Dating Climatic Episodes of the Holocene

1974 ◽  
Vol 4 (1) ◽  
pp. 9-24 ◽  
Author(s):  
Wayne M. Wendland ◽  
Reid A. Bryson
Keyword(s):  
Cultural History ◽  
Sea Level ◽  
Cultural Change ◽  
Climatic Impact ◽  
Radiocarbon Dates ◽  
The Holocene ◽  
Independent Analysis ◽  
The World ◽  
History Of ◽  
Cultural Discontinuities

Monitoring evidence indicates that the Holocene embraced a sequence of rather discrete climatic episodes. The transitions between these environmental episodes apparently were abrupt and globally synchronous. This paper reports on statistical analyses of radiocarbon dates associated with environmental change and cultural change.Over 800 14C dates associated with pollen maxima and minima, sea level maxima and minima, and top and bottom surfaces of peat beds were simultaneously analyzed to identify times of globally synchronous environmental discontinuities.Some 3700 14C dates associated with 155 cultural continua of the world were collectively analyzed to identify worldwide synchroneities in appearance and termination of the cultures.Significant globally synchronous discontinuities were identified in each independent analysis. The dates of environmental and cultural discontinuities are rather similar, particularly during the recent half of the Holocene. The fact that the cultural discontinuities mostly follow rather closely those of the paleobotanical record suggests that there has been a distinct climatic impact on the cultural history of man.

Puccini's La Bohème

2020 ◽  
Author(s):  
Alexandra Wilson
Keyword(s):  
Cultural History ◽  
Cultural Contexts ◽  
Music Drama ◽  
Political Debates ◽  
The World ◽  
History Of ◽  
La Boheme ◽  
The Aesthetic ◽  
The Many ◽  
The City

La bohème is one of the most frequently performed operas in the world. But how did it come to be so adored? Drawing on an extremely broad range of sources, Alexandra Wilson traces the opera’s rise to global fame. Although the work has been subjected to many hostile critiques, it swiftly achieved popular success through stage performances, recordings, and filmed versions. Wilson demonstrates how La bohème acquired even greater cultural influence as its music and dramatic themes began to be incorporated into pop songs, film soundtracks, musicals, and more. In this cultural history of Puccini’s opera, Wilson offers a fresh reading of a familiar work. La bohème was strikingly modern for the 1890s, she argues, in its approach to musical and dramatic realism and in flouting many of the conventions of the Italian operatic tradition. Considering the work within the context of the aesthetic, social, and political debates of its time, Wilson explores Puccini’s treatment of themes including gender, poverty, and nostalgia. She pays particular attention to La bohème’s representation of Paris, arguing that the opera was not only influenced by romantic mythologies surrounding the city but also helped shape them. Wilson concludes with a consideration of the many and varied approaches directors have taken to the staging of Puccini’s opera, including some that have reinvented the opera for a new age. This book is essential reading for anyone who has seen La bohème and wants to know more about its music, drama, and cultural contexts.

A Cultural History Of Color in the Renaissance

2020 ◽  
Keyword(s):  
Cultural History ◽  
Performing Arts ◽  
Material World ◽  
Color Terms ◽  
Global Circulation ◽  
The World ◽  
Color Technology ◽  
History Of ◽  
Psychology Literature

A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

The last glaciation and sea level history of Fosheim Peninsula, Ellesmere Island, Canadian High Arctic

1996 ◽  
Vol 33 (7) ◽  
pp. 1075-1086 ◽  
Author(s):  
Trevor Bell
Keyword(s):  
High Arctic ◽  
Radiocarbon Dates ◽  
The Holocene ◽  
Ice Caps ◽  
Marine Deposits ◽  
Last Glaciation ◽  
Maximum Elevation ◽  
Glacier Runoff ◽  
History Of ◽  
Ice Conditions

The last glaciation of Fosheim Peninsula is reconstructed on the basis of landform and sediment mapping and associated radiocarbon dates. Ice growth involved the expansion of cirque glaciers and accumulation on upland surfaces that are now ice free. Limited ice buildup, despite lowering of the paleoglaciation level by 700–800 m, is attributed to the hyperaridity of the region during glacial conditions. Marine deposits in formerly submerged basins beyond the ice margins are interpreted to represent (i) sedimentation caused by local ice buildup and marine transgression by 10.6 ka BP, (ii) increased ablation and glacier runoff [Formula: see text]9.5 ka BP, and (iii) marine regression during the Holocene. Holocene marine limit reaches a maximum elevation of approximately 150 m asl along northern Eureka Sound and Greely Fiord and descends southeastwards to 139–142 m asl near the Sawtooth Mountains. A synchronous marine limit is implied where the last ice limit was inland of the sea. The magnitude and pattern of Holocene emergence cannot be fully explained by the glacioisostatic effects of the small ice load during the last glaciation of the region. Deglaciation of the peninsula was underway by 9.5 ka BP; however, local ice caps may have persisted through the wannest period of the Holocene until 6–5 ka BP. This was likely a function of reduced sea ice conditions and increased moisture availability which benefited low-lying coastal icefields, but had negligible effect on interior highland ice caps.

