scholarly journals L’écoute musicale et ses enjeux dans Conversations avec le maître de Cécile Wajsbrot

Neophilologus ◽  
2020 ◽  
Author(s):  
Annelies Schulte Nordholt

Abstract Conversations avec le maître, the first volume of a series called ‘Haute mer’, is a novel about the experience of listening to music. Through conversations between a composer and an anonymous young woman, it conveys crucial aspects of musical listening and of its verbal expression. This article examines the functioning of dialogue between the two characters; moreover, it studies the relationship between creation and reception, as expressed in the novel. It also examines what is at stake in this dialogue: the power of art in its relation to reality, to History. How may music become the echo of contemporary catastrophes? The article offers a close reading of the novel’s descriptions of listening to music: what literary techniques enable the author to put it into words?

2021 ◽  
Vol 8 (2) ◽  
pp. 214-231
Author(s):  
Ankhi Mukherjee

Examining the contestation of interpretations around this work, I argue that the proliferation of exegetical material on Sophocles’s Antigone is related to a noncomprehension of the human motives behind her transgressive action. Did she ever love, and is there any suffering in her piety? If she didn’t love (her brother), could she have suffered? I read the play alongside Kamila Shamsie’s postcolonial rewriting of it in Home Fire to elaborate on the relationship between personal loss and collective (and communal) suffering, particularly as it is focalized in the novel by the figure of a young woman who is both a bereaved twin and a vengeful fury.


Author(s):  
Karin Schlapbach

This chapter addresses the relationship between dance and language. Starting with a brief discussion of choral song-dance, it moves on to Plutarch’s Table Talk, examining the place of dance in this sympotic dialogue and in particular the dance theory with which the dialogue ends. A close reading teases out a basic distinction that underlies this theory, namely image-like gestures or movements as opposed to gestures or movements that bypass images, designated by the term deixis. The chapter defends the novel claim that deixis is not necessarily limited to ‘pointing’, but rather includes any type of direct showing or displaying. This alternative understanding of physical deixis implies that there is an element in dance that is not only non-pictorial but also non-referential altogether.


ATAVISME ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 209-220
Author(s):  
Mega Hayuningtyas Erwanti ◽  
Maimunah Maimunah

This study is conducted to examine the portrayal of a lesbian continuum in Sarah Waters’ Fingersmith. To conduct the analysis, there are two research questions: first, how is the construction of lesbian continuum portrayed in the relationship between Susan Trinder and Maud Lilly and how does lesbian continuum become a strategy to negotiate compulsory heterosexuality. In doing the analysis, the theory of lesbian continuum which is proposed by Adrienne Rich will be used to elaborate the novel. This study is a qualitative research where the data are taken from the novel Fingersmith, library research, journals, and other relevant sources. To gain the comprehensive analysis, this study uses some methods which are: close reading, postulation the statements of the problems, data classification, and analysis using the lesbian continuum theory, supporting analysis through library research, books, and academic journals. This study finds that the characters of Susan Trinder and Maud Lilly can be identified as having a double life which constructs the lesbian continuum. Moreover, the lesbian continuum becomes a strategy to negotiate compulsory heterosexuality with denial and negotiation of women’s oppression. Abstrak: Artikel ini mengkaji representasi lesbian continuum dalam novel Sarah Waters yang berjudul Fingersmith. Dua pertanyaan utama penelitian ini adalah (1) bagaimana konstruksi lesbian continuum direpresentasikan dalam hubungan antara tokoh Susan Trinder dan Maud Lily dalam novel Fingersmith dan (2) bagaimana lesbian continuum menjadi strategi untuk menghadapi compulsory heterosexuality dalam novel Fingersmith. Teori lesbian continuum oleh Adrienne Rich akan menjadi teori utama untuk menjawab pertanyaan penelitian. Menggunakan teknik pembacaan novel dan analisis pustaka yang bersumber dari jurnal dan sumber lain yang mendukung. Untuk mendapatkan data yang komprehensip, metode yang dipakai adalah close reading, menjabarkan pertanyaan, klasifikasi data, dan analisis menggunakan teori lesbian continuum, analisis didukung menggunakan penelitian pustaka, buku dan jurnal. Dalam penelitian ini dapat disimpulkan hal-hal berikut: Pertama, tokoh Susan Trinder dan Maud Lily diidentifikasi memiliki kehidupan ganda (double life), yang merupakan ciri dari representasi Lesbian Continuum. Kedua, lesbian continuum adalah strategi untuk bertahan dalam masyarakat dengan cara menyangkal (denial) adanya relasi seksual di antara mereka dan untuk melawan tekanan terhadap perempuan pada masa itu. Kata-kata Kunci: compulsory heterosexuality; lesbian continuum; Fingersmith


