theory and criticism. They also started to study the language used by the women writers. Simon De Beauvoir, Virginia Woolf, Elaine Showalter and Juliet Mitchell are some of the feminist critics discussed in this paper.

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