Holocene evolution of the Assiniboine River paleochannels and Portage la Prairie alluvial fan

1989 ◽  
Vol 26 (9) ◽  
pp. 1834-1841 ◽  
Author(s):  
W. F. Rannie ◽  
L. H. Thorleifson ◽  
J. T. Teller
Keyword(s):  
Alluvial Fan ◽  
Red River ◽  
Lake Agassiz ◽  
Radiocarbon Dates ◽  
The Holocene ◽  
Sediment Loads ◽  
History Of ◽  
Western Side

The Portage la Prairie alluvial fan was constructed by numerous successive paleochannels of the Assiniboine River along the western side of the Lake Agassiz basin as the level of the lake rapidly declined beginning 9500 years ago. The history of the paleochannels during the first several thousand years is not known. Paleochannel morphologies and cross-cutting relations, soil maturity, and radiocarbon dates, however, indicate that by 6000–7000 years ago flow was northward into Lake Manitoba. This direction was maintained until about 3000 years ago, when avulsion redirected the Assiniboine eastward to the Red River near Winnipeg. The morphologies of the paleochannels suggest that channel-forming discharges and sediment loads of the ancestral rivers have not differed significantly from the modern values despite palynological evidence that the climate was warmer and drier during much of the Holocene.

A Cultural History of Color in the Age of Industry

2021 ◽  
Keyword(s):  
Cultural History ◽  
Performing Arts ◽  
New Technologies ◽  
Steam Power ◽  
Industrial Manufacturing ◽  
The World ◽  
Color Technology ◽  
History Of ◽  
Color Printing ◽  
Psychology Literature

Volume 5 A Cultural History of Color in the Age of Industry covers the period 1800 to 1920, when the world embraced color like never before. Inventions, such as steam power, lithography, photography, electricity, motor cars, aviation, and cheaper color printing, all contributed to a new exuberance about color. Available pigments and colored products – made possible by new technologies, industrial manufacturing, commercialization, and urbanization – also greatly increased, as did illustrated printed literature for the mass market. Color, both literally and metaphorically, was splashed around, and became an expressive tool for artists, designers, and writers. Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Volume 5 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

A Cultural History of Objects in the Modern Age

2021 ◽  
Keyword(s):  
Cultural History ◽  
21St Century ◽  
Global Changes ◽  
New Materials ◽  
The West ◽  
Post Colonial ◽  
Everyday Objects ◽  
Modern Age ◽  
The World ◽  
History Of

A Cultural History of Objects in the Modern Age covers the period 1900 to today, a time marked by massive global changes in production, transportation, and information-sharing in a post-colonial world. New materials and inventions – from plastics to the digital to biotechnology – have created unprecedented scales of disruption, shifting and blurring the categories and meanings of the object. If the 20th Century demonstrated that humans can be treated like things whilst things can become ever more human, where will the 21st Century take us? The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds.

Free Market Flavor

2016 ◽  
Author(s):  
Steve Zeitlin
Keyword(s):  
New York ◽  
Everyday Life ◽  
Cultural History ◽  
Free Market ◽  
World History ◽  
The World ◽  
History Of ◽  
Entire History ◽  
Cultural Expressions

This chapter reflects on the poetry of the palate, which it says is part of our palette of personal and cultural expressions. Tasting your favorite dish and hearing your favorite poem both have aesthetic qualities that make part of the poetry of everyday life. A language of tastes from immigrants' home countries is a marketable currency—and it adds not only flavors but also delicious words to our English vocabulary. Two books by Mark Kurlansky, Cod: A Biography of the Fish That Changed the World and Salt: A World History, make the case that the entire history of the world can be told through a single food. Foodways can provide a lens through which to explore geography and cultural history. In New York, world history, immigrant history, and shifting demographics create an ever-changing range of eateries and restaurants offering a panoply of tastes, often concocting new flavors by mixing ingredients.

Conspiracy Theories and the Reception of The Protocols of the Elders of Zion in Poland

1998 ◽  
pp. 171-182
Author(s):  
Janusz Tazbir
Keyword(s):  
Cultural History ◽  
Democratic Party ◽  
Conspiracy Theory ◽  
Western World ◽  
The Political ◽  
Conspiracy Theories ◽  
The World ◽  
History Of ◽  
Theory Of History

This chapter addresses conspiracy theories and the publication of The Protocols of the Elders of Zion, the most infamous ‘instructions’ telling adherents of the Jewish faith how they were to build the Sanhedrin's global empire. The Protocols was supposedly based on lectures given at the First Zionist Congress in Basle in 1897. The aim of the book was to show that the perpetrators of all social upheavals were Jews, who expected to conquer the world with the aid of revolution. In inter-war Poland, belief in the omnipotence of the masonic lodges and international Jewry found its adherents among historians and journalists associated with the nationalist right, the Endecja (National Democratic Party). In the opinion of modern supporters of the conspiracy theory of history, Freemasonry, always directed by Jews, constituted a factor in all the more important events in the political, social, and cultural history of Poland, Europe, and the western world.

scholarly journals Towards a cultural history of digital autodidacticism: changing cultural narratives of education

Perspectiva ◽  
2019 ◽  
Vol 37 (1) ◽  
pp. 125-139
Author(s):  
Julian Sefton-Green
Keyword(s):  
Human Capital ◽  
Communities Of Practice ◽  
Cultural History ◽  
Education System ◽  
Cultural Narratives ◽  
World Today ◽  
The World ◽  
History Of

The essay argues that the various new imaginaries of the connected, creative, autonomous, coding, motivated and making digital learner have their roots in diverse and older visions of a different kind education system (especially the craft learner working in communities of practice) than that promulgated by the human-capital inspired neoliberal governmentalised States in the world today. Tracing the histories of the older imaginaries in a cultural history of autodidacticism I examine how they become incorporated by, and thus recalibrate competing visions of the “new learner of tomorrow”.

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