scholarly journals ‘If I Had My House, I’d Feel Free’: Housing and the (Re)Productions of Citizenship in Cape Town, South Africa

Urban Forum ◽  
2020 ◽  
Vol 31 (3) ◽  
pp. 289-309 ◽  
Author(s):  
Marianne Millstein
Keyword(s):  
South Africa ◽  
Urban Studies ◽  
Cape Town ◽  
Urban Spaces ◽  
The Political ◽  
Community Politics ◽  
Temporal Differences ◽  
Urban Citizenship ◽  
Housing Rights ◽  
Individual Actions

Abstract While urban divisions are commonly emphasized in urban studies, there has been less emphasis on reproductions and contestations of divides within marginal urban spaces. This paper explores the dynamics of juxtaposed differences related to housing and urban citizenship in Delft, Cape Town. Delft is a microcosm of thirty years of official housing interventions in post-apartheid South Africa. It is also a space in which differences of urban formality and informality and of permanence and temporariness co-exist, and where housing is at the centre of community politics. This is driven by residents’ perceptions, interpretations and negotiations of differentiated housing rights and opportunities, residential categories and identities and notions of belonging. A particular manifestation of juxtaposed material and temporal differences in housing infrastructure is the construction of temporary relocation areas (TRAs). The multifaceted challenges with the TRAs in Delft illustrate the political nature of housing infrastructure as reported by (Lemanski 2019a, b) and how citizen-making is shaped in and through articulations of formality and informality, and of permanence and temporariness. This informs a politics of citizenship where the precariousness of permanent temporariness as reported by (Yiftachel 2009) for those living in the TRAs is set against those whose right to secure housing is realized, giving them recognition and permanence as ‘proper’ citizens. These dynamics may simultaneously inform rights-based claims to citizenship through collective struggles and individual actions, and localized forms of exclusion from the project of citizenship.

From East Harlem to Cape Town: Tupac Shakur’s legacy as a globalised oppositional repertoire

Ethnography ◽  
2020 ◽  
pp. 146613812092337
Author(s):  
Dariusz Dziewanski
Keyword(s):  
South Africa ◽  
Cape Town ◽  
Urban Spaces ◽  
Cultural Resource ◽  
East Harlem ◽  
Shared Experiences ◽  
Street Culture ◽  
Cultural Strategies ◽  
The World ◽  
The City

For marginalised people living in Cape Town, South Africa, rapper Tupac Shakur represents a globalised oppositional repertoire that people draw on for strength and esteem. The study focused on 22 purposefully sampled interviews from township communities throughout Cape Town, which were conducted within a broader multi-year research project that focused on street culture and gangs in the city. Perhaps the most obvious narrative emerging from the research was that of male gang members connecting to the defiant masculine aggression often projected through Tupac’s music. But research also found that gang girls can also draw on the oppositional power he embodies as a street soldier, leveraging it in order to push back against their physical and material insecurity through performances of street culture. There are also ways that Tupac, as the globalised ghetto prophet, serves as a cultural resource for those trying to resist the streets and participation in gangs. The continued resonance of his legacy and image among township residents in Cape Town hints at the links they find in common with disenfranchised groups in American ghettos, and the myriad of similarly segregated urban spaces around the world. Many such groups pursue common cultural strategies to counter their shared experiences with disenfranchisement and disempowerment.

The 1952 Jan Van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa

1993 ◽  
Vol 34 (3) ◽  
pp. 447-468 ◽  
Author(s):  
Ciraj Rassool ◽  
Leslie Witz
Keyword(s):  
South Africa ◽  
South African ◽  
Public History ◽  
Cape Town ◽  
African National Congress ◽  
The Political ◽  
The South ◽  
National History ◽  
Political Project ◽  
The 1950S

For all approaches to the South African past the icon of Jan Van Riebeeck looms large. Perspectives supportive of the political project of white domination created and perpetuate the icon as the bearer of civilization to the sub-continent and its source of history. Opponents of racial oppression have portrayed Van Riebeeck as public (history) enemy number one of the South African national past. Van Riebeeck remains the figure around which South Africa's history is made and contested.But this has not always been the case. Indeed up until the 1950s, Van Riebeeck appeared only in passing in school history texts, and the day of his landing at the Cape was barely commemorated. From the 1950s, however, Van Riebeeck acquired centre stage in South Africa's public history. This was not the result of an Afrikaner Nationalist conspiracy but arose out of an attempt to create a settler nationalist ideology. The means to achieve this was a massive celebration throughout the country of the 300th anniversary of Van Riebeeck's landing. Here was an attempt to display the growing power of the apartheid state and to assert its confidence.A large festival fair and imaginative historical pageants were pivotal events in establishing the paradigm of a national history and constituting its key elements. The political project of the apartheid state was justified in the festival fair through the juxtaposition of ‘civilization’ and economic progress with ‘primitiveness’ and social ‘backwardness’. The historical pageant in the streets of Cape Town presented a version of South Africa's past that legitimated settler rule.Just as the Van Riebeeck tercentenary afforded the white ruling bloc an opportunity to construct an ideological hegemony, it was grasped by the Non-European Unity Movement and the African National Congress to launch political campaigns. Through the public mediums of the resistance press and the mass meeting these organizations presented a counter-history of South Africa. These oppositional forms were an integral part of the making of the festival and the Van Riebeeck icon. In the conflict which played itself out in 1952 there was a remarkable consensus about the meaning of Van Riebeeck's landing in 1652. The narrative constructed, both by those seeking to establish apartheid and those who sought to challenge it, represented Van Riebeeck as the spirit of apartheid and the originator of white domination. The ideological frenzy in the centre of Cape Town in 1952 resurrected Van Riebeeck from obscurity and historical amnesia to become the lead actor on South Africa's public history stage.