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Fernando Varela

In the present essay, I argue that taxidermy is a fundamental element in Brazilian novelist Santiago Nazarian’s Neve negra (2017). To do so, I frame my argument by using studies on anthropocentrism and the relationship between the human and the non-human through taxidermy. The first part of the essay examines recent studies on taxidermy and primary sources from the nineteenth century that center on the art and science of skinning, preparing, and mounting dead specimens. The second part focuses on a close reading of Nazarian’s novel by studying the narrator’s patriarchal and masculine anxieties in conjunction with taxidermy and the non-human characters that appear in the novel.


2017 ◽  
pp. 61-77
Author(s):  
Maciej Czerwiński

In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.


2020 ◽  
Author(s):  
Agnieszka Wykowska ◽  
Jairo Pérez-Osorio ◽  
Stefan Kopp

This booklet is a collection of the position statements accepted for the HRI’20 conference workshop “Social Cognition for HRI: Exploring the relationship between mindreading and social attunement in human-robot interaction” (Wykowska, Perez-Osorio & Kopp, 2020). Unfortunately, due to the rapid unfolding of the novel coronavirus at the beginning of the present year, the conference and consequently our workshop, were canceled. On the light of these events, we decided to put together the positions statements accepted for the workshop. The contributions collected in these pages highlight the role of attribution of mental states to artificial agents in human-robot interaction, and precisely the quality and presence of social attunement mechanisms that are known to make human interaction smooth, efficient, and robust. These papers also accentuate the importance of the multidisciplinary approach to advance the understanding of the factors and the consequences of social interactions with artificial agents.


2020 ◽  
Vol 17 (9) ◽  
pp. 1084-1101
Author(s):  
Tingjuan Wu ◽  
Xu Yao ◽  
Guan Wang ◽  
Xiaohe Liu ◽  
Hongfei Chen ◽  
...  

Background: Oleanolic Acid (OA) is a ubiquitous product of triterpenoid compounds. Due to its inexpensive availability, unique bioactivities, pharmacological effects and non-toxic properties, OA has attracted tremendous interest in the field of drug design and synthesis. Furthermore, many OA derivatives have been developed for ameliorating the poor water solubility and bioavailability. Objective: Over the past few decades, various modifications of the OA framework structure have led to the observation of enhancement in bioactivity. Herein, we focused on the synthesis and medicinal performance of OA derivatives modified on A-ring. Moreover, we clarified the relationship between structures and activities of OA derivatives with different functional groups in A-ring. The future application of OA in the field of drug design and development also was discussed and inferred. Conclusion: This review concluded the novel achievements that could add paramount information to the further study of OA-based drugs.


Author(s):  
Caroline Franklin

This chapter studies the novels of sensibility in the 1780s. The philosophy of John Locke, Anthony Ashley Cooper, third Earl of Shaftesbury, Adam Smith, and Francis Hutcheson had influenced the first wave of epistolary novels of sensibility beginning in the 1740s. These explored the interaction between emotion and reason in producing moral actions. Response to stimuli was minutely examined, especially the relationship between the psychological and physiological manifestations of feelings. Later in the century, and, in particular during the late 1780s when the novel enjoyed a surge in popularity, the capacity for fine feeling became increasingly valued for its own sake rather than moralized. Ultimately, sensibility should be seen as a long-lasting literary movement rather than an ephemeral fashion. It put paternal authority and conventional modes of masculinity under question.


Author(s):  
Elizabeth Gaskell

‘It's the masters as has wrought this woe; it's the masters as should pay for it.’ Set in Manchester in the 1840s - a period of industrial unrest and extreme deprivation - Mary Barton depicts the effects of economic and physical hardship upon the city's working-class community. Paralleling the novel's treatment of the relationship between masters and men, the suffering of the poor, and the workmen's angry response, is the story of Mary herself: a factory-worker's daughter who attracts the attentions of the mill-owner's son, she becomes caught up in the violence of class conflict when a brutal murder forces her to confront her true feelings and allegiances. Mary Barton was praised by contemporary critics for its vivid realism, its convincing characters and its deep sympathy with the poor, and it still has the power to engage and move readers today. This edition reproduces the last edition of the novel supervised by Elizabeth Gaskell and includes her husband's two lectures on the Lancashire dialect.


Author(s):  
Cristina Vatulescu

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.


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