scholarly journals Editorial

2017 ◽  
Vol 9 (2) ◽  
pp. 1
Author(s):  
Francois Venter
Keyword(s):  
South Africa ◽  
South African ◽  
Cape Town ◽  
The State ◽  
The Political ◽  
Constitutional Democracy ◽  
Political Dominance ◽  
South African Constitution ◽  
University Of Cape Town ◽  
The University

This second edition of 2006 offers an interesting range of topics, in this instance all covered by South African authors.In her analysis of the "institutions supporting constitutional democracy" established by the South African Constitution, Professor Christina Murray of the University of Cape Town argues that thethe institutions share the roles of providing a check on government and of contributing to transformation.  The newness of democracy, the great demands on the state and the political dominance of the governing party in South Africa are identified as the greatest challenges of the institutions discussed.

scholarly journals Dis-locating public space: Occupy Rondebosch Common, Cape Town

2016 ◽  
Vol 49 (3) ◽  
pp. 555-571 ◽  
Author(s):  
Myriam Houssay-Holzschuch ◽  
Emma Thébault
Keyword(s):  
South Africa ◽  
Public Space ◽  
Empirical Analysis ◽  
Urban Studies ◽  
Partial Dislocation ◽  
Cape Town ◽  
Space Research ◽  
Vacant Land ◽  
Context Specific

We argue here that public space research might benefit theoretically from the Southern Turn in urban studies. Our first objective is theoretical and methodological: unpack the idea of public space to make it suitable beyond its original location. Détienne’s work on Comparing the Incomparable, combined with Staeheli and Mitchell’s notion of “regimes of publicity” offer the theoretical tools for such a displacement. We end up thinking about public space as various, context-specific configurations of loosely structured, juridical, political, and social elements that take on new shapes and are prone to partial dislocation when dis-located. We test this model by displacing it to a piece of vacant land—Rondebosch Common in Cape Town. In so doing, we deal with our second objective: offering a detailed empirical analysis of the Occupy Rondebosch Common 2012 events, which relates to broader public space debates in contemporary, liminal, South Africa.

Towards a multi-scalar reading of informality in Delft, South Africa: Weaving the ‘everyday’ with wider structural tracings

Urban Studies ◽  
2018 ◽  
Vol 56 (3) ◽  
pp. 594-611 ◽  
Author(s):  
Liza Rose Cirolia ◽  
Suraya Scheba
Keyword(s):  
South Africa ◽  
Urban Studies ◽  
Cape Town ◽  
Top Down ◽  
African Cities ◽  
Street Level ◽  
Daily Experiences ◽  
The Everyday

Informality is a critical theme in urban studies. In recent years, ‘the everyday’ has become a focus of studies on informality in African cities. These studies focus on particularity and place. They offer a useful corrective to top-down and universalising readings which exclude the daily experiences and practices of people from analysis. As we show in this article, everyday studies surface valuable insights, highlighting the agency and precarity which operates at the street level. However, a fuller understanding of informality’s (re)production requires drawing together particularist accounts with wider and more structural tracings. These tracings offer insights into the ways in which state and financial processes influence and interface with the everyday. In this article, we use the case of housing in Delft, a township in Cape Town, to demonstrate this approach and argue for a multi-scalar and relational reading of the production of informality.

Time and Latitude in South Africa

1972 ◽  
Vol 1 ◽  
pp. 27-38
Author(s):  
J. Hers
Keyword(s):  
South Africa ◽  
Cape Town ◽  
Astronomical Observations ◽  
Royal Observatory ◽  
The Republic ◽  
Astronomical Determination ◽  
Limited Accuracy ◽  
Better Than

In South Africa the modern outlook towards time may be said to have started in 1948. Both the two major observatories, The Royal Observatory in Cape Town and the Union Observatory (now known as the Republic Observatory) in Johannesburg had, of course, been involved in the astronomical determination of time almost from their inception, and the Johannesburg Observatory has been responsible for the official time of South Africa since 1908. However the pendulum clocks then in use could not be relied on to provide an accuracy better than about 1/10 second, which was of the same order as that of the astronomical observations. It is doubtful if much use was made of even this limited accuracy outside the two observatories, and although there may – occasionally have been a demand for more accurate time, it was certainly not voiced.

Knowledge about Newborn Discharge Follow-up in Cape Town, South Africa

PEDIATRICS ◽  
2016 ◽  
Vol 137 (Supplement 3) ◽  
pp. 393A-393A
Author(s):  
KaWing Cho ◽  
Jean P Milambo ◽  
Leonidas Ndayisaba ◽  
Charles Okwundu ◽  
Abiola Olowoyeye ◽  
...  
Keyword(s):  
South Africa ◽  
Cape Town
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